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social norms psychological essay
critical esssy on toni morrisons sula
essay on Toni Morrison's novel Sula
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"Sula" Yin and Yang is an ancient Chinese philosophy that says everything in the world works through opposing energies and that everything has its counter part which balances the world out. This idea of counter parts also carries into literature as shown in the book Sula by Toni Morrison. According to social conventions the character Nel is the yang (positive character/good) and Sula is the yin (negative character/evil). This is the way both characters are viewed on sole terms of how they conform to society. Nel is shown to be a good character because she plays a socially expectable role as a women and mother, while Sula conforms to no social stereotypes and let's almost nothing hold her back, thus she is viewed as evil. The social conventions that are set up in this book play out in a small black community in Ohio called "the bottom." The community itself formed when a white slave owner tricked his naive black slave into accepting hilly mountainous land that would be hard to farm and very troublesome instead of the actual bottom (valley) land that he was promised. The slave was told "when God looks down, it's the bottom. That's why we call it so. It's the bottom of heaven-best land there is"(4), and on this lie a community was formed. The community struggles geographically to survive, having to combat bad weather and encroaching whites who want to convert most of the town into a golf course. The town unites social as they band together against Sula and her actions. Nel follows all the stereotypes of what a woman should be. She is a simple God-fearing, church going women who marries young and is very domesticated, tending to the house and her children. Nel chooses to settle into the conventional female ... ... middle of paper ... ... Little, Nel is riddled with guilt. She clings even closer to social conventions in an attempt to reestablish herself as a good person. This guilt most likely comes from her strict authority respecting upbringing and her fear of being judged and seen as wrong. Nel is tormented by the young boys death and her mind is restless about it for years until she finally accepts some of the blame for the accident and stops blaming it all on Sula. Sula on the other hand, has no guilt over the accident. She sees what happened as a turn in life and does not feel like she is the cause of Chicken Little's death. She mourns his death and then moves on. Sula has a feminist spirit and refuses to melt into the typical mold of a women. Because of this she is hated by the town. The towns hatered against her actually ends up drawing them together in a way to face on evil, Sula
“Sula,” however, was in Ohio during the first half of the twentieth century, nearly 100 years after “Jane Eyre”. It is the story of a young woman who was raised by her mother and grandmother whom both did not have a good reputation in the town they lived in. Sula later leaves the town for a period of 10 years, has many affairs and lives a wild life. When Sula returns to the town, many people look upon her as evil because of how she lives her life. Sula’s story is contrasted with that of her best friend Nel, who was raised by a family with more social morals and later chose to settle in a life as a wife and mother. “Sula” deals with several different themes like race, family, gender and social conventions.
During the course of this work, many ideas and themes are portrayed and readers are able to view subjects that surround the main topic of racial injustice and intolerance. With the three main narrators, Minny Jackson, Aibileen Clark, and Skeeter Phelan, the audience quickly gains an insight on how racial inequalities affected everyone. These thoughts help to form a plot that can easily keep readers entertained throughout the novel. During the course of the novel, there are many points in the plot that decide the actions and events other cha...
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
Though she was seen as the town's outcasts, someone the community could measure themselves against to know their own goodness, Sula was the realest person. She wasn't someone who tried to be what she wasn't. She did not scorn others in the way they scorned her. In a way, she was more pious. There are other minor characters in which Morrison leaves the blame in the air. Eva killing her son, Ralph, to save him from himself, and his heroine addiction and Teapot's mother abusing and neglecting him until he was hurt because of Sula.
Everything in this world has a balance. Without negative, there is no positive and without Sula, there is not Nel. Their friendship is strong and they are one when together, and become nothing when broken apart. Nel turns into a dull housewife, living the life of her mother, and Sula dies alone without anyone who truly loves her by her side.
Sula and Nel’s friendship in their childhood was beneficial for both of them. Sula’s meeting of Nel was fortunate, because they find a soul mate within each other. They are both the daughters of “distant mothers and incomprehensible fathers” (Morrison, 50). Both girls lack affection in their relationships with their mothers. They can’t find this affection in their relationships with their fathers either, because Sula’s father is dead while Nel’s father is away at sea. They find the affection they need with each other. Their friendship was a way to mother each other. Since they can’ find the support they need from their families with their families they began to support each other and figure out what each other need in their life. The significance
Compromising her individuality, her emotional stability, and her dreams mark Nel's banal and unfulfilling life.Early in Nel's life during a trip to New Orleans, she watches as her mother is humiliated by a train's white, racist conductor; she watches the indignity of her mother's having to squat in an open field to urinate while white train passengers gaze; and she watches her mother's shame at her own Creole mother's libidinous lifestyle. Her mother's submissiveness and humiliation evokes a fear, an anger, and an energy in Nel. Her emotions intensify as she makes a declaration to never be her mother, to never compromise her individuality, "I'm me. I'm not their daughter. I'm not Nel. I'm me.
Toni Morrison’s novel Sula is rich with paradox and contradiction from the name of a community on top of a hill called "Bottom" to a family full of discord named "Peace." There are no clear distinctions in the novel, and this is most apparent in the meaning of the relationship between the two main characters, Sula and Nel. Although they are characterized differently, they also have many similarities. Literary critics have interpreted the girls in several different ways: as lesbians (Smith 8), as the two halves of a single person (Coleman 145), and as representations of the dichotomy between good and evil (Bergenholtz 4 of 9). The ambiguity of these two characters allows for infinite speculation, but regardless of how the reader interprets the relationship their bond is undeniable. The most striking example of their connection occurs right before the accidental death of Chicken Little. In the passage preceding his death, Nel and Sula conduct an almost ceremonial commitment to one another that is sealed permanently when "the water darkened and closed quickly over the place where Chicken Little sank" (Morrison 61):
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...
Helene was raised by her grandmother because she mother was a prostitute in the New Orleans. When Helene has a family of her own, she refuses to make her background be known. Helene raises Nel with fear because she doesn’t want her to have the lifestyle she grew up in. Helene controls Nel’s life and makes her see the world how it is. Nel and her mother go on a train to New Orleans to attend the funeral for her great grandmother. On the train, Nel witnessed racial situation between her mother and the white conductor. “Pulling Nel by the arm, she pressed herself and her daughter into the foot space in front of a wooden seat… at least no reason that anyone could understand, certainly no reason that Nel understood,” (21). Nel was very uncomfortable throughout the trip and wasn’t able to communicate with her mother because she never learned how to since her mother was not supportive of her. Nel views her mother very negatively for the way she raised her. Nel starts to determine her life and great her identity when she became friends with Sula. The effect of negative maternal interactions on an individual is explained by Diane Gillespie and Missy Dehn Kubitschek as they discuss
... of Maycomb and other towns, primarily across the south, races were only to use their exclusive facilities. A place meant level inequalities only added to the immense imbalance of superiority; this place was a courtroom, where inequality was supposed to be diminished. As white supremacy developed, blacks weren’t as socially accepted and were mistreated. The novel brought focus to a multitude of injustices that would essentially spur change to create a more integrated society in the future. Just as the novel explained how change was in the making, history itself during this time shows how assimilation was in the working. Even though today racial integration is very prominent there are still instances where people are discriminated. Segregation, although not as furious of a fire as it was during this time period, is still an ignited spark in some people’s souls today.
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
Sula has a feminist spirit and refuses to melt into the typical mold of a woman. She "discovered years before that [she was] neither white nor male, and that all freedom and triumph was forbidden to [her]" (52). Because of this she decides to lead her life on her own terms. Sula encounters both racism and sexism and is placed in a situation in which she has no release for her wild spirit. She cannot live out in the world with the freedoms of a man, but doesn't want to live as a stereotypically sheltered woman either. In attempting to break these boundaries she is hated by the town and viewed as an "evil" person by the community in which she lives.
First there is the presence of the old stereotypical woman character, a woman split between the conventional and nontraditional roles of women. No differences are apparent initially between Morrison's Sula and any other women's literature in the past. Women are depicted either as docile servants to men, like Nel, or ball-busting feminist monsters like Sula. The hidden aspect of the novel lies underneath these stereotypical surface roles, in the incomprehensible and almost inappropriate bond of the two women. In the final scene of Sula, Nel comes to the realization that the emptiness inside her is due to the loss of Sula, not Jude (Morrison 174). Her friendship with Sula is all that matters.