Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Modernism versus Romanticism
Similarity of modernism and traditionalism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Modernism versus Romanticism
I have chosen to write about the wizard of
Something is typically considered modern according to dicitonary.com, an online repository of word definitions as ‘characteristic of present and recent; contemporary; not antiquated or obsolete’. This viewpoint of the contemporary manifests itself in the onward march of technological progress and the innate human desire to advance and improve on those that came before us. To be modern is to accept that the past is of a lesser state of development than how we are living in modern times, and that the current paradigm of contemporary society is a clear and present progressivist as stated by the article Redefining the Modern World 2013 ‘We define "not modern” as what existed in Europe before 1800’.
Modern does not entirely correlate with modernist. According to the Online Etymology Dictionary 2013, a variant of the standard dictionary model which focuses on the etymology of words; the first recorded use of the word ‘modern’ appears in the 1500s, initially as ‘now existing’ later being expanded to ‘of or pertaining to present or recent times’. This means that from inception the use of word was an indication of current thought. Conversely, ‘modernism’ is a descriptor for trends that innately buck the preconceived ideals of traditionalism and pre-contemporary attitudes Modern, Modernity, Modernism 2013. Modernists frequently and radically depart from tradition. To modernists, modernism is centralisation, rationalism, reason and truth. Friedman 2001. Although this is clear also relevant to the definition of what makes something modern. Does the mere fact that we live in the present time make our current society modern?
From this we can assume that a modern artefact would contain aspects o...
... middle of paper ...
... narrative that is more common in modernist cinema. But, in development and production the film was modernist in experimenting with cutting-edge techniques such as technicolor and dazzling visual effects for that time. Contrastingly, the depiction of Oz in the 1939 film is one of a pastoral society, and whilst having the bulk of the technological advancements of the era integral to it’s construction (e.g. colour, practical effects) has little in the way of modern technology shown. Kansas on the other hand is also agrarian, but portrayed in a traditional way; sepia-tone, but contains a monopoly on technological progress such as bicycles and farm machinery. This is possibly a device used to exemplify the dreamlike nature of Oz in the 1939 film, clearly a beautiful and idealistic society cannot exist, it must be a dream. Here the film departs from modernism.
In 1964 Henry Littlefield a teacher published an article in the journal American Quarterly (Taylor). In the article Littlefield contended that “The Wizard of Oz” was an allegory for Populism, which was a political reform movement that had existed in the latter part of the 19th century. The Populists were primarily concerned with monetary reforms and creating equitable wealth and economic growth. The populists were popular with the disenfranchised, such as farmers, small business owners and other groups of people with limited power who suffered because of the economies failings. Littlefield saw connections between characters from the book and political figures, as well as themes that related to life and politics in Gilded Age America (Taylor).
The Wonderful Wizard of Oz is more than just a mediated artifact it is breakthrough, said to be one of the most famous films ever made. The film was not a box office success, it only received 3,017,000 on a 2,777,000 dollars budget but it still receive a large amount of positive reviews and remakes (). This is important in terms of the audience it reaches because it was not just a children’s movie, or an adult movie, or a movie for teens, it was a movie for the entire family that targeted no specific audience. The Wizard of Oz has won critical acclaim by being nominated for multiple academy awards such as best picture, best original song and is often ranked one of the top ten movies of all time (). The creator Frank L. Baum is very much significant because this was not his first ball game. He was originally an author of children’s books but wrote many novels, sequels and made many attempts to bring his work to stage and screen (). He had a vision like no other and saw things in a different pe...
Scene: This scene in the film comes just after the house has been picked up in the twister. Dorothy's house has been lifted up into the sky and suddenly dropped back down to earth in the middle of the Land of Oz. In the scene itself, Dorothy leaves her home to see that she is "Not in Kansas anymore," and finds the new and amazing world of the munchkin city in front of her. She also meets Gwendela the good witch as her journey in Oz begins.
Modernism is the term of deviating from the norm. In the early 1900s, modernism influenced women’s role in society by providing more opportunities, jobs, and role models for girls today, in society.
The Wizard of Oz the movie demonstrated all three stages Joseph Campbell's theory of the hero’s journey. The first stage or known as the departure of the hero. The hero in the movie is Dorothy. Dorothy’s call to depart is to run away from home to protect her dog Toto from being taken away from her inferior neighbor. While running away Dorothy comes upon Professor Marvel, a fortuneteller. Professor Marvel tells her that her Aunt Em is in danger and needs her assistance back on the farm. When returning to the house a twister hits the ground. As the winds started to get heavier the hero’s house moved across the air uncontrollably, but then she leaves home and enters a new world of talking animals and colorful objects. In the new world of the Oz
Dorothy, the Tin Man, Scarecrow, and the Cowardly Lion leaves the Emerald City and head back through the forest. The wicked witch of the west commands her army of flying monkeys to bring Dorothy and Toto to her. She warns them to be careful with the handling of the ruby slippers; these slippers in her possession would give her ultimate power. The army of monkeys, flies through the sky, grab Dorothy and fly away with her. They also grab Toto, leaving the Tin Man, Scarecrow, and Cowardly Lion behind. Dorothy is not afraid of the witch, but begs her for Toto. The witched bargains with Dorothy for the ruby slippers. Dorothy remembers being told by Glenda not to remove the slippers from her feet. However, she relents and offers the ruby slippers
In The Wizard of Oz, Dorothy finds herself far from her gray and gloomy aunt and uncle’s farm. She is in a land full of munchkins and takes a journey to the great and powerful oz. along the way she picks up a few friends that complete the story. In this land it is vibrant, happy, and full of so much color. In the novel L. Frank Baum uses color to symbolize things.
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
Modernists portray a dull, gloomy and pessimistic picture of culture in America during this time period. This despair is often caused by an apparent boredom and the people’s feeling of uncertainty, of changes to come. Modernism uncovered has an anti-traditionalist theme instilled in it, because of the inevitability that changes will occur. “Modern” itself possesses the qualities, such as being simple and spontaneous along with an indefinite time frame to allow people’s acceptance of unknown. In many ways, this movement is difficult to define, but it can be generally applied to the work o...
The Wizard of Oz is a fiction story written by L. Frank Baum. The story has two main settings. The first setting is, Dorothy’s home, the Kansas prairies. The prairies are described as dry and gray. The second setting is the land of Oz. Oz is opposed from Kansas, it is colorful, bright, and full of joy. The Wizard of Oz has a grate theme or message behind the story. The message is that we all have good qualities in us, but it is up to us to use them.
In the words of Michael O’Shaughnessy, ‘narratives, or stories, are a basic way of making sense of our experience’ (1999: 266). As a society and a culture, we use stories to comprehend and share our experiences, typically by constructing them with a beginning, middle and an end. In fact, the order that a narrative is structured will directly impact the way it is understood, particularly across cultures. This idea originated through Claude Lévi-Strauss’s concept of structuralism in anthropology which ‘is concerned with uncovering the common structural principles underlying specific and historically variable cultures and myth’ in pre-industrial societies (Strinati 2003: 85). In terms of media studies, structuralism’s inherent objective is to dig beneath the surface of a media text to identify how the structure of a narrative contributes to it’s meaning. Structuralism encompasses a large range of analytical tools, however, this essay will examine Joseph Campbell’s monomyth and Claude Lévi-Strauss’s theory of binary oppositions. Through analysis of Victor Fleming’s film, The Wizard of Oz (1939), it will be shown that although the monomyth and binary oppositions are useful tools with which to unveil how meaning is generated in this text, structuralism can undermine the audience’s ability to engage with their own interpretations of the film.
The biggest and probably most memorable special effect of the movie is the transition from black and white film to color. The film starts in black and white while Dorothy is in Kansas then as soon as she lands in Oz the film magically transitions to color. This was extra unique because during the time it was made, most movies were strictly in black and white. “As a child I simply did not notice whether a movie was in color or not. The movies themselves were such an overwhelming mystery that if they wanted to be in black and white, that was their business. It was not until I saw ‘The Wizard of Oz’ for the first time that I consciously noticed B&W versus color” Here, Ebert expresses just how wowing that effect was to him and how it really added to the movie (Ebert 1). There are so, so many other special effects expressed in The Wizard of Oz like the house getting spun up in the tornado, trees coming to life and throwing apples or a beautiful woman in a beautiful dress traveling by bubble. Frank Nugent from The New York Times makes a comment on these effects “They are entertaining conceits all of them, presented with a naive relish for their absurdity and out of an obvious—and thoroughly natural—desire on the part of their fabricators to show what they could do” even though the gentlemen does almost mock the people in charge of these effects here, he does
The whole idea behind Modernism is the breaking of the chains that bound artists and authors alike; surpassing the limits imposed on them by the conventions of their predecessors. A true Modernist was not afraid to risk their prestige or their career in hopes of setting new standards for what it means to be a true work of creative genius. The tenaciousness of the Modernist style is the same as that of history's greatest inventors and philosophers, changing the way we perceive the world, and leading us on the path towards becoming a more advanced civilization.
When the contemporary society is observed, it can be perceived that there are hidden influences from past cultures that constructed how many people live their lives. Past cultures have left many innovations and notions that have either been reimagined or have advanced into items and concepts that are still used today. The era that contained a generous portion of inventions and ideas that are still used or have influence the culture of today would be the Middle Ages.
To begin with, modernity is a term that “signals a particular kind of society that only came into existence over the past 200 years or so, first in Western Europe, then elsewhere. Modernization refers to a society that is moving toward modernity.” (Veeser, p. 3) There is a close association between modernization and westernization because “earlier ideas assumed that modernization was in fact Westernization.” (Veeser, p. 3) Western Europe was the first to act in the process of modernization which included urbanization, widespread literacy, usage of inanimate power, rising per capita income, and the widespread participation of populate in political affairs along with the West’s rational and scientific orientations toward the world. When this