Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
the importance of photojournalism
ethics of photojournalism
ethics of photojournalism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: the importance of photojournalism
Truth Be Told
Photojournalism is defined by dictionary.com as is a particular form of journalism that creates images in order to tell a news story. A partially unpredictable audience, in the sense that anyone can see it and respond, sees news articles; this opens a window of ethical issues that are involved in reporting images to newspapers and magazines. Awareness of the moral rights and wrongs of journalism helps society to better understand why certain details are censored for the public.
A mutual understanding of what stories are ethically reportable is valuable for both the photographers and the publishers. Information of decent standards is set to guide the moral beliefs of reporters. In the PHOTO JOURNALISM AND ITS ETHICAL ISSUES article, it conversed that Paul Martin Lester’s book, Photojournalism: An Ethical Approach, discussed the six philosophies that are meant to guide photojournalists to answering moral questions for themselves.
1. Categorical Imperative- What goes for one scenario should go for all.
2. Utilitarianism- maximizes the good for the greatest number of people.
3. Hedonism- “do what feels good” school of thought
4. The Golden Mean- Compromise to a middle ground.
5. The Veil of Ignorance- asks the photographer or publisher what they would feel like as the subject of the photo.
6. The Golden Rule- “love thy neighbor as thyself”
Also, there is an ethical code of conduct that was set by the National Press Photographers Association and is “intended to promote the highest quality in all forms of visual journalism and to strengthen public confidence in the profession” (NPPA Code of Ethics). Both the NPPA and Lester have high expectations of photojournalists. As photojournalists turn over images for pub...
... middle of paper ...
...o be told. In today’s society, people tip toe around striking emotional turmoil in other people’s lives. Photojournalists look to force people to ask themselves unsettling questions.
Works Cited
Meyer, Michael. “One day in the war of images.” Columbia Journalism Review Mar.- Apr. 2014: 39-45. Print.
Mirkinson, Jack. "Muammar Gaddafi Dead: Did Newspapers Go Too Far? (GRAPHIC PHOTOS, POLL)." The Huffington Post. TheHuffingtonPost.com, 21 Oct. 2011. Web. 07 May 2014.
"NPPA Code of Ethics." National Press Photographers Association. National Press Photographers Association, 2012. Web. 06 May 2014
"PHOTO JOURNALISM AND ITS ETHICAL ISSUES." PHOTO JOURNALISM AND ITS ETHICAL ISSUES. N.p., 25 June 2013. Web. 07 May 2014.
Rogers, Tony. "Graphic Images, Photojournalism - When Should Graphic Images Be Published?" About.com Journalism. About.com, 2014. Web. 07 May 2014.
In Rushworth Kidder’s book “How Good People Make Tough Choices,” Kidder provides a series of different methods, codes and examples of what being an ethical journalist could mean. He gives examples of different situations where a person’s ethics are tested and what would be a good way to deal with these situations. He starts by explaining the difference between things that are right-versus-right dilemmas, and those that are right-versus-wrong dilemmas.
“The documentary tradition as a continually developing “record” that is made in so many ways, with different voices and vision, intents and concerns, and with each contributor, finally, needing to meet a personal text” (Coles 218). Coles writes “The Tradition: Fact and Fiction” and describes the process of documenting, and what it is to be a documentarian. He clearly explains through many examples and across disciplines that there is no “fact or fiction” but it is intertwined, all in the eye of the maker. The documentarian shows human actuality; they each design their own work to their own standards based on personal opinion, values, interest and whom they want the art to appeal to. Coles uses famous, well-known photographers such as Dorthea Lange and Walker Evans, who show the political angle in their documentations and the method of cropping in the process of making the photo capture exactly what the photographer wants the audience to view. In this paper I will use outside sources that support and expand on Coles ideas with focus on human actuality, the interiority of a photograph, and the emotional impact of cropping.
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
Rosenblum, Naomi . A History of Women Photographers . New York, NY: Abbeville Press Publishers, 2000.
...her and the more modern case of Brian Walski demonstrates the importance of ethics in the mass media. With the public dependent on photographers for images that will give an accurate and true representation of the facts, in some cases even leading to such important decisions as giving relief aid, waging war, or determining votes in an election, it is vitally important that journalistic images be true and unaltered likenesses of real persons and events. Even apparently innocent misrepresentations, designed to create a better image or better prove a point, can have serious consequences for the photographer, the subjects of the image, and the public. It is a reminder of the importance of honesty in all professions.
The rights of paparazzi journalists must be protected to prevent the slow erosion of the rights of all journalists. If we allow the paparazzi to be used as a scapegoat and to be persecuted and regulated it will not be long until the next most radical fringe group of journalists come under fire. This cycle will eventually l...
Photography, among many things, is a medium used to further the connection between a reader and the story. It does this by drawing the reader into the world of the photograph, and allowing them to experience the realism of the scenario. This connection has amplified the level of communication between humans, namely, in the field of journalism. In the article “To Tell the Truth: Codes of Objectivity in Photojournalism” written by Donna Schwartz, she discusses the methods employed by photojournalists to manipulate photos in order to give the desired effect, or connection. These methods, along with others from “Critical Media Studies” written by Brian Ott and Robert Mack, will be used to analyze the following photo to show how they create the
Though the photographers would often stage their photographs, they are still witness to real events (Trachtenberg 73). What the photograph depicted originated, as everyone understood, in the world itself, not in the imagination-even if objects must be moved to realize the photographer’s intention (Trachtenberg 83). It defined and perhaps even helped unify the nation through an unrehearsed and uns...
Photojournalism, known as the practice of capturing moments or events to narrate a story. Sometimes it’s a story within a story. It is variously defined as visual telling through pictorial representation. “Photojournalism has as its underpinning a desire to portray accurately a visual scene which people around the world can relate to, respond to, and believe. Believability is the backbone of news imagery” (Harris, 2001). Walter Lippman mentioned in his renowned work, Public Opinion that the things about which people get to know, most of them are not derived from personal experience or direct interaction but through second hand sources most prominently, photojournalism.
An image has the explicit power of telling a story without saying any words, that’s the power behind a photo. A photo tends to comes with many sides to a story, it has the ability to manipulate and tell something differently. There is a tendency in America, where explicit photos of war or anything gruesome occurring in the world are censored for the public view. This censorship hides the reality of our world. In “The War Photo No One Would Publish” Torie DeGhett centers her argument on censorship, detailing the account of graphic Gulf War photo the American press refused to publish. (73) DeGhett argues that the American public shouldn’t be restrained from viewing graphic content of the war occurring around the world. She believes that incomplete
While Ephron argued that photos of death and war should be published just because it happened, but those photos do have some purpose. They are to preserve history, accurately record events, and be able to convey strong messages to readers. Photojournalism should be able to open minds of readers because the stories do not necessarily have to be told in a picture. Stories of war and death must be respected and honored, so these kinds of stories should not be unmentioned nor censored. They should be remembered. Also, photojournalism should not be abused in any sort to keep the integrity of the stories being captured. Ephron had said, “photojournalism is often more powerful than written journalism,” because it can cause a quicker response. Photojournalism is not only a piece of news, but it is also art. Works of art have the right to be expressed and shown to the
Butler in “Torture and the Ethics of Photography” is largely concerned with how our understanding of perceptible reality and our response to the suffering of others are controlled by military and governmental authorities, who by allowing “embedded reporting”, that is, to allow the journalists and photographers to report only from the persp...
Schwartz, Donna. “Objective Representation: Photographs as Facts.” Picturing the Past: Media History & Photography. Ed. Bonnie Brennen, Hanno Hardt. Chicago: University of Illinois Press, 1999. 158-181.
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated” (Nachtwey). Photojournalism is the art or practice of communicating news by photographs, especially in magazines. Photojournalism has evolved immensely from the beginning to the present. Photojournalism developed during the Crimean War, submitted to its evolution throughout the course of the Golden Age, and eventually settled on its present-day existence today.
1. Nichols, Bill. ‘Why are Ethical Issues Central to Documentary Filmmaking?’ Introduction to Documentary. Bloomington: Indiana UP, 2001, p1-20