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What is history quizlet
What Is History
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Meyer's quote introduces two opposing methods of defining history; 'dialectic succession' and 'an objective ordering of recorded evidence'. Firstly, Meyer's quote is dissected, and the features which separate the two methods are discussed. The instrumental song 'Apache' and its numerous interpretations and adaptations are presented. By highlighting the issues of defining its history, and including relevant quotes, the two methods and their features are criticised. Finally, the incorporation of past sources in current works is explored. Understanding the two methods The first method is 'a dialectic succession of necessary stages' resulting in truth which is 'single and ultimate' [Meyer 1967, 190]. Dialectic reasoning is a dialogue between two people differing views, but both seek the truth through reasoning. In relation to history, this is the analysis of differing sources for bias' and falsities, to decide which is true. The 'succession of necessary stages' supports the idea of a linear history, where a sequence of events lead to an event [Meyer 1967, 190]. Through the reasoning between sources only one is chosen, and there is therefore only one version. This leads to a history which is 'ultimate'. The second is 'an objective ordering of recorded evidence' leading to a 'provisional and pluralistic' truth. Pluralism is the believe that there is not one correct interpretation but any number of possible interpretations [Goss 2010]. This pluralistic view is supported by Rochberg who talks about 'uncovering hidden connections and working them structurally … to gain not a permanent certainty (which is not possible anyhow) but a momentary insight' [Rochberg 1984, 241]. In relation to the organisation of history, th... ... middle of paper ... ...” of Hip-Hop', www.stylusmagazine.com/articles/pop_playground/the-death-of-hip-hop.htm, 18/01/11. Goss, Steve, 2010: Pluralism, 5, Stylistic pluralism and postmodernism in music. Matos, Michaelangelo, 2005: 'All Roads Lead to “Apache”', EMP Pop Conference 2005. McLuhan, Marshall, 1964: Understanding Media: The Extensions of Man (York: McGraw-Hill). Meyer, Leonard, 1994: Music, the arts, and ideas: patterns and predictions in twentieth-century culture (Chicago: University of Chicago Press). This is a re-print of the 1967 version. In order to place this concept in time it is referenced [Meyer 1967]. Potter, Russell, 1995: Spectacular vernaculars: hip-hop and the politics of postmodernism (New York : State University of New York Press Rochberg, George, 1984: 'No Center', in William Bolcom, Aesthetics of Survival (Michigan: University of Michigan Press)
Ed. Harold Bloom. New York: Chelsea House Publishers, 1985. McQuade, Donald, ed., pp. 113-117.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911.”. This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issues, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz. As the 1930’s began, the effects of the Great Depression still ravaged the United States, which in turn caused a dramatic change in the music industry.
When one considers the history of classical music, often images of Vienna, Prague, and other European cities come to mind. Centuries of European musical achievement and development have implanted in society the idea that classical music is an inherently European creation. Considering the accomplishments of countless composers such as J.S. Bach, Ludwig van Beethoven, and Antonin Dvorak, this preconception is certainly not unfounded. However, Leonard Bernstein's rise to international fame proved that one cannot neglect American composers in a discussion of the development of Western music. Combining elements of a vast array of musical styles, Bernstein's unique compositions reached a wide variety of audiences and often bridged gaps between distinct musical genres. Through his long conducting career, profoundly influential compositional output, and televised music lectures, Leonard Bernstein left a lasting legacy which came to define American music in the 20th century.
Light, Alan. "About a Salary or Reality? – Rap’s Recurrent Conflict." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 137-146. Print.
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
Western Music has developed in many ways since the middle ages through its form, sound, and message. Throughout these different periods in western music one thing has remained constant, the true essence of music, a way to communicate with someone on a much more divine level than be by rudimentary conversation. Though Ludwig Van Beethoven and Paul McCartney may seem completely opposite they have one in common through their music they changed the world’s perception of its self
Ever since humans first learned how to make music with their voices and with instruments thousands of years ago, music has been changing. Some changes took place over hundreds or even thousands of years, stunted by human isolation or by guidelines set in place by religious institutions. The 20th century, in contrast, experienced several rapid, radical changes in the popular genres of music. This made the 20th century a very rich time period for musical culture. These remarkable genres--including, but not limited to jazz, rock and roll, and the music of the “British invasion”--all influenced one another, and all influenced the culture we still live in today.
4. Foreman, (2002). The Hood Comes First: Race, Space, and Place in Rap and Hip hop. Middletown, Conn.: Wesleyan University Press.
The way that these different aspects were presented, defined and designated one of these mediums as better than the other, and that medium would be the
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
What would the world be like without music? The world would be a very silent place. Music is in many ways the material of our lives and the meaning of society. It is a reminder of how things were in the old days, a suggestion of how things are, and a view of where society is leading to. Music is the direct reflection of the picture of art, music, and literature. Music can be a way to deliver messages, being poetic, a fine art, or it can just be for entertainment. No matter what it is used for, music is the perfect art there is and there are various types of music; such as classical and romantic. This paper will discuss how classical music and romantic music had a turning point in humanity’s social or cultural development, and how they have
The. The life and work of Toni Morrison. Retrieved on December 16, 2005 at. www.enotes.com/jazz. Glamour – Magazine review of Toni Morrison’s Jazz. Hitchcock, H. W. (2000) Music in the USA: A historical introduction.
In the text book America’s Musical Landscape by Jean Ferris, the book takes us through the history of the evolution of American music. The book delves into the different time periods of America’s music beginning with early North American music all the way to today’s modern music. Additionally, the book also explains how music, theater and film intertwine to provide some spectacular art. Jean Ferris finishes the book by exploring America’s concert music. Let us now take a closer look into the different time periods brought out in the book.
There are therefore absolute distinctions between what is true and what is false in such fields where a distinction matters and is significant, but circumstances also arise when truth must be relative to a certainty continuum where one may find a middle ground.
15 March 2014 Springer.com. Riley. Springer:’’ Rap and Hip-Hop Genre Today’’. April 2004 15 March 2014 Springer.com Ruiz, Jonathan. Cross-Cultural Rhetoric.