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Monsters VS Heroes “Monsters, in the language of mythology, were beings of unnatural proportions or parts, usually regarded with terror, as possessing immense strength and ferocity, which they employed for the injury and annoyance of men”(Thomas Bulfinch). This quote defines a monster and describes them as unnatural and often feared by the people they terrorize. There are many different types of monsters and all monsters fight different heroes, but all their purpose is the same, to strike fear in the people surrounding them. In Greek mythology heroes are often sent to defeat these creatures that are thought to be unbeatable. Heroes are often sent to beat these monsters as a way to gain passage to a better life. The heroes who fight with the monsters often have some divinity in their background. While there is only one type of hero, who in the end always wins and overcome the odds, heroes such as Hercules, Oedipus and Bellerphon, but there are many different types of monsters to fight each hero, such as the Sphinx, the Centaurs and the Chimera. With body of a lion and the upper part of a woman the Sphinx is by all means an unnatural creature. An intellectual monster the Sphinx purposes her victims with a riddle and if they answer wrong they are immediately slain by the beast. The only one to defeat the Sphinx is Oedipus the king of Thebes. The body of the Sphinx can be considered symbolism in the fact that the Sphinx can be compared to Mother Nature. If you don’t solve the riddle of life you will not live out your days, or if you face the Sphinx you will be clawed while if you do understand the riddle you Mother Nature will nurture you (Thomas Carlyle). With the upper body of a man to the lower body of a horse the centaur is... ... middle of paper ... ... a god. The lives of the Heroes and the monsters are very different but in the end they have the same conclusion. The monster is used to further the heroes life and the hero usually finds a way to squander the greatness given to them by the monster. The many types of monsters all different in size and shape have the same outcome in the end. The same goes for the hero in close to every tale. Works cited Bouma, Gerrit J. "Chimera." World Book Advanced. World Book, 2010. Web. 25 March 2010. Bulfinch, Thomas. Bulfinch's Mythology. New York: Avenel, 1978. Print. Carlyle, Thomas. "The Sphinx." Past and Present. Thomas Carlyle. Ed. Edwin Mims. New York: Charles Scribner's Sons, 1918. 8-16. The Modern Student's Library. LitFinder for Schools. Web. 24 Mar. 2010. "Oedipus Rex." World Book Advanced. World Book, 2010. Web. 25 March 2010.
Monsters are the physical embodiment of fear. Monsters are the physical embodiment due to a wide variety of reasons. The most important being: Monsters’ apparent invulnerability/incredible strength, represent the bad part of society, most often look ugly, represent evil/nightmares itself, are intelligent, and some deviate from the norms are the reasons why monsters are the physical embodiment of fear. Monsters’ incredible characteristics are what strike fear into the hearts of others. In many myths, monsters are a weakness to societies. For instance, the heroes of Rome fight these monsters in order to overcome them which is the symbolic overcoming of weakness by the community. The fear monsters represent is primarily human fear as monsters are generally on good terms with animals and human fear is far deeper than animal fear.
Homer’s The Odyssey chronicles Odysseus’s return home from the Trojan War to reunite with his wife, kingdom, and son. However, Odysseus has been encountering serious difficulties that have prevented him from reaching home for nearly twenty years. These difficulties include various different types of monsters, each of which seems to embody undesirable traits such as laziness or savagery. The Greeks portray creatures with these traits as monsters as an example of the Greeks’ “better” traits and subsequent superiority. Each species of monster within The Odyssey represents one or more qualities that the Greeks have demonized in comparison to themselves.
7. Ed. Jay Parini. New York: Charles Scribner's Sons, 2001. From Scribner Writers Series. 26
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes
One of the most interesting qualities of Greek mythology is probably the depiction of monsters in the myths. However, these monsters are not all unique. In fact, they all fall into very distinct categories, making them almost the same. Most monsters in Greek mythology look and act the same way. Several monsters from these myths look the same in that they have very similar qualities such as being large, snake or human like.
London : B. T. Batsford ; New York : C. Scribner, 1915. Robert and James Adam - Rare Book Collections Highlights -." National Library of Scotland.
Heller, Joseph. The Chelsea House Library of Literary Criticism. Twentieth-Century American Literature Vol. 3. New York. Chelsea House Publishers, 1986.
Generally, the backgrounds of most villains and monsters archetypes have common traits that are conveyed through each of their different background stories. One common trait that is carried through is that each story has
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
...teristics and literary devices. The general archetypical description of a hero follows an outline of a muscular figure and super abilities. Yet on the contrary, in myths, heroes may not possess any of those traits. Whether the so-called hero is learning their lesson, overcoming struggle or even descending into darkness, all heroes share some similar and almost identical characteristics. A vast majority of all mythological heroes share the same basic idea which, helps audiences identify whether or not the character is indeed a hero or not. From story to myth or fairytale to drama, the hero is one character who changes the plot entirely. Whether that hero may be saving a burning building, or discovering who they are themselves, our heroes all give us hopes and dreams that one day even our worth will be recognized by ourselves and others as our admirable hero’s are.
A common way to describe a modern day monster can be described within the soul and mind. Many people have a complex and confused mind. Stephen King states, “ I think that we’re all mentally ill; those of us outside asylums only hide it a little better- and maybe not all that much better, after all.” Monsters can overpower the mind. Many people struggle to listen to themselves, and they let their monstrous conscience take over their actions which will cause harm to them or people around them. It is common for people to battle monsters within their souls. Many people feel too weak to stand up and be free from
Works Cited “American Literature 1865-1914.” Baym 1271. Baym, Nina et al. Ed. The Norton Anthology of American Literature.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Tucker, Martin- ed. Moulton’s Library of Literary Criticism… Vol. I- The Beginnings to the Seventeenth Century New York, Frederick Publishing Co. 1966:
Hawthorne, Nathaniel. Prentice Hall Literature, The American Experience. New Jersey: Oscar F. Bluemner, 1915. 266-67.