Resolution of Conflict in The Tempest
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
Conflict between the two brothers, Prospero and Antonio, for the powerful position of Duke is resolved when Prospero is crowned; this is presented as 'natural' through the idea of the 'divine right of kings'. In Jacobean society, the religious belief was that the King (James I at the time of this play) was divinely willed to have this position, and that there was a connection between God and the King. Shakespeare mimics this idea by often relating Prospero to God throughout The Tempest, with stage directions such as
'Prospero on top, invisible' which positions him 'close to God' and by his power to manipulate and control the lives of others:
'mine enemies are a...
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... conflict.
The resolution of conflict in The Tempest is thus naturalised and constructed as an inevitable consequence through the use of moral and ethical concerns in the play, including the 'divine right of kings', the 'great chain of being', courtly love,
colonising discourse and expanding territory. The Tempest thus incorporates concerns of the Jacobean 17th century context, used to naturalise the resolution.
Bibliography
Shakespeare, W. The Tempest. Ed. Sutherland, J.R. (1990)
"Tempest & Court Masques" By H. C. Sherwood
Meller, A., Moon, G.T. Literary Shakespeare (1993) Sydney: Canon Publications
Lecture on "The Tempest" (1988) C. Holmes
The distance that Holden makes sure to keep in place isolates him from others and manifests in curious actions and mannerisms. One example could be the red hunting hat, which advertises his uniqueness and also gives him a sense of protection. Holden explains to Ackley that his red hat is not a “deer shooting hat” but a “people shooting hat”. Out of all the mentions of the red hat in the novel, this is the most enlightening. Holden uses the hat as a sign of individuality and independence; this hat serves as another way Holden is able to isolate himself from the rest of the world. The red hat serves as symbol for Holden’s desperate desire for independence and his distaste for conformity. Although Holden does not kill anyone in the novel, he does “shoot people” in his own cynical way by spending all of his time and energy belittling the people around
Holden is also aware of the image the hat projects to others, and he often takes it off when he is around someone familiar. This functions as a metaphor for Holden’s struggle between his need for independence and his need for companionship. Holden doesn’t want people he knows to see him with the hat on because he wants them to continue to be friends with him, and he fears loneliness. However, when nobody is around, Holden has no problem wearing the hat and embracing its quirkiness, because he feels a strong connection to the hat. As he is walking down the street in the middle of the night, Holden states that “It was freezing cold, and I took my red hunting hat out of my pocket and put it on--I didn 't give a damn how I looked. I even put the earlaps down” (Salinger 88). Here, Holden doesn’t care how he looks because the only people who might spot him on the desolate street are strangers to him. His image around strangers doesn’t faze him as much as his image around people his is familiar
Holden's red hunting hat was used to camouflage himself from both his problems and actuality. As bother some Ackley disturbs Holden while reading, Holden uses his hat as a defense. "I pulled t...
In the beginning of the novel, Holden exclaims “I put on this red hunting hat that I had bought that morning [...] right after i lost the foils” (number here). Here he is telling us that same morning he proceeded to lose the whole fencing team’s equipment he happened to pick up the hunting hat at a local sports store just off the subway. This is no coincidence, the hat has to assume the position of comfort for holden after his failure. The novel takes place around Christmas time in New York City, so the weather conditions are undoubtedly cold. Holden has no sort of paternal guidance and help throughout his journey. The hat is an important protection aspect in getting him by the couple of frigid night he endures. In the same quote from above he states “it was freezing cold, and I took my red hunting hat out of my pocket and put it on--I didn't give a damn how I looked. I even put the earlaps down. I wished I knew who'd swiped my gloves at Pencey, because my hands were freezing” (88). This is only one of the many cases Holden uses the hat out of desperation to stay warm and even alive. At the end of The Catcher in the Rye Phoebe "reached into [Holden’s] coat pocket and took out [his] red hunting cap and put it on [his] head" (212). Holden then stated that his "hunting hat really gave [him] quite a lot of protection, in a way, but [he] got soaked anyway" (213). Holden became extremely happy once Phoebe puts the hunting hat on
In conclusion, Heidi Hurd did a passable job in explaining both parts of the discussion. Based on her article I have come to the conclusion that this is a topic not easily solved. With every argument that the people in favor of hate crime legislation those against are able to oppose it with their own. It is simple not possible to generalize case because although they may be similar they are never the same. Discrimination, hate, and prejudice has always been and will continue to be a topic discussed for many years.
He has nothing but nice things to say about her and wants to protect her. She makes many adult observations that you would not expect a ten year old to notice, yet still acts like a ten year old. She realizes that Holden got kicked out of school, and then responds by repeating, “Daddy’ll kill you!”(214). She corrects Holden about the words in a Robert Burns poem and realizes that Holden does not like anything, yet at the same time acts like a ten year old. She resembles Holden in the way she goes between adulthood and childhood. She is like a younger version of Holden. Holden wants to protect her and keep her from ending up like him. Holden gives his hunting hat to Phoebe, this shows how much he cares about her. He is able to give up the symbol of his independence and accept that he has ties to his family. The only time Holden is happy during his trip is when he takes Phoebe to the carousel. After deciding not to run away Holden realizes, “The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off,” (274). At this point he realizes that growing up might not be the worst thing in the world and that even if he gets hurt in the process it is something he needs to
The symbolism throughout the novel illustrates Holden’s isolation from the adult world. In the beginning of the Chapter Three, Holden returns to his dorm room where he finds his pestering roommate, Ackley. After seeing Holden’s red hunting hat, which he purchased in New York, Ackley is fascinated by it and tells Holden that “Up home [he] wears a hat like that to shoot deer in,” (22) Holden then takes the red hunting hat off of Ackleys’ head and closes one eye as if he is trying to shoot it. “This is a people shooting hat,” he says (22). It is obvious from the start of the novel that Holden’s red hat symbolizes his mark of individuality and independence. In this scene, the audience sees how his desire for independence is connected to the feeling of alienation and the bitterness Holden feels for the people in society. Of course, Holden will not actually sh...
The Tempest presents the appropriation of the island and it’s inhabitants by Prospero’s imperial patriarchal regime as entirely natural and inevitable, based upon the inherent inferiority of the original population. In doing so, the play is a precise repetition of imperialist rhetoric, which legitimizes European annexation of ‘other’ lands and peoples over which they have no legitimate claim.
Indeed, just the naming of his red hunting cap as a “people-shooting hat” is suspicious enough; but Holden merely wants to stand out in a crowd and be different from all the phonies around him, and the unique hat is enough to do so, despite it making him look foolish. He is going “people-shooting” in the sense that he is putting down partisans of the supposedly fabricated adult world, the same people who put Holden down for his visible immaturity. The cap gives Holden the confidence he needs to feel like his own independent person – an adult – without actually being one. This is yet another one of Holden’s desperate attempts to cling onto whatever shred of youth and innocence he has left and avoid growing
Any crime motivated by a bias against a person or group based on their ethnicity, gender, sexual preference, religion or another characteristic is a hate crime. These crimes can either be committed against the people themselves or their property. When someone commits a hate crime they are targeting a group of people not just one individual. That’s why hate crimes have extra punishment. The punishment for hate crimes are very insignificant considering the deviant who committed a hate crime targeted an entire group of people. Hate crimes are very serious offensive but determining where to draw the line can be difficult. Hate crimes are very serious and can have lasting effects on victims.
In the beginning of the novel, Holden says to Mr. Spencer he feels trapped on the “other side of life.” This clearly demonstrates how Holden doesn’t feel that he belongs in the world he lives in. Holden has his hunting hat as a source of protection. Holden buys a red hunting hat in New York for a dollar. The hat has a very long peak, and Holden wears it backwards with the peak aiming behind him. “…I swung the old peak way around to the back-very corny, I’ll admit, but I liked it that way” (17), Holden explains. Holden puts his hat on when he’s under a lot of stress. The hunting hat not only symbolizes protection, but it also symbolizes Holden’s uniqueness and individuality. Holden doesn’t wear his hat because it’s fashionable, but only to keep his individuality and to feel safe. In the cab Holden put his hat on and says, “I’d put my red hunting hat when I was in the cab, just for the hell of it, but I took it off before I checked in” (61). This quote illustrates how Holden thinks it’s necessary to wear the hat in order to feel safe. But at the same time, Holde...
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.