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analysis oedipus the king
analysis oedipus the king
oedipus the king synopsis
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Oedipus the King, written by Sophocles, is a tragic drama that portrays a great deal of irony. Oedipus, the protagonist, suffers serious misfortune that is significant in that the “misfortune is logically connected with the hero’s actions” (AbleMedia LLC). When the reader learns about the background of Greek culture and the life of Sophocles, this tragic drama is able to become more alive and valuable. It is important to familiarize oneself with the author because it allows for a greater connection to the dialogue presented. Through the character development of Oedipus, one can see how ironic circumstances can turn a prideful king into a tragic figure.
Knowing the background of Greek culture and theater will help one to better understand Sophocles’ Oedipus the King. The Greek tragedies of the fifth and fourth centuries BC that remain today were almost all written for performance in the Theatre of Dionysos at Athens (Didaskalia, par. 1). This major annual festival held in honor of Dionysus, the god of wine,
came about because of the “problematic relationship that Greeks believed existed between gods and humans” (Perseus Digital Library). Greek theater, however, is different from our business enterprise theater. The Athenian theater was financed by the Athenian state. It was an essential part of the Athenian religious festival: the City Dionysia (AbleMedia LLC). During this festival, three tragic playwrights were chosen to present a tetralogy. A tetralogy is a group of four dramas: three tragedies and one satyr play that are performed consecutively (Dictionary.com). The three tragic poets competed with one another while their efforts were ranked by a panel of judges (AbleMedia LLC). This fundamental part of Greek culture brought ...
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...al History - Ancient Greece & Rome & Classics Research Guide. 14 May 2009 .
Sophocles. Oedipus the King. Trans. Dudley Fitts and Robert Fitzgerald. Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 5th Compact Ed. New York: Longman, 2007. 887-924.
"Tetralogy Definition | Definition of Tetralogy at Dictionary.com." Dictionary.com. 14 May 2009 .
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"Thomas R. Martin, An Overview of Classical Greek History from Mycenae to Alexander, The Development of Athenian Tragedy." Perseus Digital Library. 14 May 2009 .
Dillon, Mathew, and Garland, Lynda. Ancient Greece: Social and Historical Documents from Archaic Times to the Death of Socrates. Routledge International Thompson Publishing Company, 1994, pp. 179-215
Bury, J. B.; Russell Meiggs (2000). A History of Greece to the Death of Alexander the Great
Roche, Paul. The Oedipus Plays of Sophocles. The New English Library Limited, London. New York and Scarborough, Ontario. 1958.
As with many plays from the same time period as Oedipus the King, there seems to be more to the story than the tragic story of a simple man. One way that Oedipus the King can be interpreted is as a political commentary about the str...
Martin, Thomas R. Ancient Greece: From Prehistoric to Hellenistic Times. 2nd ed. New Haven: Yale UP, 2013. Print.
Pomeroy, S.B. et al. A Brief History of Ancient Greece: Politics, Society, and Culture. Second edn. Oxford: Oxford University Press, 2009.
Everywhere in Greece, the festivals were regarded as public acts of worship, but only in Athens did these crude beginnings develop into tragedy. The tragic performances of ancient Athens presented a magnificent spectacle. All citizens could attend freely, for the festivals were still regarded as public acts of worship. Everybody could easily respond to the rhythms of dance...
Sophocles. Oedipus the King. Literature: An Introduction to Fiction, Poetry and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1255-1294.
This book provides an overview of ancient Greece, starting “with Greece’s place in the prehistory of Europe and ending with the period” after the death of Alexander the Great (BOOK PG ix). Each topic mentioned in this book complement the emphasis of Ancient Greece, providing more in-depth and expanded sections. In 221 pages, Thomas Martin explains the extensive rule and power that Ancient Greece earned and maintained.
Fergusson, Francis. Oedipus, Myth and Play. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. 2nd ed. Ed. Ann Charters and Samuel Charters. Boston: Bedford, 2001 1462-1469.
Sophocles’ Oedipus Rex has fascinated readers for over two millennia with its tale of a man who falls from greatness to shame. The enigmatic play leaves many questions for the reader to answer. Is this a cruel trick of the gods? Was Oedipus fated to kill his father and marry his mother? Did he act of his own free will? Like the Greeks of centuries past, we continue to ponder these perennial questions. Part of the genius of Sophocles is that he requires a great deal of mental and spiritual involvement from his audience.
Sophocles’ tragedy, Oedipus Rex, contains one main theme, which this essay will consider. The theme is the general doctrine or belief implicit in the drama, which the author seeks to make persuasive to the reader (Abrams 170).
Early Greek tragedies were made to be performed upfront of an audience in a theater and were never truly intended to be written in the forms of novels. In fact, the origins of comedy and tragedy can be traced back to the great three tragedians: Aeschylus, Euripides, and Sophocles. These great three composed some of the best plays of all time. Each generation re-invented the same myths from a different perspective and this sort of kept the myths alive because they seemed more valid. For example, Sophocles was a, “definitive innovator in the drama, he added a third actor—thereby tremendously increasing the dramatic possibilities of the medium—increased the size of the chorus, abandoned the trilogy of plays for the self-contained tragedy, and introduced scene painting”(Columbia E.E. 1). The Greeks divided their theatre into three genres: tragedies, comedi...
Martin, Thomas R.. Ancient Greece : From Prehistoric to Hellenistic Times. New Haven, CT, USA: Yale University Press, 2000. ProQuest ebrary. Web. 31 January
Vernant, J.-P. “Tensions and Ambiguities in Greek Tragedy.” In J.-P. Vernant and P. Vidal-Naquet, eds., Tragedy and Myth in Ancient Greece. Sussex, N. J. 1981.