Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
essays analisingt he use of metaphors
metaphor in Shakespeare
essays analisingt he use of metaphors
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: essays analisingt he use of metaphors
In Sir Gawain and the Green Knight and the Lais of Marie de France, the authors use animals as metaphors for human actions, and as characters. By analyzing the use of these animals, we are able to explore the meaning the authors were trying to communicate through specific scenes. The Book of Beasts, a translation by T.H. White (1984 ed.), provides a medieval standpoint when analyzing the use of animals in the Lais and in Gawain. In Sir Gawain and the Green Knight, there is specific use of three animals as metaphors for human actions. These animals are the deer, boar, and fox. When Gawain rests with the Lord and Lady on his way to battle with the Green Knight, we see three hunting scenes, which coincide with three seduction, or flirting, scenes. During these hunts, the Lord of the manor kills three animals. The first is the deer. White's translation states that the deer, or the stag, can be used as a metaphor for Christians. The author felt that deer were able to eat snakes for medicinal purposes, and thus shed their old skin. This ability makes them like Christians in that when they eat up the devil, or sin, and then they are able to confess or shed their sins. The Lady, who is compared to a snake with the "s" alliteration, tempts Gawain. He refuses her advances at this point in the story, but later, he feels he must confess for taking her sash, thus shedding his sins. The next hunt results in the boar. The Book of Beasts, states that boars are wild and brutish, thus when someone is called boorish it refers to the nature of a boar. In the seduction scene, the Lady becomes impatient and somewhat rude. She is trying to force Gawain into a relationship by saying he is mean for not teaching her what he knows, and for leading ... ... middle of paper ... ...t speak to her lover only through the window of her room. At night, she would go to her window while she thought her husband was sleeping, claiming that the song of the nightingale kept her awake. After the nightingale is killed by the husband, the lord keeps the body with him always as a sign of devotion to the lady. Marie de France's use of animals in her lais is molded and adjusted to fit her needs. She creates metaphors relating to love and love relationships that were not mentioned in the Christian based Book of Beasts. However, the Gawain author appears to have kept true to the type of descriptions and natures of the animals in White's translation. Both authors were able to use animals to express specific features of human emotions and relationships, furthering our understanding of the nature of temptation, love and relationships in the medieval period.
Sir Gawain and the Green Knight consists of three hunts, three temptations, and three different animals. It is not by accident that the first day's hunt is for deer. The deer represents the innocence and purity of Gawain as a knight. The lengthy and detailed description of the hunt and the capture of the deer serve to emphasize the symbolism of the deer. The even more detailed description of the slaughter and butchering of the meat further emphasizes the symbolism. It can be inferred that the butchering of the deer is similar to the fate that awaits Gawain when he meets with the Green Knight.
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.
Sir Gawain and the Green Knight. Trans. Keith Harrison. Medieval English Literature. Ed. J.B. Trapp, Douglas Gray, and Julia Boffey. New York: Oxford UP, 2002: 356-416.
In part four of this tale the theme that is advanced is chivalry, honor and human weakness. As Gawain goes to meet the Green Knight we get the feeling of dread by the authors description of the weather outside. It is bitterly cold and snowing. The wind is whipping around Gawain as he travels (115). The extreme weather reminds us that Gawain is going to face something just as ominous. As Gawain dresses for his meeting he binds his love token ( the green girdle) twice around his middle. He is somber as he prepares for his impending death. His sense of honor is what binds him to this meeting that will certainly be his death, so he thinks (117). Gawain is steadfast in his desire to fulfill his promise to meet the Green Knight.
Works Cited Sir Gawain and the Green Knight. Second Edition. Translated with an introduction by Brian Stone. New York: Penguin Books, 1974.
In the Medieval Romance of Sir Gawain and the Green Knight imagery reinforces the five basic rules that are fundamental to the “Quest”.
Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain.
Many animals were thought to have qualities of human emotions, spirituality and even intelligent qualities; the three hunted animals in Sir Gawain included. To begin, "Certain facts about the animals which formed the quarry of the medieval huntsman...and certain popular beliefs about their habits and temper" (Savage 32) will allow the reader to draw parallels between the hunt, happening outside the castle; and the "hunt" happening inside the castle between Gawain and the Lady of the house.
Millette, Ashley and Aashish Srinivas. “Beasts and Myths of the Middle Ages.” n.p. n.d. Web. 20 March 2014.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world.
Part Three of Gawain and the Green Knight tell about the three days before Gawain is to leave the Lord’s castle to meet the Green Knight. The first day the lord wakes up early to hunt for deer. The story tells in detail about the hunting party when suddenly we move to the castle back to Gawain. Gawain asleep in his bed is greeted by the lady of the castle sneaking into his room and watching him sleep. Gawain knows she is in his room but acts surprised to wake up to her. The lady flirts with Gawain by telling him how great he is and offers her body to him. The author writes “My body is here at hand, / Your each wish to fulfill; / Your servant to command/ I am, and shall be still.” (Lines 1237-1240). Gawain tells her he is unworthy of her to which the lady continues her flirtatious ways. Before the lady leaves Gawain’s room she asks for a kiss to which Gawain complies and grants her a kiss. The lord’s hunting party has killed a large amount of deer and begins dividing the killings. The party returns home and Gawain is given the game, Gawain gives the lord the kiss he received but refuses to tell who gave him the kiss.
In literature, insights into characters, places, and events are often communicated to the reader by symbolic references within the text. This is the case in Sir Gawain and the Green Knight. In this Medieval romance, the colors and textures of fabrics and jewelry are used heavily by the poet not only as a descriptive tool, but also to give the reader information about the characters’ personalities and roles within the story.
There are many parallels that can be drawn from the three temptations and hunting scenes and the three blows exchanged by the Green Knight. All of these scenes are interlocked together in the way that Gawain's quest is told and his trails he endures leading up to his meeting with the Green Knight to fulfill his promise made the year before.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.