How did we get here? After several consecutive years of growth and record high U.S. sales in 1999, CD sales throughout the United States and the world began to decline. Many industry executives (at least in part) blame this decline on digital piracy, which began in 1999 with Napster. From 1999 until 2002, CD sales worldwide plummeted 19.8 percent, roughly $7.7 billion. (Janssens, Vandaele, & Beken, 2009) The MP3 (MPEG-1 or MPEG-2 Audio Layer III) was the most influential technological advancement in the music industry since the creation of the CD in 1982. The MP3 enabled users to compress music from CDs into a format with slightly poorer quality that could be easily transferred through the Internet. The result is that MP3 audio files can be transferred from user to user without any loss of quality. (Gowan, 2000) This new technology allowed Shawn Fanning to create Napster, the first peer-to-peer music-sharing network. Launched in 1999, this service made it possible for users with the Napster software to search for and download music files from other users. The service operated using a central computer server that would list users who had certain songs and would make a bridge between them and other users that would allow them to share files. In December of 1999, the Record Industry Association of America (RIAA) sued Napster, accusing the company of enabling and encouraging copyright infringement. Within one month of the lawsuit being filed, the number of Napster users grew from 50,000 to over150,000 and the number of songs available for download grew to over 20 million (Menn, 2003). At its height, Napster had 70 million registered users. In 2001, the court ordered Napster to block all copyright-infringing files, and w... ... middle of paper ... ...traditional artist’s development. As for the outlook on the recording industry, “Friday” raises the debate over some unintended consequences that the Internet has on music. One of the most complicated problems with the Internet is that there are little to no filters- allowing anyone to upload a song to YouTube, SoundCloud, ITunes, Facebook, blogs, etc. Because of this, the standards for music have been significantly lowered. Unfortunately, it would seem the music hobbyist and professionals are being smeared together and confused by the general public. It is no wonder that the value of music is plummeting when the work of a professional artist, with a team of managers and agents, now seems equivalent to the efforts of anyone with a laptop and a microphone. The “Friday” music video on YouTube currently has 362,222 likes, 1,338,685 dislikes, and 67,689,277 views.
The RIAA believe that Napster has helped users infringe copyright. The threat of the lawsuit has been around since the conception of Napster and was actually filed four months after Napster went on line. The case is not as clear-cut as it first appears. RIAA argues that most of the MP3's on Napster's site are mainly pirated. Therefore, by Napster allowing and actually making it easier for users to download MP3's this means that they are assisting Copyright infringement.
Before the 1990’s, if people want to listen to music, they just visit a music store and pick up a CD and then put it into a stereo equipment. However, the development of MP3 file format gradually changed the way people listen to music. This format lets everyone download music easily and it can be converted to CD as well. But, there is still a problem: searching MP3 files on the internet is maddening and people seldom can find the music they want. Therefore, the birth of Napster solved this problem, creating a virtual music community in which music fans could use the Web as a “swap meet” for music files. More importantly, Napster is easy to use and it’s free, which expands the range of audience in age. Bandwidth also contributed to Napster’s success. The greater the bandwidth, the faster the file can be transferred. So, Napster really changed the way people listen to music, discover music and interact with music.
Perhaps the optimal solution for Napster’s dilemma is the possibility of a cable TV type payment. Users pay a certain monthly fee for all the downloaded music they wanted. They could chat with their favorite artists, get first claim on concert tickets, and browse possible downloads by genre. The new system would pay the artists their royalties and sell millions of older titles that at present are sitting in vaults because no stores will give them shelf space. This option has the advantages of cooperation between the music industry and Napster. Napster users will have the same type of service as they do now, with extras so they won’t have to turn to no-fee options (Gnutella and Freenet). Music companies will be able to use the Internet for sales of all their merchandise. If music companies can package a better experience people will pay for it. In a recent survey of college students more than two thirds of the respondents would be willing to pay for a $20 dollar monthly fee of a similar service. The only foreseeable disadvantage of this solution is the plausibility of the record companies cooperating in such an effort.
The approach that was taken by the music industry to take down file sharing service was to attack it from all sides – Napster was hit with several lawsuits from different sectors of the music industry. First to hit was A&M Records. A&M Records was actually not a single record label, but a group of plaintiffs that were all members of the RIAA, the Recording Industry Association of America. Some of these plaintiffs include Sony Music Entertainment, Virgin Records America, Universal Music Group, and Warner Bros. Records. When Napster was issued a preliminary injunction by the District Court, it appealed the decision at the Ninth Circuit. I chose to focus on the District Court case because it was where the arguments were ...
The entertainment industry and many musicians regarded P2P as a big crisis for copyright, so that they sued the company that produced Napster. “Anger leads Metallica to the Internet,” an article by Karen Schubert in USA TODAY, noticed that heavy-metal band Metallica was suing Napster. And now some people in the music industry are fighting with a distributor of P2P software even in the Supreme Court, and lobbying to outlaw P2P technology. In “File sharing goes to High Court,” USA ...
MP3 has made it feasible to download quality audio from the Web very quickly, causing
Napster creates a threat to the music industry, which includes Recording Industry Association of America (RIAA) and well-known musical groups, because it diminishes their distribution control, record sales and lowers their profit. The music industry must continue to take legal action against Napster to eliminate its negative impact.
The music industry has had problems with computer piracy for many years now. There have been many programs devoted to giving out free music. Many of these programs are well know, but still very hard to stop. Napster, Kazaa, and the newest program, myTunes Redux are the most popular programs for music sharing. This essay will explain all about these main programs which allow free music to be shared all over the world.
The Internet, by making free and non-free online distribution of music, has profoundly affected how business is conducted in the record industry in terms of distribution channels, copyright and the economic structure of the major players in the global market. Initially, the Internet was viewed as an opportunity by some of the major players as a new channel of promotion. However, after the existence of Napster and few others, the majority considered it as threat because of the increase in the free file sharing. Consequently, for the Internet to be an opportunity for the major players, they had to adopt new business model in terms of distribution for online customers while keeping their conventional distribution channels. Early response to this threat was searching for technological solution in order to prevent piracy, going to court to sue for copyright infringement, the five major players and others offered their own authorized online distribution joint venture, all in attempt to keep their power in the market.
Since early in the 1990's, software publishers have been concerned about their losses from software piracy. The music recording industry now faces a much larger threat than the software industry. Its very existence is in question as music is extensively pirated through internet downloads and copying CD's. The total cost of pirating music is estimated at $12.5 billion annually, of which $5 billion is a direct cost to the recording industry. The recording industry has experienced dropping profits and has lowered employment because of the effects of music piracy (Blyth, 2008). Many argue that as a result of music piracy, the structure of the industry must change and the era of both big record labels and superstar bands is ending (Dvorak, 2003). Nevertheless, many people, especially college students, do not seem to regard music piracy as unethical. Understanding consumer attitudes may be an important step in developing a solution to the economic problem of music piracy. This study develops a model based on the Theory of Reasoned Action (Fishbein & Ajzen, 1975) to promote further understanding of attitudes toward music piracy and how those attitudes influence music piracy behavior.
Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling.
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.
Nowadays, it is extremely easy to download free music from the internet. All someone has to do is download some peer to peer file-sharing application such as Kazaa, Edonkey, Blubster, or Bearshare, and you have unlimited access to download just about anything that you please. But is downloading free music from one of these applications legal? I think that it is. This paper will look at both sides of the argument.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
Napster is a company that developed the so-called peer-to-peer technology that lets people search and retrieve music files directly from one another's personal computers. When Napster first came out, millions of internet users worldwide were illegally downloading and distributing copyrighted music, videos, images, and software for free. After being vilified by the entertainment industry, which claims that Napster and any similar programs could make piracy of almost any digital work unstoppable, and many court battles, Napster was ordered by court to be shutdown in 2000. The technology has been praised as a revolutionary development for the Internet—unaware of the problems that would arise from such practices. However, the termination of Napster was not enough, months later, dozens of new, like programs were being developed and used. And since Napster, not much has been done to stop these latest downloading programs.