Odour of Chrysanthemums: observations
‘‘Odour of Chrysanthemums’’ was written between the end of the
Victorian period in 1901, and the beginning of World War I in 1914. It
was a time when England was still a powerful international force, and
the head of a huge empire that extended from India to Nigeria, which
demonstrated England’s political power and also provided a vast market
for its manufactured goods. During the nineteenth century, England’s
industrial machine had developed the factory system, which produced
surplus goods for export.
‘‘Odour of Chrysanthemums’’ focuses on a dramatic moment in the life
of Mrs. Elizabeth Bates, the accidental death of her husband, Walter
Bates. The story develops in three major stages. The story begins with
a description of the sights and sounds of a bleak mining village at
the end of the mine’s afternoon shift. Mrs. Bates calls her son, John,
in for the evening meal and provides a light snack for her father, a
train driver, while chiding her daughter, Annie, about being late from
school. She is also upset because her husband ...
ABSTRACT: Chloroplasts carry out photosynthetic processes to meet the metabolic demands of plant cells (Alberts, 2008). They consist of an inner thylakoid membrane and a stroma. (Parent et. al, 2008).In this experiment we demonstrate the unique protein compositions of isolated thylakoid and stromal fractions from broken and whole spinach chloroplasts. Because these compartments carry out different metabolic processes, we confirm our hypothesis that performing SDS-PAGE on these fractions will result in distinct patterns on the gels. In isolating and analyzing nucleic acid from broken, whole, and crude chloroplast samples we demonstrate that genes for photosynthetic protein psbA are found in chloroplast DNA, while genes for photosynthetic enzyme
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
John Steinbeck's 'The Chrysanthemums' and D.H. Lawrence's 'The Odour of Chrysanthemums' Women in the 1900s were given little attention. John Steinbeck and D.H Lawrence however have chosen to base their short stories on a single woman character and around a type of flower, which is the chrysanthemum. Though written by male writers, both stories give an insight of the feelings and actions of a female character in that time period and how chrysanthemums can mean an entirely different obsession towards the two main characters. John Steinbeck's 'The Chrysanthemums' is about a tinker who confronts Elisa Allen while she was working on her prized chrysanthemums.
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
Despite the popular belief that all flowers have an equal opportunity when it comes to attracting pollinators the competition over the basic needs of angiosperms causes the practice of deceptive pollination to be very common. Pollination is in most cases a mutualistic relationship that requires some form of benefit to both the pollinator and the flowering plant. The pollinator is attracted to a flower that looks like they can offer food or shelter. However if the flower lacks the benefit of a reward there is a low chance that the pollinator would find the flower desirable enough to pollinate. It is estimated that a large portion of angiosperms are non-rewarding, as a result most rely on the use of other pollination strategies, such as deception to attract pollinators. In deceptive pollination when a flower advertises a reward that they do not actually posses it is known as mimicry. There are two types of mimicry when it comes to deceptive pollination. The awards that the flower mimics are either nutritive or reproductive.
The short story "The Chrysanthemums" gives insight into the life of its author. John Steinbeck was born on February 27, 1902, in Salinas, California. The locale of the story is of key resemblance to the Salinas in which Steinbeck was born and bread. "Salinas was a typical American small town, [differing] only in location and a few distinctive features" (McCarthy 3). The protagonist of this story, Elisa Allen, also resembles Steinbeck's first wife. "Steinbeck probably based the character of Elisa Allen on his own first wife, Carol Henning Steinbeck. Like Elisa, Carol was a woman of considerable talent and energy who wore 'masculine clothes' and was 'strong, large-boned' and 'handsome rather than pretty'" (Hughes 23). Similar to the time frame in which Steinbeck lived, the theme of the story comes across as being male dominant and the rustic setting allows us to visualize this.
Seaton, Beverly. The Language of Flowers: A History: Victorian Literature and Culture Series. Charlottesville and London: University Press of London, 1995. Print.
... Their attitude and tone is something that can be contrasted in the two stories.
Interestingly, Mabel’s death is foreshadowed once again through the use of another gift from Mabel’s 'home’. She receives a gift of seeds in which she can grow, however, is warned not to cross- fertilize them. "Don 't plant the fennel near the dill", this is the defining moment of where O’Neill and Mabel will be destroyed. The two identities cannot survive together, the seeds symbolise growth of something, foreshadowing that Mabel will be pregnant and from seeds, grows flowers. An inevitable end to flowers is that they die which is also foreshadowing of Mabel’s death. The mixing of the two represents the loss of their identity and Mabel becomes lost in-between England and Ireland, she both literally and metaphorically dies of poisoning of the blood, it is the impregnation of Hughes child that poisoned her. Rather like a plant, it needs both sunlight and water to survive, here we can compare the sunlight and water to that of England and Ireland, with too much of both the plant dies and with the loss of both the plant cannot survive, its roots search for the nearest source of water, perhaps in this case the water to Mabel is whether she chooses to 'survive ' on her English identity or her Irish identity. In both Making History and spies something natural is used to symbolise a change, in Spies the smell of liguster brings back memories, unsettled memories. The gift of the seeds from Mabels home in Staffordshire brings back memories, memories that are also unsettled. It is difficult to put into words what the smell of liguster means to the main protagonist of Spies, here we can compare the fact it is difficult for O’Neill to be himself. Whether it be Irish or English. The naturalistic symbols in both Spies and Making History suggests that it cannot be helped, it has not been made by man or by a series of events, it has been a natural
Steinbeck, John. “The Chrysanthemums” Literature: An Introduction to Reading and Writing. Ed. Edgar V Roberts and Robert Zweig. 10th ed. New York: Pearson Longman, 2012. 416-422. Print.
Eugenia Collier’s “Marigolds” is a memoir of a colored girl living in the Great Depression. The story does not focus on the troubles society presents to the narrator (Elizabeth), but rather is focused on the conflict within her. Collier uses marigolds to show that the changes from childhood to adulthood cause fear in Elizabeth, which is the enemy of compassion and hope.
The traditional role of women in the American society has transformed as society has trended towards sexual equality. In the past women were expected to be submissive to the man and were looked upon as homemakers rather then providers. Modern day women enjoy the freedom of individuality and are considered as capable as men in many regards. John Steinbeck’s short story, “The Chrysanthemums,” portrays a woman’s struggle with accepting her life and role as a female (459). Through the protagonist-female character, Elisa Allen, and the symbolism of chrysanthemums, Steinbeck displays the gender roles that define past generations of women’s lives in the United States.
Stade , George , and Karen Karbiener . "Blooms Literature ." Facts On File . N.p., 08 January
Although imagery and symbolism does little to help prepare an expected ending in “The Flowers” by Alice Walker, setting is the singular element that clearly reasons out an ending that correlates with the predominant theme of how innocence disappears as a result of facing a grim realism from the cruel world. Despite the joyous atmosphere of an apparently beautiful world of abundant corn and cotton, death and hatred lies on in the woods just beyond the sharecropper cabin. Myop’s flowers are laid down as she blooms into maturity in the face of her fallen kinsman, and the life of summer dies along with her innocence. Grim realism has never been so cruel to the innocent children.
“Odour of Chrysanthemums,” by D. H. Lawrence, tells a story of a woman named Elizabeth Bates, who is married to a man that works in the mines. The couple has two children, and they are expecting their third child. There is a lot trouble between them. The Bates family lives in poverty. The house where they live has no electricity and it needs to be lit up with torches. One night Mrs. Bates waits for her husband to come back home from work to serve dinner, but he never shows up. She thinks he may be drinking with his friends, and that maybe his friends are going to bring him back home drunk as usual. Time passes and Mrs. Bates does not hear from him. Later that night her mother in law arrives crying, then she begins suspect that something bad happens and her husband is dead. The central idea of liberation is expressed as the writer uses three elements of fiction to tell the story.