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power of love a midsummer nights dream
power of love a midsummer nights dream
love in a midsummer nights dream
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Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools. In response to Hermia’s defiance toward marrying Demetrius, Theseus offers Hermia three choices in the first scene: to obey her father’s will; to become a nun and forever stay an unwed virgin; to die. The extremity of these punishments presented by Theseus, and Hemia’s decision to accept these punishments rather than marry Demetrius, exaggerates how love can lead to irrational sacrifices. Shakespeare then compares a married woman to a plucked and distilled rose, and an unwed woman to a withering unplucked rose on a “virgin thorn.” This potent imagery contrasts the sweet smell of perfume to the harmful touch of a thorn. If Hermia continues to defy the desires of her father, she is sacrificing a happily married life in hopes of following he... ... middle of paper ... ...erfections. Also, just as a poet can create poems out of nothing, a lover can see things that do not exist, such the reciprocation of a flirty gesture, simply because that is he or she want to see. Deceiving and irrational, love can be a challenging emotion to endure. It can be difficult to find happiness in love, and on the journey to find that happiness, love can influence one’s thought process. Shakespeare uses specific wording in his play, A Midsummer Night’s Dream, to poke fun while exploring the individual’s quest for love. The desire to find love and a happy ending with a lover is so strong in the foundation of mankind, that people will not accept a life without it. In fact, they would rather give up their attribute of rationality than their opportunity to find a significant other. The heart’s control of the mind can make a foolish man.
The first scene of A Midsummer Night’s Dream introduces a tangled web of lovers. Hermia presents herself for judgement as she refuses to marry Lysander, the man of whom her father approves, as she is infatuated instead with Demetrius. Meanwhile her friend Helena is besotted by Demetrius, but he loves Hermia. The scene plays out like a soap opera with dramatic relationships galore, but Shakespeare establishes greater depth with the help of allusions. The most significant references in this scene appear when Hermia and Lysander speak privately for the first time. In their brief conversation, Hermia alludes to Cupid, Venus, and Dido. The first two are gods of love, and Dido is a queen who burned herself on a pyre after being abandoned by her lover. Shakespeare uses each of these mentions of mythology to make the point that the affair between Hermia and Lysander is no passing fancy. However, when Helena enters and converses with the star-crossed lovers she makes no mention of mythology as she discusses her unrequited love for Demetrius and resulting jealousy of Hermia. The absence of allusions in Helena’s speech accentuates the divide between herself and her friend. Barbara A. Mowat speaks eloquently on this concept in the Folger Library edition introduction. As Ms. M...
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
In the first scene of the play you are introduced to the duke of Athens, Theseus, who lays down the law for Hermia. Hermia, the daughter of Egeus, desires to go against her father’s wishes of marrying Demetrius, and instead marry Lysander. Theseus firmly states to Hermia, “Either to die the death or to abjure forever the society of men”; which simply put, Theseus gives Hermia the option to die or to no longer enjoy the company of men (Crowther). Furthermore he means to send her to a nunnery. This exemplifies the first variation of love within this play: arranged love, i.e. arranged marriage. Theseus then gives the order to Hermia that she must have her decision by his own wedding day with Hippolyta, thus giving her four days to decide her fate.
Shakespeare 's plays often include love in some major way. In some plays love can even be the themes of his plays, teaching us that love has a strong effect on people. In A Midsummer Night’s Dream, the main conflict in this play is about how the two lead male characters fell in love with the same girl, how fairs make the conflict worse overall. Shakespeare makes use of love to create great comedical effects in the play to make an interesting. Shakespeare also use Romance in Romeo and Juliet too, but, in this play, he use it to cause the serious source of conflict. He uses the ”star-crossed” lovers concept to make the protagonist fall in love with each other, even though they knew that they could never be together. In the end, every important character kills themselves because they cannot live without their lover. He teaches us that true love s just as dangerous as it is
A Midsummer Night’s Dream begins with commentary on the classic gender roles of an engaged couple Hippolyta and Theseus. However, the classic gender role of women’s subservience to her husband is made complicated by war and victory. Theseus, duke of Athens, conquers the Amazons, and consequently takes Hippolyta as his prize. The prize mentality that Theseus embraces is rather barbaric, similar to wild animals fighting for a mate, and aids in reinforcing detrimental gender roles. Previous to being conquered, Hippolyta had been the ruler of a great nation and was by no means a weak or submissive woman. Although she had been shamefully conquered for marriage, Hippolyta refuses to be a beautiful statue that lies in the outskirts of the palace to be gawked at. Hippolyta secretly has control over her situation, as shown in the first passage of the play in Act 1, Scene 1. In this scene, Theseus discusses their wedding day with a tone of longing. Imagery of anticipated seasons of the year with slowly moving days is used when he fantasizes about the wedding day and describes Hippolyta as holding his desires from him. Although Hippolyta has an intimidating Amazon warrior image, Theseus is enamored by Hippolyta’s beauty and will do anything to gain...
This play opens with the involuntary marriage of Theseus and Hippolyta which has no intention of love. This marriage exhibits inequality because he assumes a dominant role. Hippolyta is left with no reason to love Theseus who admits, “Hippolyta, I woo’d thee with my sword, /And won thy love doing thee injuries….” (1.1.16-17). He pursues Hippolyta with sword and hot poetic language. This wedding does not express love. She is a warrior queen, an Amazon, who is forced to marry someone who is not
In A Midsummer Night's Dream, one of the masterpieces of William Shakespeare, Shakespeare explores various aspects of love and friendship. With the help of the main characters such as Lysander, Demetrious Helena and Hermia, he endeavors that the path of love is full of obstacles, however, if one is committed and faithful, he/she can defy those obstacles leading him/her to success. As Lysander says “The course of true love never did run smooth”, the love stories presented in the play undergo difficult situations but eventually the genuine love is recognized by the triumph of the true loves.
At it’s heart, love is a chemical reaction. Norepinephrine, dopamine, oxytocin and serotonin work together to create a cocktail of passion, desire, and that heart-fluttering feeling of love. There are varying levels, of course, like there is with anything. Love that is short and fatal, and love that is long and everlasting. A Midsummer Night’s Dream, a play by William Shakespeare, seeks to explore love in through a critical lense of reality, and the blur of the fantastic. Using a particular sprite as his tool, Shakespeare drafts and builds a dialectic surrounding love that never reaches completion; that is, he never answers the questions he composes through the play using metaphors, characters, and dialogue. Robin Goodfellow, also known as
Understanding of love and true devotion is one of the most prevalent themes, if not the theme, in literature since the beginning of time. William Shakespeare often wrote of the implications of love and how truly foolish it can be. This is made most apparent in his work, “A Midsummer Night’s Dream” in which love is cast about from person to person by the power of a flower’s juice in the eyes of its victim. The scene in which both pairs of lovers reunite after having the love spell cast on them by Puck is one of the best displays of the transient and seemingly foolish nature of love through the use of clever syntax, diction, and vivid imagery for which Shakespeare is known.
Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts. The fantastical woods is contrasted to the order of the Athenian law, and Elizabethan values of the time are polarised throughout the narrative, such as Helena’s feeling ugly even though she is tall and fair. A Midsummer Night’s Dream is thus not solely a comedic meditation on the nature of the origin or meaning of love, it also cautions against trying to rationalise the message of the play. Puck, who by his very nature cannot exist in rational society, propels the action of A Midsummer Night’s Dream. He is a manifestation of mischief and the unpredictability of nature, which governs not only the fantastical woods outside of Athens, but also the Athenians themselves when it comes to love. Yet, it is Puck, and thus nature, which rectifies the imbalance of the lovers in the beginning of the play. Rationalising, o...
Extreme passion results in irrational actions with horrifying consequences. The indecisive and fervent whims regarding love and the human heart are often selfish and fickle. For the victims of love, destruction is often inevitable. In William Shakespeare’s Romeo and Juliet, unrequited love forces both Romeo and Juliet to commit suicide, as neither one believes it is possible to continue life without the other. Both, through mere days of desperation, elation, deception, and grief, were ultimately cheated out of their lives by their love. Shakespeare develops a similar opinion through Helena in A Midsummers Night’s Dream. Helena is able to recognize love as a volatile creature, yet with uncontrollable power over the heart.The transient nature of love is channeled through deception and clouded judgement.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Hermia and Lysander are forbidden by their families, Helena and Demetrius qquwkare engaged to different people. Bottom and Titania both love each other despite the circumstances. Shakespeare shows that anything can happen in a dream, as a dream is not natural. Love is not only apparent in Shakespeare’s A Midsummer Night’s Dream, but also in anyone of Shakespeare’s plays. Love is found everywhere and is the conflict to almost every good film. The recipe for a good tale is one with a protagonist who has a love interest. From The Titanic to Scarface, from The Great Gatsby to The Scarlet Letter, love can be found in each of these masterpieces. It is what grasps the audience’s attention. A decent love story can make someone feel alive, heartbroken, or exasperated. What is life without love? A Midsummer Night’s Dream is an existing tale that contradicts Geisel’s opinion. It shows that even sometimes, dreams are better than