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MP3's and the Music Industry The Internet is now being used in many exciting and interesting ways. The music industry, however, has come to feel that it may be being abused. There are countless web sites offering information on how to obtain contemporary music, with and without permission from the creators. Using a fairly expensive recording device, such as Diamond Multimedia's Rio portable MP3 music player, consumers are supposedly able to download unauthorized music placed on MP3 sites. There are two distinct sides to the mp3 issue. A cyberspace tug-of-war is taking place between the rights of MP3 consumers and those of musicians and record companies that desire to control any and all consumption of their product, the music. Internet piracy is being combated by groups such as the International Federation of the Phonographic Industry (IFPI) and the Recording Industry Association of America (RIAA). The rights of music consumers are being championed by many groups, such as the Electronic Frontier Foundation (EFF) and supporters of such web sites as mp3.com. While there are a number of legal and authorized pieces of music that may be downloaded by Internet consumers, there are just as many offerings that can be considered to be "bootleg" or illegal, and are placed on the Internet by "pirates." This infringement on the rights of creators to control the reproduction and distribution of their product has incensed and angered many different groups. Their fight to retain control has resulted in a counter-argument in favor of online freedom and of expression and a battle to preserve civil liberties. Internet piracy has been a source of much controversy as it has grown and become the new medium of communication in our generation. The Internet connects so many people with so many products and, as in all industry, not all these people and products are fair and honest. The same is true in the world of the online music industry. Some artists champion the public's right to hear and record their music in an "industry-free" atmosphere. Others fear that their art is being exploited and their rights denied. In October 1999 the IFPI announced its efforts "aimed at ridding the Internet of large amounts of pirate content and paving the way for artists and record companies to deliver music electronically and legally across the world" (IFPI, 1999). The recording industry is collaborating to try and fight this exploitation. The "IFPI estimates there are some 1 million illegal music files posted on the Internet at any given time" (IFPI, 1999).
Before the present time of computers and various media player technology, trading music files on the internet was practically unheard of. Today MP3 music files have become file format that is widely “swapped” over the internet. The problem with trading MP3's is that it violates copyright laws. However, this hasn’t stopped the tens of millions of file sharing software users who continue swap MP3’s. MP3 piracy is a costly business for many companies, and the disadvantages outweigh the advantages of “P2P” file sharing. File sharing is a costly, illegal practice that hurts not only the consumers, but the artists as well.
Throughout time, people have resorted to stealing in order to obtain items instead of buying them. It became a problem so consequences were made. Even dating back to the Ten Commandments there were laws against stealing. Recently, theft has become a problem over the internet. Musicians and music companies have lost millions in revenue. Websites such as Napster, The Pirate Bay, and Pandora have made it extremely easy for people, specifically teens, to illegally download and or listen to music for free. Pirating music has become a problem especially because “91 percent of all new music was downloaded illegally over the Internet instead of purchased,” says Logan Lynn from Huffington Post (Lynn). Many, such as the RIAA claim that music piracy is “an ongoing and evolving challenge,” (Who) while others suggest that it is “keeping the music industry alive,” (Issacson).
Introduction Sony Music Entertainment has a challenge in the field of digitally distributed music. Sony wants to be the frontrunner in innovative music products, but is behind Apple. Sony is losing its market to other industries that produce more advanced and user-friendly devices. With the emergence of digital downloads, iTunes has become king for those who listen to music digitally. With the projected growth of digitally distributed music, Sony needs to develop strategies to combat its competitors by offering more novel and breakthrough products.
It’s probably not feasible to avoid streaming music services nowadays. Every smart phone on the market is able to operate numerous music streaming applications, ranging from radio-style streaming, on-demand streaming, and even cloud-streaming. Smart TVs come equipped with Spotify, Pandora, or Rdio. AT&T partners with Beats music to offer a unique on-demand music streaming service with playlists complied by DJs. It seams that with the advent of Wifi hotspots and high-speed mobile Internet services, music streaming is becoming more and more a part of mainstream life. Spotify has been in the spotlight within this particular segment of the streaming industry ever since its introduction to the United States in 2011. (Roose, n.d.)
What trends in networking in the 1990’s and early 2000’s drove the popularity of Napster? What other technologies contributed to Napster’s success?
Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling.
There are six key new market disruptions concerning the digital distribution of music: the creation of a new and broad customer base, the possibility of an annuity versus a per-unit revenue model, the gatekeeper advantage for a record company having proprietary access to a new digital distribution infrastructure, understanding of a technology that could be applied to other digital content, need for balance between physical and digital distribution strategies, the strategy the incumbent should adopt with respect to the evolving war over digital distribution standards. Was there a disruption or an evolution?
The music industry impacts the lives of people from around the world. With the implementation of technology, the influence of the music industry has spread to affect anyone with access to technology. Streaming services have contributed to the increased popularity of music. While there are positive effects to being able to stream music and have multiple ways of listening to it, the music industry suffers from the lack of revenue and illegal activity associated with technology. Technology has had both positive and negative effects on the music industry by affecting how people access music and how music is produced
Physical piracy-the copying and illegal sale of hard-copy CDs, videotapes, and DVDs-costs the music industry over $4 billion a year worldwide and the movie industry more than $3.5 billion. These numbers do not factor in the growing (and difficult to measure) problem of Internet piracy, in which music and movies are transferred to digital format and copies are made of the resulting computer file. Journalist Charles C. Mann explains why Internet piracy has the potential to be vastly more damaging to copyright industr...
Internet piracy is one of the challenges that results from the use of new technology. Specifically, internet piracy touches on copyright ownership as well as fair use, posing a number of challenges particularly in the strict implementation of these control measures. Internet piracy controls, therefore, are regulatory measures undertaken to deal with issues emerging from utilization of internet resources.
Moreover, hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around. The industry gets its revenue from selling this content, whether it’s online or in stores, this funds new projects and allows for better products in the future. The public should be aware of this, downloading the content for free, and not buying it will decrease revenue for the companies, stopping them from undertaking future projects. “Production companies should lower the price on their products, I can’t buy music for at least 20$ per album and DVDs for 30$, I only make 200$ per month,” said George Issa, a music fan who spends most of his nights downloading music from the internet, “when there is an album or movie that I really like, I try to buy it legally, I don’t think I am doing anything wrong, they are wrong making money off our backs,” he added.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
In today’s society, piracy of intellectual property is one of the most common activities on the internet. Intellectual property has become more and more important to the modern world, because the reliance on technologies has increased significantly over the past decade, and much intellectual property has been digitalized. The majority of the public is not aware of the importance of intellectual property rights, because intellectual property can be easily obtained by everyone. Creators throughout the world have many problems with piracy, especially the entertainment industry. Peer-to-peer file-sharing websites are the one common place where anyone can download others’ intellectual property easily and quickly, which was let to
At the dawn of the internet, many things such as books and text became obsolete, due to insufficient monitoring of internet activity and sites. Individuals were able to gain free access to books and publications that normally needed to be bought, or required a fee. This is something that has caused problems for booksellers and publishers. Now, as technology advances, it also begins the decline of music, software, and television industries—but something can be done before it’s too late. Illegal downloading is a problem that affects us all, either directly or indirectly. Many people do not take it too seriously. They have not realized that it is an epidemic; like a disease that keeps growing as people become more knowledgeable about computers and learn more about how software runs. People openly burn music CDs and download music and movies for friends who in turn give it to their friends; it’s a never-ending cycle on illegal practices. The problem started when Napster came out and should have ended when it was shutdown. Unfortunately, not enough has been done to stop the illegal transfer of files. It’s time someone takes full action and ends this detrimental offense.
Illegal downloading can also be known as piracy. Piracy is defined as stealing a piece of music in which the composer or recording artist did not give consent for. It is the stealing of music from people such as songwriters, musicians, record label employees, and everyone else who put hard work into it. There are some people who see no problem with downloading music from the Internet but it presents three main problems. The first problem is that the music will mostly likely not have g...