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portia as a dynamic character in the merchant of venice
portia as a dynamic character in the merchant of venice
portia as a dynamic character in the merchant of venice
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Shylock in The Merchant of Venice by William Shakespeare
William Shakespeare's The Merchant of Venice contains an array of interesting and complex characters. From the alternately generous and grasping Antonio to the alternately love stricken and exploitative Bassanio to the vulnerable and manipulative Portia, this play has an abundance of multi-layered personalities.
However, one of the most intriguing characters is also the most oft-vilified and minimized in the work. This character, Shylock, is certainly just as compelling as any of the aforementioned—if not more so, because he acts as the catalyst for the majority of the interesting sections of the play (i.e. The flesh pact, the court scene etcetera). It is certainly undemanding to simply label Shylock a stereotypical stock character: the greedy, vindictive and bloodthirsty villain. Surely, there are more than enough instances available to label him as such (1.3.38-49, 3.1.59-62), 3.1.372-375). However, there also exists another possible, yet neglected, description of Shylock's character: the aggrieved, marginalized and putupon minority. As the text repeatedly reminds us, Shylock is Jew; moreover, a Jew in a predominantly Christian Venice. He is an individual that is consistently attacked at every opportunity by supposedly goodly Christian characters (1.3.103-105, 108-110, 2.8.15-17). It is to be expected that someone living in those peculiar circumstances would lash out when the chance eventually arises—in this case, Antonio is the target of the wrath. So, to those who would argue that Shylock is a mean-spirited, unforgiving and avaricious character, I would respond: of course he is. But he can also be seen as a distressed, violated and desperate ...
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...ts to the inherent contradictions in the practices of Christians: that they prize their “humility”--that is, until they have a chance to revenge themselves on a Jew that has wronged them. These words have the color of a man well acquainted with the unfairness and unbalance of the system; that a Christian can pursue retribution against a Jew without consequence but when a Jew does exactly the same, he or she is further demonized. He then concludes that he will follow and then exceed the precedents set by his Christian counterparts by seeking revenge: “The villainy you teach me I will execute, and it shall go hard but I will better the instruction” (66-67). Here, it is visible that Shylock has finally recognized his chance for a didactic display of revenge against his tormentors; he will finally show them how it feels to be powerless, to be fearful...to be victims.
People who seek vengeance are often driven blindly by flaws within their character. The Merchant of Venice by William Shakespeare illustrates this underlying attribute. A casual reading of this play may suggest that Shylock’s act of vengeance was what had led to his downfall, yet a closer reading indicates that it was because of his underlying characterial flaw of hubris and the lack of mercy that had led to his ultimate end.
But at the same time, it seems clear (to me, at least) that Shakespeare creates Shylock against an historical and cultural backdrop that was intensely hostile to Jews. Given this social context and historical tradition, it should come as no surprise if some of this hostility against Jews should infiltrate Shakespeare's work. Shakespeare was, after all, a commercial dramatist and many commercial dramatists make their livings by pandering to, rather than working against, conventional social mores.
Shylock is an unsettling character; his heartfelt speeches make it hard for me to label him as a natural villain, on the other hand Shylock’s cold attempt at revenge by murdering his persecutor, Antonio, prevents me from viewing him in a positive light. For moments, Shakespeare offers us glimpses of an unmistakably human Shylock but he often steers me against him as well, portraying him as a cruel, bitter figure.
as the play starts and as Shylock is introduced as a Jew it is certain
Shylock is no more greedy than Bassanio begging for money or Lorenzo accepting Jessica’s gifts. Shylock is a loving father who wants the best for his only daughter. This love is expressed by his distress after he finds she has left him and through Shylock’s concern about Christian husbands during the courtroom scene in Act 5 Scene 1. Although Shylock showcases benevolent characteristics, like any individual he possesses faults. Shylock occasionally has moments of great acrimony in which he expresses his displeasment in the society. A strong proclamation of Shylock’s displeasment with his environment is when Shylock cries, “what 's his reason? I am a Jew. Hath not a Jew eyes?”
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.
Since middle school, I have believed that all of Shakespeare’s works, similar to A Mid Summer Night’s Dream, were plays that one would read to hear a happy, entertaining story; but, it was not until this year, after reading The Merchant of Venice, that I recognized the darker, more sinister, side of Shakespeare’s plays. The Merchant of Venice supports the Jewish, anti-Semitic stereotype as the wicked character of Shylock is developed. Many individuals fear that it is improper to teach and discuss The Merchant of Venice in high school classrooms because of the negative way it presents Jews; however, I believe that it is important to read this controversial play in high schools because it enables students to learn anti-Semitic history and because reading Shakespeare’s works, due to their complexity, expands the literary mind of those who read it.
releases forces of disorder and evil, while he is driven to failure, suffering and death. Shylock on
Throughout William Shakespeare’s play, The Merchant of Venice, there is a strong theme of prejudice. Portia has to deal with prejudice against her sex, the Prince of Morocco has to deal with prejudice against his race but the character that is most discriminated against is Shylock. He is hated for being a Jew and a money-lender, but Shakespeare has not made Shylock a character easy to sympathise with. He appears to be mean and cruel and it seems as though he loves money above all things. However during the play there are moments when Shakespeare gives Shylock speeches which show his humanity. In these moments, the audience is made to feel sorry for Shylock. Shakespeare has created a character that the audience’s feelings will change for by the minute.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is evidenced clearly in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impenitent of that distinction. If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell).
Few characters created by Shakespeare embodies pure evil like the character of Shylock in The Merchant of Venice. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, consumed with venomous malice1; a picture of callous, unmitigated villainy, deaf to every appeal of humanity2. Shylock is the antagonist opposite the naive, essentially good Antonio, the protagonist; who must defend himself against the "devil" Shylock. The evil he represents is one of the reasons Shakespeare chose to characterize Shylock as a Jew, as Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejecters of God's wisdom and Christianity.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
The first theme is that religious intolerance and prejudice play destructive roles in the book. Even to this day, there is racism and prejudice in schools about race and religion. Antonio, as a true Christian, has often condemned moneylenders. He knows that since the early twelfth century, Christians are forbidden by the Church to lend money for profit. Shylock, as a Jew, does not consider his money-lending and overwhelming interest to be a sin in any manner. In fact, he considers his earnings through money lending as the gift of God. He appeals to and quotes the Scriptures in defense of his profession. Shylock and the other Jewish moneylenders are essential to the prosperity of the merchant community, but they are also outcasts as human beings and as Jews. Shylock often shows his dislike to the Christians; “I hate him for he is a Christian”, (Act I, Sc. III, L. 38). The Christians ridicule and hate the Jewish moneylende...