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Essay about trifles by susan glaspell
Essay about trifles by susan glaspell
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Mrs. Wright and Margarita are timely examples of the age old saying, "You've pushed me too far." Both of them were pushed throughout life to live up to someone else's expectations and in their own way they break and handle it they only way they know how. The women are under constant pressure to be someone that another person expects them to be and both women begin giving in to the expectations they can no longer live up to. Mrs. Wright lashes out in revenge while Margarita gives in and almost falls to her death. The characters both symbolize exactly what overwhelming emotions can do to a person and how in fact they may handle it. Mrs. Wright is being accused of murdering her husband, and all the evidence points to her, but if you look in her past the motive is clear. Mrs. Wright was pushed to far and she decided to take matters into her own hands. In the early 1900's women were looked upon as inferior beings, and men were the dominating sex. This is very evident of the women in "Trifles", not just Mrs. Wright but the lawmen's wives. They seem to look over the women's intelligence and fail to notice the evidence the women have found. This plays a big role in Mrs. Wright life also, her husband doesn't care for her or what she likes or believes in. When the attorney and the sheriff enter they make reference to her bad housekeeping skills as if it was expected she keeps a good house. Women back then were supposed to keep house while the men did all the hard work in the fields and around the house. It becomes more and more obvious throughout the story that Mrs. Wright did not want this type of life, and that she wasn't very happy. She was very anti-social because she was so depressed; Mrs. Hale makes the remark, "I think maybe that'... ... middle of paper ... ...e him instead. He begins to understand how he really feels, he even remarks, "They are my dreams, my illusions..." He realizes he has basically taken Margarita's life. Then out of no where in the midst of it all Margarita pulls through and he fathers pushiness is what got her there, she won the race! Margarita and Mrs. Wright have many distinct traits that most people like them do. They are quiet, unpredictable and they both did what they needed to do to get their point across. Many women are pushed by their husbands and fathers everyday, and many react in different ways. The ways Margarita and Mrs. Wright acted are two different ways, but they are the ones most used with women in these situations. Margarita and Mrs. Wright both acted in their own ways but the point was given and the lesson was learns, they will no longer be pushed or overwhelmed by emotions.
In conclusion both short stories were great at allowing us the reader to see the way that women were repressed in their society in the 1900s. We don't hate the men; we just wish women did not have to be so subservient. Freedom is achieved in very unconventional ways in both of these stories, but the kind of freedom these narrators achieve is not available to most women of this time era.
The farmhouse in Trifles was accessed by several individuals between the time of the murder and law enforcement arriving. The sheriff even sent Frank over that morning to start a fire for warmth, instructing him “not to touch anything except the stove – and you know Frank.” The men in the play are only interested in observing the areas where John would have been within the home, deeming the kitchen as unimportant. If they had only taken a few moments to consider the mindset and life of Mrs. Wright they would have discovered all the information they sought. Minnie’s obligation once married was to provide John with children, the fact they were childless helps to show her “failure” in this role in the men’s eyes, yet the women see the detached relationship she shared with John and the profound silence of a home without little ones. Mrs. Hale discovers an unfinished quilt with some very erratic stitching where Mrs. Wright has left off and begins to remove the stitches, as if trying to undo what has already happened. When the quilting method of Mrs. Wright is discovered the women link her method with the knot used around John’s neck. Without ever seeing
Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by the male figures in other stories. She is brave in the face of the loss of her two sons; she is brave as she does not show weakness to the white men who attempt to control her and make her do their bidding. She does not allow herself to be bound by the conventions of society. She speaks her mind to the white men who invade her home and states “Ah don’t care who Ahm talking t!” (pg238). Aunt Sue is portrayed as a cunning woman, who hides behind men’s perception of her as weak and uses it to her advantage. Her final act of bravery in the story is to giver herself up to death, before the white men can take her life from her. Wright also portrays women as sufferers in his work. Sarah, in “Long Black Song” suffers from isolation and is stuck in a loveless marriage. The gap between men and women is very much evident in this story. Sarah is very much dependent on Silas for company, security and items of comfort. Silas is allowed to exceed from the isolation imposed on his wife. Even when Sarah flees from ...
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
These women did not know how to act when their husband was not around. They had to be controlled because they did not have control over themselves. If their husbands did not have control over them they would have been out of control. In both stories, when the husband is out of the picture they are not in their right mind. They always had someone watching over them like they were a child. When they are left alone, they talk to themselves and lose their mind. In “The Yellow Wallpaper” she was mentally-ill and could not be left alone. She could not function in daily routine. She said that her husband did not treat her like a wife, but instead he treated her like one of his patients. She was only treated that way because she acted like a patient and not like a wife. The only way to help her was to treat her like a patient so that she can get better. In “The Story of the Hour” she wanted her freedom so bad. She was also not in her right mind. She had heart problem and had to be treated delicately. She had a controlling husband who would...
...hree women of one family as being women of extremes. These women are bound together through generations of being away. Someone who is away is there in body, but not in mind, they know only of their new state of mind. The women are connected to each other genetically and spiritually. They connect through their distinct landscapes and where they have lived. They are all connected to the water and the forest and they continue to live the life of the tortured Irish. The women all share relationships with men. They are very similar, but Eileen is the only one who gets to be with her man for an extended period of time and is the only one that bares a child from that man. The women of the family are connected through their experiences in life. The women are connected both genetically and experientially.
...r. Secondly, in “The Story of an Hour”, Mrs. Mallard, representing a typical married women in today’s world, believes her relationship has gotten monotonous with her husband. She does not get to enjoy the freedom which she truly desires. Desperation took over her life which led to her own death. Lastly, in the story of “The Chrysanthemums”, Elisa realizes there is no future in her marriage, which makes her understand her life has become a miserable one. The frustration of this woman caused by her husband soon allows her to recognize no one will ever see her as a valuable and smart person. The absence of attention which men have towards their respective women in the stories mentioned above provoke them to not reach the happiness they wish. It makes them feel like unworthy human beings with trapped dreams which turn out being the main cause of their endangered lives.
The attempts the women tries so to be in vain till the end when it over boils. The women set herself free in the only way she knew how. Sometimes when people are in tight situation, or when their goals are being blocked, they react even when it doesn’t make sense. The women reacted to being closed up and oppressed and, to her family, it didn’t make
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
... cope and so they suffer, yet the women find ways to cope with the evil. The men completely fall apart and suffer both physically and mentally. The women even save the men by helping them end their suffering. However, the women do it in very different ways. Sonya in Crime and Punishment turns to God, while Margarita in The Master and Margarita turns to the Devil. Both women realize that in order to end the suffering, they must find a way to escape from it
Mrs. Hale feels a natural responsibility to defend and protect Minnie Foster Wright through her connection as a fellow woman and housewife. Upon her introduction to Minnie through her home, Mrs. Hale finds an immediate connection. She understands Minnie’s life as a homemaker and a farmer’s wife and is quick to defend her when her skills as a wife and woman come into question. When the men recognize Minnie’s lackluster cleaning of kitchen towels Mrs. Hale retorts “[m]en’s hands aren’t as clean as they might be” (Glaspell 160). She asserts her loyalty to Minnie and notes that men are not always perfect or without blame, without “clean hands”. As a woman, Mrs. Hale easily sees herself in Minnie’s place and comes to her defense as if she were defending herself. It is easier to share her loyalty with a woman so much like her than it is to be loyal to men that act superior and do not understand the challenges of being a housewife. The men find a woman’s chores as petty, nothing but “trifles” (Glaspell 160).Scholar Karen Stein argues that it is these commonalities that create the responsibility of everywoman to defend one another (Ortiz 165). Mrs. Hale sees herself in every...
In the play Trifles, written by Susan Glaspell, a small number of people are at the Wright house trying to figure out why and how Mr. Wright was murdered. Mrs. Wright is already the suspect, and all that is needed for the case is evidence for a motive. The jury needs something to show anger or sudden feeling so that they can convict her for murder. The men, Mr. Henderson, Mr. Peters, and Mr. Hale are there to find the evidence. The women, Mrs. Peters and Mrs. Hale, are there to pick up a select few items for Mrs. Wright. While the men are going about business and looking for evidence to build a case against Mrs. Wright, the women are looking over what Mrs. Wright left behind and intuitively trying to understand what happened. They are also trying to fathom why Mrs. Wright would be compelled to perform such an act of violence. As the story goes on, it constructs each of the characters in slightly different means. Susan Glaspell presents Mr. Wright and Mrs. Hale as having contrasting and comparable characteristics. While Mrs. Hale and Mr. Wright differ in terms of emotions, they are similar in their cleanliness and are well respected by others.
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
...could relate to the daily struggles of completing chores to please their husbands and children and understood how Minnie Wright could develop feelings of desolation due to the lack of variety in daily activities. When the men found the unwashed towels by the sink and the burst jars of fruit in the cupboard, they quickly took a tone of disgust and disappointment that Mrs. Wright fell short of her “womanly duty” of picking up daily messes. Women in the early 20th century often were not rewarded for completing difficult tasks amongst the homestead on a daily basis, but could be punished and mistreated for not completing the tasks in a timely manner. Glaspell’s work “offers a sympathetic portrait of an abused wife, a woman who is mistreated economically, psychologically, emotionally, and perhaps physically… [her actions] supporting battered woman syndrome” (Keetley).
Most of the actions take place in the kitchen setting which demonstrates the author’s deliberate move to show the important details about the wifely role. The women hold their conversation in the unkempt kitchen, a domestic sphere that reveals everything about the lives of women. While the men were busy searching for clues around the farmhouse, Mrs. Peters and Mrs. Hale see some evidence in the trifle that Mrs. Wright had left in the kitchen. The women can deduce that the messy kitchen with dirty pans gives a signal of incomplete work. Mrs. Hale and Mrs. Peter spend most of their time in the messy kitchen that significantly reveal Mrs. Wright’s state of confusion (Manuel 61). Mrs. Hale understands Mrs. Wright’s experiences of loneliness and desperation from the male-dominated circumstances. The female characters sympathize with her situation by acknowledging the forces in her life that made her take the roles including that of murdering her husband. The men overlook the evidence that the women can trace in the house, and their dialogue suggests lack of sympathy towards women as noted from their humiliation and sarcasm towards women. For example, the women can relate the death of the canary to the murder scene. The attorney shows how woman’s concerns are unimportant, instead of sympathizing with Mrs. Wright for what has befallen her, they portray their women