In my first ever visit to the MOCA Museum of Contemporary Art, was an interesting one. My summer job this past summer was working on Case Western Reserve Campus of 115th and Euclid. Every day I would take the RTA Healthline to work and sometime would dine at the restaurants around the MOCA museum. So every day I would walk pass the museum and not knowing what that unique building was. I went online to search for the museum address and when I saw the Google street view of the building, I was surprised to discover what that magnificent looking building truly was. Entering the museum for the first time was mesmerizing. The MOCA museum’s website states that “The nearly 34,000-square-foot structure, which is 44 percent larger than MOCA’s former rented space, demonstrates that a museum expansion need not be large in scale to be ambitious in all respects. Devised for both environmental and fiscal sustainability, the design is at once technically inventive, visually stunning and highly practical. The dynamic structure was designed by Iranian-born Farshid Moussavi of London”. The museum stands beautiful from the inside and the staircases give the impression of a maze. I then entered the Lewis gallery to find a work to use in the discussion of my essay. I walked around the entire exhibit searching for a work of art that to me was visually appealing and had a thought-provoking emotional or spiritual purpose. This essay will discuss my first experience to MOCA and the vibe of the gallery when in the presence of a photograph. On display in the Lewis gallery was DIRGE – an exhibition of 23 national and international artists reacting to and reflecting on death and mortality, both their own and their loved ones. Different artist on display were... ... middle of paper ... ...ood dreams? What sets you apart from everyone else? What is missing from your life? Do you think that everyone can be an artist? Where do you come from? Do you find your lot an enviable one? What have you given up? What do you do with your money? What household task gives you the most trouble? What are your favorite pleasures? What would you like to receive for your birthday? Cite three living artists whom you detest. What do you stick up for? What are you capable of refusing? What is the most fragile part of your body? What has love made you capable of doing? What do other people reproach you for? What does art do for you? Write your epitaph. In what form would you like to return? Calle, Sophie”. Works Cited “Museum of Contemporary Art Cleveland.” About. N.p., 2014. Web. “Sophie Calle.” ARNDT. N.p., n.d. Web. “Sophie Calle Quotes.” Scribd. N.p., n.d. Web.
“Introduction to Modern Art.” metmuseum.org. The Metropolitan Museum of Art. 18 June 2009. Web. 25 Sep. 2009.
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
There are two books The pursuit of Quality: The Kimbell Art Museum written by Harry Abrams, and The 1939 Building of the Museum of Modern Art: The Goodwin-Stone Collaboration, written by Dominic Ricciotti. These two books investigate the change in architectural feats, and the layouts in which architects like Louis I. Kahn and Goodwin and Stone used in the changing times in which they lived. These two books and the chapters within them, showcase the change in the architecture and layouts of museum buildings. Yet, these books also show the change in museum models worldwide to alter the way individuals look at architecture and artwork. Both books speak of the ever changing museum models which took places from the early 1930s until the 1960s. The following quotes and instances mentioned in the history of the New York Museum of Modern Art and the Kimbell Art Museum describe how these two museums changed the course of how architects and artists design and fill museums.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
As soon as you walk into the Metropolitan Museum of Art, there is an overpowering sense of culture and aesthetics. One work you’ll notice as soon as you enter the museum is the Great Hall, which is both grand and visually attractive. It contains intricate moldings on the surface of the walls, with a ceiling height comparable to an ancient Catholic church. The Great Hall isn’t the only visually appealing work; the Moroccan Courtyard is as well. The courtyard leaves you mesmerized by sheer beauty and openness of the courtyard. The hand-crafted patterns and shapes crafted on the wall are similar to those visible on linen clothing. Both the Great Hall and Moroccan Courtyard are architectural examples that not are only works of art but in fact differentiate in their composition as well as serve varying structural purposes, for the museum.
The St. Louis Art Museum is one of the United States most renowned art museums that is located in our very own St. Louis. It has over 30,000 pieces of exquisite art that I had the privilege to witness. While there, I mainly examined the art pieces that were modern art, since that is of what I have a good working knowledge. There is a wide range of art that I also got to witness including the sculptures and the museum itself. In the past year, they have recently installed a new sector of their establishment that has done nothing less than enhance the entire museum’s overall beauty. The St. Louis Art Museum, there are many beautiful works, but there were three special projects that caught my eye while I was there. The Contemporary art periods, Modern art periods, the American art periods, and the museum itself.
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco, showed it different ways with same subjects. First, the title of the paintings is about Jesus's birth. Andrea mantegna artist had lived from ca 1430 to 1506. He established his reputation when he was 20 years old. This painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in horizontal format with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In difference, El Greco(Spain 141-1641) worked it with oil color on canvas by vertical format. The size is 125 5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas that big two angels and others are placed on top of the middle place, and the people are placed in triangle position based on the landscape. The landscape is very detail. The people I find it that Holy Maria is standing in the middle and the mountain is placed behind of Maria among the landscape things.
The Guggenheim Museum and the Metropolitan Museum of New York are both masterpieces of architecture that communicate their form and function in contrasting styles. The Met gives the viewer a sense of grandeur and hails back to classical styles and forms while the Guggenheim Museum intrigues and appeals to the aesthetic side of the viewer. Both Museum’s are products of their environment and accomplish the aesthetic effect that the art works inside them possess. If the Met is considered graceful, the Guggenheim can be characterized as simply beautiful. Both are priceless elements of the New York City architectural landscape.
...hnestock Hubbard, in memory of her father. It belongs to the Bashfored Dead Memorial Collection.
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
This project made me understand that enjoying art and appreciating a building’s architecture are not contradictory purposes but complementary aspects of a museum visit. After we leave a museum we don’t only leave with knowledge about art but also with different states of mind that can only be shaped by the environment. The museum experience is a whole package of stimulants such as colour, space, light and movement.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Many in the modern world seem to take great pride in the rapid pace which life holds for most of us. It is as if we might squeeze a few more precious moments of life's experience for ourselves if we move a bit faster. In reality, we rob ourselves of the enjoyment of the slow consideration of the phenomena we experience everyday. Art is something static which we might use to slow us in our perception of our world. It is not required that art be something static in motion but in thought. It is not something to be considered with only fleeting attention. A single painting could mean millions of different things to different people. It is the value of possibility and of perception that is so important. The Weatherspoon Art Museum at UNCG is a perfect example of the importance of this concept.
‘Savage Beauty’ was an exhibition that pushed the boundaries of museology, in its artistic, social and critical undertakings. The questions brought to bear by the exhibition of contemporary art and culture in various situations is something I am interested in researching further with a degree in curating.