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HUMILITY VS PRIDE ESSAY
aylmer the birthmark character analysis
aylmer the birthmark character analysis
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Recommended: HUMILITY VS PRIDE ESSAY
Nathaniel Hawthorne’s “The Birth-Mark”, Raymond Carver’s “Cathedral”, and Randall
Kenan’s “The Foundations of the Earth” illustrate how arrogance undermines knowledge and individual power and humility enhances those qualities. In each story, characters with parochial worldviews encounter people who challenge them to change. Other perspectives are available if they are able to let go of their superior attitudes. For example, Hawthorne’s protagonist, Aylmer, believes he has the ability and right to create perfection. He views a birthmark on his wife, Georgiana, as evidence of a flaw that must be removed no matter what the cost. His assistant, Aminadab, (an earthy alter-ego) remarks, “If she were my wife, I’d never part with that birthmark” (Hawthorne 531). He does not say, “I’d let it be” or “I’d tolerate it”, but rather “I’d never part with it.” This interpretation is so antithetical to Aylmer’s that it cries for inquiry. “What is it that you are thinking, Aminadab?” or “What is it about this birthmark that I find so ugly that you would treasure?” Aylmer does not ask these questions. Arrogance shuts him down. One needs humility in order to consider alternative points of view. New ideas do not enter Aylmer’s mind and he does not develop. His arrogance culminates in the death of Georgiana. In the other two stories, however, the characters mature by humbly opening to diverse perspectives, thus gaining knowledge and individual power.
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Raymond Carver’s short story “Cathedral” opens with a narrator whose wife has invited a blind friend to spend the night. The narrator depersonalizes the man right off the bat and repeatedly throughout the story by referring to him, not by name, but as “the blind man” (Carver 513). He admits that hi...
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...h. On the other hand, arrogance stifles one’s growth by shutting out different perspectives. One is left with nothing except what one started with; one’s mind becomes a closed box of stifling inflexibility or a Pandora’s box of anger and blame. Sometimes arrogance leads to a fate like the one Georgiana and Aylmer experienced in Hawthorne’s short story.
Works Cited
Hawthorne, Nathaniel. "The Birth-Mark." Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 527-38. Print.
Carver, Raymond. “Cathedral.” Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 513-23. Print.
Kenan, Randall. "The Foundations of the Earth." Reading Literature and Writing Argument. Ed. Missy James and Alan Merickel. Fourth ed. Boston: Longman, 2011. 149-61. Print.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
Hawthorne. “The Birthmark.” The Norton Anthology of Short Fiction. R.V. Cassill, Richard Bausch. 7th ed. New York: W.W. Norton, 2006. 648-660.
Howard, Jeffrey. "Nathaniel Hawthorne's The Birth-mark." Explicator 70.2 (2012): 133-136. Academic Search Complete. Web. 31 Jan. 2016.
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us(54).
Carver, Raymond. Cathedral. Exploring Literature: Writing and Arguing About Fiction, Poetry, Drama, and the Essay. Ed. Frank Madden. 4th ed. New York: Pearson Longman, 2009. 1151-61. Print
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
In the article, “‘Young Goodman Brown’ and the Psychology of Projection”, Michael Tritt critically analyzes Nathaniel Hawthorne’s “Young Goodman Brown” to construct the process of how Hawthorne regards Goodman Brown’s behavior. Tritt examines the phenomenon of projection in psychology and believes that “Brown’s compulsive condemnation of others, along with his consistent denial of his own culpability, illustrates a classically defined case of projection” (116). He defines projection as an unconscious process when a person projects their own traits or desires onto other people, thus representing a false perception on whom the projection is made.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Frost, Robert. "Mending Wall." Responding to Literature. 2nd Ed. Ed. Judith A. Stanford. Mountain View, California: Mayfield Publishing Co. 1996. 1212-1213.
With this in mind, “Cathedral” is a story about a blind man who visits a married couple for the first time in ten years. Carver introduces the blind man’s name as Robert. He has formed a great relationship with the husband’s wife by passionately communicating with her through mailing letters and tapes. Unfortunately, these actions force the husband to become extremely paranoid of Robert coming to visit his wife. These events can infer that their marriage is unstable and the wife is potentially attempting to seek attention or a stronger e...
The unnamed narrator of Raymond Carver’s “Cathedral” poses as an unreliable narrator for his unaccepting nature towards blind people along with his ignorant perception of many realities in his life that Carver presents for the reader to take into question. The narrator holds prejudice against Robert, a blind man whom the narrator’s wife worked with ten years earlier and eventually befriends. Unperceptive to many of the actualities in his own life, the narrator paints an inaccurate picture of Robert that he will soon find to be far from the truth.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
The Puritan society, although pious and goodly within the idea of it, spurned many of its members for fabricated suspicions that eventually eroded the Puritan community. Hence, the archetypes within Nathaniel Hawthorne’s “Young Goodman Brown” emulate how an individual’s interpersonal relationships can easily crumble when a society’s culture is steeped within judgment. Carl Jung’s theory of individuation is the psychological process as one grows up and notices aspects of the self that set one apart from others. It also explains how one can project unconscious faults onto others more easily than we can accept them of ourselves. Thus, members of the Puritan community were more apt to cast judgment on others rather than looking to themselves for