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the hobbit j.r.r tolkien
the hobbit j.r.r tolkien
the hobbit j.r.r tolkien
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J.R.R. Tolkien's The Lord of the Rings
J.R.R Tolkien’s The Lord of the Rings strikes a cord with almost everyone who reads it. Its popularity has not waned with the passing of time, nor is its appeal centered on one age group or generation. Book sales would indicate that The Lord of the Rings is at least as popular now as it ever was, if not more so. Some estimates put it at the second highest selling work of all time, following only the bible.
While it is certainly an exciting and well written work of fantasy, which cannot help but grip the imagination, all this would be for naught except for the poignancy of the themes which serve as its backbone. Foremost of these is Tolkien’s determination to show the natural world as the measure of all things. His world revolves around nature, and his character’s affinity to it determines their place in Middle-Earth.
The structure of the history of Middle-earth is based on the natural cycle of life. Tolkien’s chronicle, stretching back through the various ages of the world, is at its heart a simple story of good vs. evil. The balance of power does not swing chaotically however. Tolkien sets the world on a cyclical system. As Gandalf says, “Always after a defeat and a respite, the Shadow takes another shape and grows again.”(Fellowship, 76).
Additionally, the world is also divided into various ages, declining in their greatness as time passes. The First age for instance, is filled with greater beings, both good and evil, who inevitably clash, often eliminating themselves in the process. In earlier days the elves were still numerous, the dwarves ruled their great holdfast of Moria, and evil beings such as Sauron and the Balrogs were but servants to the great dark lord Mo...
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...uity through art, a link which would preserve some of the faded glory of the past. (Stanton, 93)
Tolkien tells us “Farie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.” ( On fairy Stories, 9).
This applies well to The Lord of the Rings. Farie, representing nature, is an intrinsic part of our lives. To ignore it or destroy it can only bring us trouble. With nature man finds art, beauty, abundance, and joy. All good things from nature, and all evil comes from its lack and destruction. To Tolkien, a world without nature was no world worth living in, and in The Lord of the Rings, he doesn’t let us forget it.
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
From the beginning of creation to the fictitious lands created by J. R. R. Tolkien himself, the distinctions between good and evil rise from the shadows and into the light. Specifically, in the Confessions of St. Augustine all things created through the light of God are seen as wholly good, while the absence of such light and goodness is considered evil. Tolkien’s novel elaborates on the work of Augustine and establishes the differences between forces of good and evil in the land of Middle Earth. Augustine and Tolkien in their works Saint. Augustine Confessions and The Fellowship of the Ring address the issues that arise from an individual 's struggle to escape the temptations of evil and succumbing to their lust for power rather than asserting
Humans exist between two distinct beliefs, one being that of individualism where the person is only focused on benefiting their self and their tribe, and the other being altruistic where the priority is put on the betterment of the group at the downfall of the individual. In nature, animals only exist in the belief of self betterment but humans have the moral dilemma between self preservation and group preservation. Through new perspectives, this inner conflict can be transformed to become more altruistic or group minded. Whether that be through the journey of saving Middle Earth or the simple journey through high school. This theme is explored in J.R.R Tolkien's novel, The Lord of the Rings: The Two Towers. This novel takes the reader through
Tolkien, J.R.R. The Hobbit, Or, There and Back Again. Boston: Houghton Mifflin Company, 1996. Print.
J.R.R. Tolkien (1892-1973) gained a reputation during the 1960’s and 1970’s as a cult figure among youths disillusioned with war and the technological age. His continuing popularity evidences his ability to evoke the oppressive realities of modern life while drawing audiences into a fantasy world.
Wood, Ralph C. "Good & Evil in Middle-earth: the characters are mythic, but the epic sweeps across a
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
In Tolkien world, evil is the antithesis of creativity, and is dependent on destruction and ruin for its basis. Conversely, goodness is associated with the beauty of creation as well as the preservation of anything that is created. The symbolic nature of these two ideologies is represented in the Elven Rings, which symbolize goodness, and the One Ring, which is wholly evil. A main theme of "The Hobbit", then, is the struggle within our own free will between good will and evil. "Early in the (Lord of the Rings) narrative, Frodo recalls that his uncle Bilbo, especially during his later years, was fond of declaring that… there was only one Road; that it was lik...
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Good and evil in Tolkien's work are, to put it simply, that which is natural and that which is unnatural, respectively. That is, what is left alone to follow the cycles of nature is good. Any time that the cycles of nature are disrupted (such as the felling of a forest or the enslavement of a free people), there is evil. There are constant references to this in Tolkien's stories, as when Bilbo Baggins' neighbors remark on his mysterious vigor and extreme old age, "It isn't natural, and trouble will come of it" (21). Or when Sam Gamgee says of the Gandalf the wizard, "Don't let him turn me into anything unnat...
...in the book of Genesis in the Christian bible. Evil, as presented by Tolkien, is not inherently powerful. Evil’s power is found in corrupting those with power already or in powerful positions within their society. Humility of thought and action are what separate the wielders of power in Tolkien’s books. This is no more evident than with the fall of Sarumon. Asked to step down from his tower, he refuses and is cast out of the wizard order he used to lead. Gandalf intones “he will not serve, only command (The Two Towers 588).
It is likely for one to assume that a classic piece of literature set in a fantasy oriented stage will have no merits to the youths of today. The Hobbit by J. R. R. Tolkien, however, with its crafty of usage symbolism, displays its relevance to issues that often trouble teens. As the story progresses from a children’s tale to an epic, the main character Bilbo undergoes a series of development, his experiences often overlapping with ordinary people. Reading the Hobbit will provide teens with opportunities of exploring the importance of several common but serious topics. People may encounter many of the themes presented in the book elsewhere repeatedly, but it’s possible that they never appreciated the applications it might have on themselves. When teens read the Hobbit, they perceive it as a simple fiction of adventure. Under proper guiding, they will be able to recognize and utilize the lessons of the Hobbit, and improve their attitudes and ideas about life.
Nature plays an important and powerful role in J.R.R. Tolkien’s Lord of the Rings. Often, it is used to Shakespearean effects, in order to foreshadow doom. At other times, descriptions of the “green earth,” in particular, are used to render Middle-Earth into an almost maternal, life-giving persona. One could argue that these descriptions of “green earth” take on a life of their own, treating place as character. After all, places in Lord of the Rings often possess multi-dimensional qualities and are capable of change. In Aragon’s words, the “green earth” is “a mighty matter of legend” (The Two Towers 424). “Mighty” is not always the most appropriate word for places or objects, except when they hold power—perhaps even autonomously so. For example,
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
Tolkien, J.R.R.. “Now Read On…” Interview by Dennis Gerrolt. BBC Radio 4. BBC, 1971. Web. 11 Jan. 2014.