The music from the Apartheid in South Africa was extremely important in the movement for freedom. At a time when there wasn’t much money for the Anti-Apartheid Movement, music became the most important weapon. The songs sung all over South Africa in resistance to the Apartheid intimidated the government more than weapons and violence could because of the powerful meaning behind each song that unified and strengthened the resistance. Artists all over South Africa wrote songs speaking out against the government and its cruel laws and although many of them were banned, the people of South Africa heard them and sang them to protest the rules of the government.
While there are many different varieties of revolutionary music from the Anti-Apartheid Movement, ranging from ironic upbeat songs like ‘Meadowlands’ by Nancy Jacobs and sisters to aggressive angry songs like ‘Beware Verwoerd’ by Miriam Makeba, some of the most powerful songs are soft and gentle with very meaningful lyrics, like ‘Nkosi Sikelel’ Afrika’ by Enoch Sontonga. Although the song is neither belligerent nor confrontational, the haunting melody played under tremendously empowering lyrics shape possibly the most influential song in the Anti-Apartheid Movement.
‘Nkosi Sikelel’ Afrika’ was written by Enoch Sontonga, a Methodist minister, in 1899 for the children’s choir in the South African school he worked at to sing at the ordination ceremony of Reverend Mboweni, a methodist pastor in South Africa. Soon after the first performance, Samuel Mqhayi, a famous writer and poet in South Africa, added seven verses to the song, giving it a much more meaningful connotation. As the struggle for blacks in South Africa intensified, ‘Nkosi Sikelel’ Afrika’ became more and mor...
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... the most influential song during the Apartheid. Without it, there might have been much less hope for those involved in the Anti-Apartheid movement.
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For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Joan Baez, a famous folk singer, sang her most famous song “Oh Freedom” during the civil rights movement. She expressed her want and need for equality and freedom f...
... Bohlman, Philip V. Music and the Racial Imagination. University Of Chicago Press, Chicago. 2001. Print.
Black anthems have a long standing history that can be traced through their African roots to modern day songs. Political groups have used these anthems to both lead and thrown into crisis their aims and objectives of their political messages. Not only have anthems been used in political areas they have also been used to showcase the culture at the time of their prominence. These anthems have many benefits such as uniting people together for certain causes, however, some of the anthems drawbacks are that they have been nearly forgotten as their respective political groups have faded away into history. The book Anthem: Social Movements and the Sound of Solidarity in the African Diaspora by Shana L. Redmond proves that anthems have been used
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African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
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Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
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I have always thought that Nelson Mandela has been one of the most important people in history. I find it very fascinating that one man could end the Apartheid and that is why I want to find out more about this. South Africa is a country with a past of enforced racism and separation of its multi-racial community. The White Europeans invaded South Africa and started a political system known as 'Apartheid' (meaning 'apartness'). This system severely restricted the rights and lifestyle of the non-White inhabitants of the country forcing them to live separately from the White Europeans. I have chosen to investigate how the Apartheid affected people’s lives, and also how and why the Apartheid system rose and fell in South Africa.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.