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character flaws in hamlet
character flaws in hamlet
hamlet's character analysis
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Hamlet
Each major character of Shakespeare’s Hamlet has a major flaw, which destroys him or her. The King, Queen, Hamlet, Ophelia, and Polonius all have these flaws but Horatio does not. He is Shakespeare’s ideal man.
Claudius’ fatal flaw is ambitiousness. Claudius kills his brother King Hamlet and then takes the throne by marrying King Hamlet’s wife:
“Therefore our sometime sister, now our queen…have we (as ‘twere with a defeated joy, with an auspicious and a dropping eye, with mirth in funeral and with dirge in marriage, in equal scale weighing delight and dole) taken to wife”(I.ii.10-14).
Claudius admits to killing the King in a confessional prayer:
“O, my offense is rank, it smells to heaven; it hath the primal eldest curse upon’t, a brother’s murder…O, what form of prayer can serve my turn? ‘Forgive me my foul murder? That cannot be, since I am still possessed of those effects for which I did the murder: My crown, mine own ambition, and my queen. May one be pardoned and retain th’ offense?’ ”(III.iii.40-43, 55-60).
Another ambition of Claudius is he wants to have Hamlet murdered in England:
“I like him not, nor stands it safe with us to let his madness range. Therefore prepare you. I your commission will forthwith dispatch. And he to England shall along with you…hazard so near ‘s as doth hourly grow out of his brows” (III.iii.1-7).
The fate of the King is fatal. His deceitfulness kills him when he challenges Laertes and Hamlet to duel, he poisons the tip of Laertes sword and in a cup of wine he puts a poisonous pearl: Hamlet: The point envenomed too! Then, venom, to thy work.
King: O, yet defend me, friends! I am but hurt. Hamlet: Here, thou incestuous, *murd’rous,* damnéd Dane, d...
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...s some danger (III.iv.26-30, 38-40).
Shakespeare’s ideal person is Horatio. In the beginning of the play, Horatio, when he sees the ghost decides to tell Hamlet: “So have I heard and do in part believe it…Break we our watch up, and by my advice let us impart what we have seen tonight unto young Hamlet…”(I.i.180-185). Horatio is ruled by reason and Hamlet recognizes and comments on this: “Give me that man that is not passion’s slave, and I will wear him in my heart’s core, ay, in my heart of heart, as I do thee”(III.ii.76-79).. Horatio does not have a fatal flaw and does not die.
Shakespeare gives his main characters flaws that destroy their lives. The King, Queen, Hamlet, Ophelia, and Polonius all have flaws and die in the end, but Horatio, Shakespeare’s ideal character, does not have a fatal flaw and lives.
Bibliography:
Hamlet, William Shakespeare
Throughout the story, Horatio is continuously shown as the voice of reason and clarity. He is the authority figure and it is through him that we see the truth behind the actions of Hamlet and the others. Horatio is the outside observer to the play and it is a result of his words and actions that we can ground the play in reality. Ever since the beginning of the play, Horatio is shown to be a voice of cautious reason and measured skepticism along with a voice of truth, for it was not until he saw the ghost that the ghost became a reality. This idea is clearly portrayed atop the battlements when Horatio says “Before my God, I might not this believe/ without the sensible and true avouch/ of mine own eyes.”(I.i.56-58). Here Horatio confirms that he is the “narrator” of the play and the most sensible observer. However no matter what, Horatio is still Hamlet’s friend and despite his calm mindedness, at the end...
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
However much Horatio’s philosophic skepticism may limit his own ability to perceive those “things in heaven and earth” that Hamlet would have him observe, Horatio remains the companion from whom Hamlet has most to learn. Hamlet can trust his friend not to angle for advancement, or to reveal the terrible secret of royal murder. Best of all, Horatio is “As one in suff’ring all that suffers nothing, A man that Fortune’s buffets and rewards Hast ta’en with equal thanks.”[. . .] Like Hamlet, Horatio believes that death is a felicity, and even tries to take his own life. Yet he accepts his duty “in this harsh worldly success as well ...
William Shakespeare wrote about a distraught prince trying to avenge the wrongful death of his father while all his faith in honesty and the good of man was nearly destroyed. In his play Hamlet, Hamlet is the prince and he is the one who would have lost all his faith in the good of man had it not been for his loyal friend Horatio. Many critics say that Horatio did not play such an important role in the tragedy, that he merely was the informant for the audience and that his character was not developed beyond that fact that he was just the honest confidant of Hamlet. That may be true, however, Horatio does serve two central purposes to the drama, and it is through these purposes that show the qualities that make Horatio memorable and admirable. Horatio is the harbinger of truth. It is through Horatio that the actions taken by Hamlet gain credibility. He is the outside observer to the madness. Hamlet could soliloquize on and on, but it is his conversations with Horatio that gives sanity to Hamlet’s thoughts. His second role is to be the loyal, truthful confidant of Hamlet.
Ecclesiastes 7: 17 said “Be not overly wicked, neither be a fool. Why should you die before your time?” Suicide is an important part in the bible. It is one of the things that is considered a sin in Christianity. The bible has lessons and commandments for Christians to follow and those lessons are represented in books. In the early 1600’s religion was an important part of people’s lives and writers incorporated it into their writings. William Shakespeare wrote Hamlet in the early 1600’s and he wrote about religion while he was writing about a prince’s revenge on his uncle. His uncle killed his father and he was prepared to take revenge. Hamlet and Christianity are both about the good, the bad and the afterlife which makes Hamlet a Christian play.
William Shakespeare is seen to many as one of the great writers in history. More specifically, the characters in his plays are reviewed and criticized and have been so for nearly four centuries. The character that many have revered Shakespeare for is perhaps the greatest such character ever in literature, Hamlet from Shakespeare's Hamlet, Prince of Denmark. The commentary and response to this legend of literature is of wide array and opinion, though most, such as Pennington, believe him to be a truly magnificent character: "Hamlet is perhaps the cleverest hero ever written, the subject of the first European tragedy, a form of genius. A type Shakespeare despaired of writing thereafter, having perceived that the heroes of tragedies must be sublime idiots" (185). However, despite his clear gifts and aura, Hamlet was a doomed character from the beginning: Hamlet is dominated by an emotion that is inexpressible. It is thus a feeling he cannot understand, he cannot objectify it, and it therefore remains open to poison life and to obstruct action" (Eliot 25). Thus, Hamlet, while possessing the traits of no other men of his time, a true Renaissance man, was doomed from the beginning of the play partly by forces he could not control, and also partly by his own character. It leads to a slow but definite ending to one of literature's great characters, one that he could not control. In the end, Hamlet was out of place in his environment, he was simply not meant to be.
Claudius' Greed for power is to blame for all the tragedies in the play Hamlet. Claudius was jellous of his brother and did go through exstemes inorder to gain power through greed. Relying on others was another tragedy. Polonius' death was not the fault of Claudius' greed. Hamlet killed Polonius. Don't assume because assuming lead to sticky situalions. Nevertheless, Hamlet was obsessed with killing Claudius because Claudius had killed his father and Hamlet wanted to seek his father's revenge. Keep your nose out of other people's buisness and find another solution to making your fatther proud. The bottom line is that Claudius craved power fortune and lust therefore leading to corruption, greed, jeallousy, and death.
Foremost, is the character of Hamlet: the causes and effects of his actions, or lack thereof. Hamlet is a very thoughtful person by nature, and often spends more time thinking than acting. However, Hamlet does realize that "...conscience does make cowards of us all, And thus the native hue of resolution/ Is sicklied o'er with the pale cast of thought"(III.i.84-85). Although Hamlet recognizes the fact that too much reflection could end poorly, he does it nonetheless. Every situation he is faced with he insists upon planning it out first, and rarely actually acting upon these plans. Additionally, since Hamlet is considered to be a tragedy, there must be a tragic hero. All tragic heroes have some kind of flaw or blemish, which, according to the article "Characters", "Hamlet's weakness may be that he 'thinks too much' and cannot make up his mind. The resulting inactions leads to his death" ("Characters"). Because Hamlet spends so much time pondering his surroundings, he sometimes misses the chance to act on them. This inability to accomplish anything slowly pulls Hamlet to a point where no amount of thought or action could possibly help him. However, at one point in the play Hamlet comes very near to followin...
...m to put his life in danger to find out more information about Hamlet, which ultimately leads to his death. Claudius also planted the idea of murdering Hamlet into Laertes’ mind, and this became the main goal of Laertes towards the end, which leads him to his death. Hamlet has hurt the women that he loves, both Ophelia and Gertrude die. Claudius and Hamlet also die, which is ultimately how the corruption of the nation of Denmark ends, through this it can once again be the great nation that it once was.
...dience that Horatio is very honorable because he is one of the two surviving characters in the play. If Horatio had the morals of everybody else in the play, he would likely be dead as well. As a result of Horatio having the traits, trustworthiness, loyalty, and admiration for Hamlet, he is able to be in the fortunate positions of Hamlet’s friend, and one of two surviving characters. Shakespeare often makes a character in his plays who is ethical and honest compared to the other characters, such as Benvolio, in Romeo and Juliet. By keeping Horatio alive, Shakespeare shows the audience that Horatio is this character in Hamlet. Although Fortinbras also survives, Horatio is morally superior, especially because of Fortinbras’ violent nature. Thus, as a result of his trustworthiness, loyalty, and admiration, Horatio is the most virtuous character in Shakespeare’s Hamlet.
Horatio is Shakespeare's utilitarian character. Horatio serves as a foil to Rosencrantz and Guildenstern, prompts Hamlet to disclose his feelings, gives vital information in the form of exposition (verbal or in a letter) or verification of Hamlet's reality, and helps to build the suspense of the play. The only emotional aspect of his character is that he remains alive, and serves as a vehicle for Shakespeare's moral of Hamlet.
Hamlet's fatal flaw is his delay in avenging his father's death. Hamlet is still devastated by his father's death when the ghost appears to him, and he is unable to carry through with his reprisal until the end of the play. Hamlet's delay in killing Claudius not only causes his own death, but the deaths of everyone else in his life except for Horatio and Fortinbras.
Like many of Shakespeare’s tragic plays each has to have a tragic hero. Each of these tragic heroes would have a tragic flaw, they were all from a noble class and would each face their tragedy with dignity. The ultimate flaw of each of these characters would vary in each of Shakespeare’s plays; Macbeths’ tragic flaw was ambition while King Lear’s was that of arrogance. However, Othello is one of the unique tragic heroes as he harboured many flaws such as gullibility, naivety and jealousy.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.