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mass media in popular culture
popular culture in society
mass media in popular culture
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The use of media and popular culture is a sociological phenomenon wherein the structural changes to society, which accompany the emergence of new forms of communication and accessing information, can be examined. There are many differing views regarding whether media and popular culture are necessary to the functioning of a democratic and egalitarian society or whether they actually further social inequality and inhibit political discussion or involvement. Although both interpretations are arguably valid, it can be seen that it is not popular culture and the media in and of themselves but rather how they are consumed by the public that determine how these mediums influence individuals and by extension the wider society. Through examining the implications of popular culture and media on the structure of society, the prevalence of differing forms of social inequality becomes a pivotal issue. Barnett (1998: 58) suggests that despite theories pertaining to the influence of culture over social inequality, such as Bourdieu’s notion of cultural capital which advances that cultural forms are exclusively accessed by the higher classes in order to maintain a distinct separation between social classes, popular culture is considered neither high nor inferior culture and therefore does not discriminate between social classes but rather accommodates to the changing nature of class. While it is proposed that the notion of popular culture and media being available to all ensures that it does not contribute to the maintenance of social classes, the content that is presented through these mediums tends to encourage a less sympathetic public attitude towards those experiencing the repercussions of social inequality, in particular poverty and unemp... ... middle of paper ... ...nty-first century dilemma’, Sociological Inquiry, vol. 80, no. 1, pp. 28-33 Taylor-Gooby, P 2013, ‘Why do people stigmatise the poor at a time of rapidly increasing inequality, and what can be done about it?’, The Political Quarterly, vol. 84, no. 1, pp. 31-42. Thompson, JB 2011, ‘Shifting boundaries of public and private life’, Theory Culture Society, vol. 28, no. 4, pp. 49-70 Wei, L, and Hindman ,DB 2011, ‘Does the digital divide matter more? Comparing the effects of new media and old media use on the education-based knowledge gap’, Mass Communications and Society, vol. 14, no. 2, pp. 216-235. Welch, M, Price, EA, and Yankey, N 2002, ‘Moral panic over youth violence: Wilding and the manufacture of menace in the media’, Youth Society, vol. 34, no. 1, pp. 3-29 West, DM 2005, ‘American politics in the age of celebrity’, The Hedgehog Review, vol. 7, no. 1, pp. 59-65.
Charlton, Paul Barker. 1998. In Mark Charlton and Paul Barker, eds. Contemporary Political Issues, 6th ed. Toronto: Thompson- Nelson.
According to Dr. Jean Louis Ntang Beb and Dr. Shantella Sherman, people are largely impacted by entertainment and different forms as media when they become more readily available and prominent in people’s lives. Postman refers to this as ‘media – metaphors’ that “classify the world for us, sequence it, frame it, enlarge it, reduce it, color it, [and] argue a case for what the world is like” (10). The media is able to do this because it knows it has a heavy influence in an individual's life. When an entity has knowledge of power, it is able to manipulate its delivery in anyway it wants. This is because at the end of the day, even if the information received is not practical, society will still end up talking about with
The issue of the relationship between the mass media and the popular culture has always been a controversial issue in social sciences. The political economists insist on the role of the media industry in the creation of this phenomenon of the twentieth century. Though, advocates such as John Fiske, argue that popular culture is actually the creation of the populous itself, and is independent of the capitalist production process of the communication sector. Basing his argument on the immense interpretive power of the people, Fiske believes that the audience is able to break all the indented meanings within a media message. He also believes- by giving new meanings to that specific message they can oppose the power block that is trying to impose its ideology to the public. Consequently, this anarchistic activity of the audience creates the popular culture as a defence mechanism. Even when we accept Fiske’s ideas, we can not disregard the manipulative power of the media and its effects on cultural and social life.
Media and Popular Culture. The McGraw-Hill Reader: Issues across the Disciplines. Ed. Gilbert H. Muller. 12th ed. Boston: McGraw-Hill, 2012. 426. Print.
According to John Davidson's essay Menace to Society, "three-quarters of Americans surveyed [are] convinced that movies, television and music spur young people to violence." While public opinion is strong, the results of research are divided on the effects of media violence on the youth in this country. Davidson wrote that most experts agree that some correlation between media violence and actual violent acts exists, yet the results are contradictory and researchers quibble about how the effects are to be measured (271). Moreover, Davidson is not convinced that the media is the sole problem of violence, or even a primary problem. He points out that other factors, such as "poverty, the easy accessibility of guns, domestic abuse, [and] social instability" may have a greater impact on a child becoming violent than the influence of the media (277). Even though other forces may be stronger, media violence does have some adverse effects on the members of society. If senseless violence on television and in movies had no effect, it would not be such a hotly debated topic. What type of effects and whom they affect are the most argued aspects of the discussion.
Malcolm, T. Teen Violence: Does Violent Media Make Violent Kids? National Catholic Reporter. May 28, 1999 v35 i30 p14.
It is increasingly clear that media and culture today are of central importance to the maintenance and reproduction of contemporary societies. Cultures expose society to different personalities, provide models, which display various forms of societal life and cultivate various ways to introduce people into dominant forms of thought and action. These are the types of activities integrate people into society and create our public sphere. Media and technology surround our society; engrained into the fabric of our existence so much so, that it has become hard to find an aspect of life not influenced by its effects. For this reason, media controllers, wield extreme power and influence over the lives of everyday people. Although, they increasingly continue to feed the audience trash, despite their authority as the creator of our social/cultural interactions, and justify their actions by calling themselves industries. Reducing themselves to just businesses whose sole purpose is to create a profit. This admittance of what they feel to be their true purpose however does not hinder their control and power but instead adds to it. Creating a need for there to be some way to analyze and discuss whether they are using their position and power wisely. Filling this void, scholars have theorized ways for individuals to be critical of the media that they intake. One of these critical theories is the “Culture Industry” theory. Using Cultural Theory, as well as other complementary neo Marxist theories, it is possible to determine how Stacy Peralta, once urban youth culture advocate, became incorporated into the superstructure through media use, thus making him a tool for the continued commoditization of society, and a youth marketer for industries l...
...raying teens as “young trouble makers…like a pack of animals” with uncontrollable urges to destruct everything in their path. The world’s media has sunken to a new low, to a point where the enticement of money is now more important than the conscience of the honest truth. The media must undoubtedly improve their behaviour and representations of youth culture, or risks seeing an even greater division between youths and society.
To be a successful celebrity, staying relevant is vital for job security, this forces stars to up their game every year. Celebrities are always trying to shock their audiences and make big news stories to keep their names in the spotlight. Some have taken it too far, by stripping on stage, using explicit and suggestive language in every song or music video. I think celebrities should continue upping their game but not in an explicit way promoting unrealistic hypersexed images. They should focus on their tours, albums, TV shows, etc. and find another ‘creative’ outlet to express themselves individually. Celebrities should find another way to shock and impress their audiences that is more realistic than showing more and more skin every year.
Senate Committee on the Judiciary. “Media Violence Causes Youth Violence.” Mass Media. Ed. William Dudley. Farmington Hills, MI: Thompson Gale, 2005. 121-130.
O’Shaughnessy, M., Stadler, J. (2009)Media and Society: An introduction. Dominant Ideology and Hegemony. London: Oxford.
Introduction “They live in different worlds, that fact rings true in the past and in the future, but for now they unite.” - Kubo Tite, Bleach With the rapid development of globalization and interconnectedness, people from all over the world have the opportunity to ‘meet’, exchange ideas and opinions, influence each other and shape each other’s preferences. Unlike the past, when media products were produced and distributed exclusively by centralized media institutions, nowadays part of media content we consume is produced by our fellow consumers. As on-line platforms foster creativity of all sorts and social networks enable instant sharing of the results, the processes of creation, co-creation and adaptation of cultural products is happening fast, simultaneously and on a global scale. Since each person carries their own specific cultural identities, user-generated content is diverse and heterogeneous in its character.
We have seen culture changes during the course of many centuries. These decades has left us memories of what was important to our society during this time. In some cases, we are still living by these same standards of past centuries and the results of these beliefs is the reflection of the people of this twenty century. The coauthors of Common Culture Reading and Writing About Popular Culture Michael Petracca and Madeleine Sorapure on their Seventh Edition says, “pop culture is the shared knowledge and practices of a specific group at a specific time. Because of its commonality, pop culture both reflects and influences people 's way of life; because it is linked to a specific time and place, pop culture is transitory, subject to change, and
Popular culture surrounds us, as this book mentioned. Culture includes material culture and non-material culture (Myridis, 2015). Among these two, this book mainly focuses on material culture on the aspect of entertainment, like the movies we watch and the book we read. Culture is everywhere, today in a modern urban society, together with the advancement of mass media, culture has become an important role on changing lifestyle trends and create fads. This is popular culture. The writer of this book, Marcel Danesi, discovered that with the rise and ascendency of digital global village, delivery of popular culture has changed. And afterwards, he delves into the social structures that have led to the emergence
“An obvious starting point in any attempt to define popular culture is to say that popular culture is simply culture that is widely favoured or well liked by many people.” (Storey, 2009:5) The aim of this essay is to explore the meaning of popular culture. By drawing upon the research of scholars such as John Storey, Jim McGuigan, and Carl B. Holmberg the essay will primarily focus on is the different ways popular culture can be interpreted rather than just being something liked by the majority. To accompany this, the essay will look into the high culture/popular culture divide as well as the youth subcultures and convergence culture in a post-modern society as a way of trying to find an answer to the question ‘What