In this compare and contrast essay I will compare four poems in detail and mention two in the passing to find similarities and differences. The poems and sonnets I have chosen to compare are ‘Porphyria’s Lover’ and ‘My Last Duchess’ by Robert Browning and Sonnet 18 and Sonnet 130 by William Shakespeare The two Robert Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written in the infamous Victorian Era whereas the two Shakespearean Sonnets were written in the Elizabethan Era. The styles of the poems differ in accordance to the difference of the time in which they were written. Pre-Romantic Era poems moved away from the idealistic concept of love towards a more realistic consideration of it, taking into account the social crisis of the time. The sonnets written by Shakespeare in the Elizabethan era were written to challenge the unrealistic view of women in the Petrarchan sonnets, and this is visible through Shakespeare’s use of the English Sonnet. An English Sonnet consists of fourteen lines, each line containing ten syllables and written in Iambic Pentameter, in which a pattern of an un-emphasized syllable followed by an emphasized syllable is repeated five times. The rhyme scheme in a Shakespearean sonnet is ABABCDCDEFEF GG; the last two lines being a rhyming couplet. The sonnets show the contrast between Shakespeare’s English sonnet and Petrarch’s Italian sonnet. Before Shakespeare created the English sonnet from its Italian counterpart, many poets used the latter until the former was conceived. Shakespeare further developed the English sonnet form to create pieces like ‘Shall I compare thee to a summer’s day’ and ‘Let me not to the marriage of true minds,’ sonnets that used a structure similar to Iambic ... ... middle of paper ... ... were structured very similarly, with both poems having three quatrains and a couplet at the end. However, only one sonnet has a volta; “Shall I Compare Thee.’ The volta in this sonnet is triggered by the word ‘but,’ where it shifts away from the inadequate descriptions of his lover, and turns to the beloved. This may be saying that the beloved will always stay beautiful and young, but only in the sonnet itself, not in reality, but her existence will be recorded into the pages of the sonnet, and as long as people can read, she will be remembered. In conclusion, due to the difference of the age when the sonnets were written and when the Browning poems were written, subject matter greatly differs in style and muse, but still manages to relate through each other through the common thematic element of love, and the use of Iambic Pentameter and Iambic Tetrameter.
Both Millay’s “What my lips have kissed” and Shakespeare’s “Shall I Compare Thee to a Summers Day” poems are created to convey a hidden meaning within the style and central subject matter. The features of each sonnet, outline and contribute to make each have a unique difference from the other. Millay and Shakespeare have very similar writing styles but very different structure within there writing. The meaning behind the two sonnets are very similar and have the same imagery within the text and emphasize love and beauty needs to be eternal like the months of summer appear to be. The sonnets have many similarities and difference’s but have different techniques and features that the words create to contribute to what makes these sonnets special.
In the two texts “My Last Duchess” and “Porphyria’s Lover” both by Robert Browning describe the horrific events of two doomed lovers and their mistresses. The text of Duchess tells of a jealous lover who is suspicious of his lover’s smile. His jealousy consumed his life to where the point of where his wife died, either from a murder from her lover or from suicide, that we will never know. In the text of Porphyria by Robert Browning also, describes the suspicion he has when his wife comes home from a night on the town, to which the jealous husband strangles her with he own hair. These disturbing texts reveal the jealously of men when it comes to loving their women. Both of these texts of “My Last Duchess” and “Porphyria’s Lover” both share extreme similarities and major differences.
As far as structure goes, Shakespeare’s sonnet and my own are very similar. My 14-line sonnet is written in Iambic Pentameter and follows the abab-cdcd-efef-gg rhyme scheme within three quatrains and a couplet, as does that of Shakespeare. For this reason, my poem follows a meter very close to Sonnet 87. This is also due to the fact that both sonnets contain 10 syllables per line, as well as an eleventh in most lines that derives from weak, or "feminine" verb endings such as "keeping" in the first line of my poem, and "possessing" in that of Shakespeare. Thus, the finality residing in the 10 syllable lines that use masculine endings is accounted for. In addition, my sonnet mirrors Sonnet 87 by starting with "farewell" and ending with Shakespeare’s couplet modified, and one can see his influence in the third quatrain of my poem, which echoes back the last 4 lines of Sonnet 87’s third quatrain. In this way, I was able to mimic most of Shakespeare’s structure while inserting phrases of my own.
One may see William Shakespeare’s Not Marble, Nor the Gilded Monuments and Edna St. Vincent Millay’s I, Being Born a Woman and Distressed sonnets and think that they could not have any explicatory similarities. The truth is that they have a lot of similarities as well as differences. They are not in similar meaning, but in tone, syntax, symbolism, and irony. The differences in the two sonnets are their rhyme scheme, alliteration, and emotion.
Written during the Victorian era, the author presents an amatory sequence of sonnets cast against her time to highlight the appreciation of the revitalisation of love and female expression of a male literary form amid an era synonymous with conservatism, repression and rigid moral behaviour and how she overcomes these obstacles. Browning explores the notion of finding such love in a world surrounded by obstacles and disappointment in Sonnet 1, as seen in “I once heard Theocritus had sung/ Of the sweet years, the dear and wished for years/Who each one in a gracious hand appears/ TO bear a gift for mortals, old or young/I mused in his antique tongue...” The quote depicts the author’s search for emotional connection and inner peace as she calls on the muse of Theocritus, whose poetry surrounded that of love and sentiment. It also portrays her initial perception of herself, as it presents Browning as not having the confidence to pursue love, and thereby straying from reality to enter the realm of the imaginative, so as to evade the possible risk of rejection. The quote introduces a sense of hope yet simultaneously as sense of despondency as she calls on a muse of love and emotional connection, yet is unable to perceive one of her own, as seen in “I saw, in
In “My Last Duchess” and “Porphyria’s Lover” both deal with the love of a woman. The theme for both is power and how the speaker in both want to be in control over the woman. The imagery in “My Last Duchess” is based off what the Duke’s feel and what he shares with the servant. The imagery in “Porphyria’s Lover” is based on Porphyria’s. The tone in “My Last Duchess” is arrogant and ignorant because the Duke think so much of himself and foolishly shares all his flaws. The tone in Porphyria’s Lover” is rational the speaker makes sense of the murder of a woman he loves so much. Both poems displayed dramatic
Robert Browning was poet during the Victorian Age, his wrote about love and established this through his characters. His works explore the nature of love, as shown in “Porphria’s Lover” and “My Last Duchess.” Throughout both poems, Robert Browning uses multiple literary devices to help establish the theme of the nature of love.
Elizabeth Barrett Browning’s (EBB) Sonnets from the Portuguese (1850) explore the romantic progression of her growing attachment to her eventual husband Robert Browning. EBB discarded the traditional Victorian poetic archetype, by indulging in her feelings that she experienced during her dating period with her husband. Angela Leighton describes Browning’s female voice as being “noisily, exuberantly and provocatively, to the contemporary world of her age”. The voice that EBB creates depicts modern events that challenge the male poetic voice as she pushes back against social expectations, exploring, through a female voice the values of the perfect redemptive lover.
A Comparison of the Dramatic Monologues of Porphyria's Lover and My Last Duchess by Robert Browning
The sonnets are similar in that the subject who which Shakespeare is writing is very dear to him. The most over looked difference, however, is who the subject actually is.
In conclusion, both poems are very similar on many subjects, but there are also some very strong differences. In both poems, a similar structure, rhyme scheme and meter play pivotal roles in their respective poems. In both poems, differences in the settings, the characters and the tone help us understand what message Robert Browning was trying to convey to us in his poems, ‘Porphyria’s Lover’ and ‘My Last Duchess.’
John Donne and William Shakespeare are each notorious for their brilliant poetry. William Shakespeare is said to be the founder of proper sonnets, while John Donne is proclaimed to be the chief metaphysical poet. Each poet has survived the changing centuries and will forever stand the test of time. Although both John Donne and William Shakespeare share a common theme of love in their poems, they each use different tactics to portray this underlying meaning. With a closer examination it can be determined that Donne and Shakespeare have similar qualities in their writing.
Elizabeth Barrett Browning 's "Sonnet XLIII" speaks of her love for her husband, Richard Browning, with rich and deeply insightful comparisons to many different intangible forms. These forms—from the soul to the afterlife—intensify the extent of her love, and because of this, upon first reading the sonnet, it is easy to be impressed and utterly overwhelmed by the descriptors of her love. However, when looking past this first reading, the sonnet is in fact quite ungraspable for readers, such as myself, who have not experienced what Browning has for her husband. As a result, the visual imagery, although descriptive, is difficult to visualize, because
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
Lackluster love is the subject postulated in both sonnets, Petrarch 90 and Shakespeare 130. This is a love that endures even after beauteous love has worn off, or in Petrarch, a love that never was. The Petrarchan sonnet utilizes fantasy to describe love. It depicts love that is exaggerated and unrealistic. Shakespeare’s sonnet, on the other hand, is very sarcastic but it is more realistic as compared to the Petrarch 90. Petrarchan sonnets, also called Italian sonnets were the first sonnets to be written, and they have remained the most common sonnets (Hollander 28). They were named after the Italian poet Petrarch. Its structure takes the form of two stanzas, the first one an octave, in that, it has eight lines, and the next stanza is a sestet, meaning that it has six lines. The rhyme scheme suits the Italian language, which has the feature of being rhyme rich, and it, can take the forms of abbaabba, cdcdcd, or cdecde. These sonnets present an answerable charge in the first stanza, and a turn in the sestet. The sestet is the counter argument of the octave.