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rap music glorifying drug use
the current state of the music industry
the current state of the music industry
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Mixed Messages The music industry is one of the largest stages for individuals to convey messages. Some artists sell millions of records every year and are able to get a point across to their audience through their music. Unfortunately, the artists that sell the most records often are the ones who don’t use music for message sending, but solely as a source of income. On the other hand, there are a handful of talented artists out there who use music as a platform for good, by using their lyrics to send positive messages. Many musicians use the music industry as just as a place to make money, but there are always musicians that use their lyrics to tell stories, send messages, and better the music industry as a whole. Most mainstream music seems to be comprised of songs that sell many albums but have little lyrical significance. Their lyrics are full of empty sayings and rhymes that are catchy to the ear but mean nothing more than their surface value. For example, the artist One Direction, a popular boy band that has been in the public eye for the past few years, came out with a song called “Best Song Ever”. This song has lyrics like: And we danced all night to the best song ever We knew every line. Now I can’t remember. How it goes but I know that I won’t forget her Cause we dance all night to the best song ever (One Direction). This song literally is just a catchy tune about the best song ever. There is no purpose, meaning, or anything important in the lyrics that would make them even a little bit important. Somehow this meaningless song was number two on the Billboard Hot 100 as of July 31 2013. This means that “Best Song Ever”, a song with lyrics no more complex that its title, was the number two most popular so... ... middle of paper ... ...city lyrics are used to that people like a song with no deeper meaning or story behind it. Herd, Denise. "Changes In Drug Use Prevalence In Rap Music Songs, 1979-1997." Addiction Research & Theory 16.2 (2008): 167-180. Academic Search Elite. Web. 18 Oct. 2013. This source discuss the prevalence of drug use in modern music and all the subjects it shows up in. A quote from this essays is used in my paper to list a number of sources where drugs show up in modern music. It emphasizes how common drugs are becoming in the industry Salaam, Mtume ya. "The Aesthetics Of Rap." African American Review 29.2 (1995): 303. Academic Search Elite. Web. 12 Nov. 2013. Krohn, Franklin B., and Frances L. Suazo. "CONTEMPORARY URBAN MUSIC: Controversial Messages In Hip-Hop And Rap Lyrics." ETC: A Review Of General Semantics 52.2 (1995): 139-154. Academic Search Elite. Web. 14 Nov. 2013.
There are a lot of songs to choose form when there is songs that break down norms and one that reinforce some. There are songs that mean nothing. Great songs always have a hidden mean behind them even if when listen to them we do not know what they are.
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
In my paper, I argue that artists capture important insight in their personal experiences through music. In particular, I assert tha...
Drugs have been influencing the ideas, culture, and music of America for ages. Illicit narcotics have left the Union in a state of immense debt. Anti-drug policies have been dumping billions upon billions of dollars in prevention, punishment, and rehabilitation. From the roaring twenties, to the prohibition, drugs have always been fought (Bailey). Most times, the drugs start off as medicines and end up being harmful (Morris). Perhaps, the most prominent and influential eras of drug use in America are the two decades of the 60’s and twenty years later, the 80’s. It may very well be that these two decades molded America into what it is now.
Although many hip hop and rap artists are only in it for the money and fame, others are in it for a way to get their message out, taking into account artists like Common and Lupe Fiasco. To these entertainers, money is an added incentive. I feel that many artists should have this way of view, instead of making their songs meaningless just to make money.
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Music is regarded as a method of passing a message. Though some songs do not intend to do that, the message in them is still perceived. The song, “Get up, ...
This violent theme continues to be prevalent within rap music because just recently have white capitalists overtaken ownership of many of these artist’s recording labels, thus selfishly dictating how the music must be portrayed in order to produce revenue. Within this rhythmic poetry, artists will assume hyper-masculine roles in demands of a respected reputation and an attempt to disrupt peace solidified and enjoyed by the racially privileged. This only reinforces and attempts to justify institutional interventions, such as racial policing, police brutality, and high incarceration rates, in which Rebollo Gil and Moras refer to as “hip hop in crisis” (2012, pg. 120). Today, rap music continues these same narratives, while other musical genres, such as heavy metal group, Metallica, have also became more active in describing violence through song lyrics, although they experience far less criticism and branding from audiences when doing so. There is an assumed exception among white critics and white artists themselves who deem their expression of violence as more appropriate than rap’s, simply because they lack imposing stigmas attached to their race and
Krohn, Franklin B., Suazo, Frances L. “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics.” ETC: A Review of General Semantics. 52 (1995): 193-54. Web. 10 Mar. 2014.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Healthy debates have been caused by today's music. Generally, foul language has rapidly increased within modern popular song lyrics, especially among rap and heavy metal artists' songs. An increase in explicit violence and misogyny in popular music lyrics has been recorded. These lyrics have been judged to be inspirations for violent, suicidal, and criminal acts. For example, Mr. Raymond Kuntz referred to his son's incident. ''When his wife went to wake their son for school, they found him dead of a gunshot wound, still wearing his headphones with Marilyn Manson's Anti-Christ Superstar CD still in the player. The boy's favorite song was ''The Reflecting God (Nina Crowley, ''Senate Hearings on Music, Newsgroup at page 2, November 15, 1997).'' However, the artists and producers defend the musical lyrics, and claim that these acts come purely from self-inspiration, not extrinsic influence such as their music. If this were true, then why would 59 % of substance abusers name heavy metal as their favorite type of music? ( Javier Martin, ''Separating Fact from Fiction: Rock Music and Violence'' November 28, 1997, page 2). Most teenagers listen to popular music, and learn from the words of the artists. Therefore, if an artist sets an example of being ''cool'' and performing harmful acts, a listener may reproduce his learned actions. ''Rappers call on their fans to kill, dismember, and smash the heads of teachers, and dumb cops (Peter Viles, ''Bulgaria's racist rap.'' World Press Review June 1996: Page 41).'' The entire world is affected by this reoccurring theme, since adolescents are influenced by music on a daily basis. Although almost everyone is directly affected, some people do not admit to profane music having a personal influence. ''People perceive media content to have greater impact on others than on themselves.'' (Douglas M. McLeod, ''Support for Censorship of Violent and Misogynic Rap Lyrics.'' Communication Research, April 1997: page 153). Naturally, the majority of youth is heavily influenced by music, and needs to be protected from the harm of obscene artists. Due to its negative affects upon society, I believe the government should further restrict music that has been specified as dangerous to the well being of the listeners.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Rebecca Janoff “Drug use increasingly glamorized in rap music, according to new study of 2-decade trends”http://www.eurekalert.org/pub_releases/2008-04/mba-dui033108.php
"THE SOCIAL SIGNIFICANCE OF RAP & HIP-HOP CULTURE." THE SOCIAL SIGNIFICANCE OF RAP & HIP-HOP CULTURE. N.p., n.d. Web. 04 Apr. 2014. .