New Criticism Analysis of My Papa’s Waltz

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New Criticism attracts many readers to its methodologies by enticing them with clearly laid out steps to follow in order to criticize any work of literature. It dismisses the use of all outside sources, asserting that the only way to truly analyze a poem efficiently is to focus purely on the words in the poem. For this interpretation I followed all the steps necessary in order to properly analyze the poem. I came to a consensus on both the tension, and the resolving of it. A poem’s diction plays a fundamental role in analyzing a poem, considering the text is all one needs in order to discover the meaning. My Papa’s Waltz is a fairly short poem, but the words have major impact. The word “whiskey” (Line 1) implies that the father is a drunk, and this makes the boy “dizzy,” (Line 2) or in other words, it sickens him. The poem claims the boy is small, making him sound fragile, playing into the next few lines of the poem. “Death” (Line 3) is a negative connotation, along with “battered” (Line 10), “beat” (Line 13), and “caked hard” (Line 14). “Romped” (Line 5) has a positive denotation suggesting harmless roughhousing. The word “countenance” (Line 7) does not flow within the stanza, sounding sharp and negative, paralleling the mother’s stern disapproval. “Hung” (Line 3) is past tense, therefore the poem is a reflection of an earlier time. “Waltzed” (Line 15) takes on a different meaning beyond the dance, making it a synonym for taking someone somewhere. Understanding the words of a poem was the first step in order to analyze My Papa’s Waltz using this methodology. Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.

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