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medieval japan an medieval europe similaritis
Poetry and prose in Japanese era
japan social reform
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The process of Japanese society shifting into a more medieval state can be seen by looking at various pieces of Japanese literature, such as poetry and prose, that were written around the time that this shift is said to have started to happen, specifically in the Heian (794-1185) and Kamakura (1185-1333) periods. Things like war tales, Gunki monogatari, emerged reflecting the tumultuous state of Japan during these times, with the Heike monogatari being one of the most famous pieces; further development of zuihitsu also occurred. This shift into a more medieval state can also be witnessed more clearly when comparing how and why pieces were written during the Heian period of Japan as opposed to how and why they were written during the Kamakura period which followed right after. This can be seen specifically when examining the practices of the composition of things like the imperial anthologies, or chokusenshu, during the Heian and Kamakura periods, that often reflect the social and political realignments that were taking place at the time. Robert N. Huey states two specific things that point to a medievalization process taking place: (1) Cracks in the homogenous edifice of waka; that is, evidence that differences among poetic groups are so strong that people are willing to “go public” with their disagreements. In other words, waka moves from social expression, about which people in a hierarchical environment are likely to agree, to art, about which people in a more factionalized medieval setting are apt to disagree. (2) Concomitantly, a move towards privatization and exclusivity. Not only are there poetic schools, but these schools become such discrete entities that normal social bonds (i.e., effected by empero... ... middle of paper ... ...ri in his Tsurezuregusa. The process of medievalization, as we can see, was a gradual one in Japan. In many instances, it can be said that Japan sort of evolved into a medieval state and it did not just happen suddenly. Either way, it was a period that brought forth many interesting pieces of poetry and prose which have helped glean further insight into the olden days of Japanese history. Works Cited Huey, Robert N. "The Medievalization of Poetic Process." Harvard Journal of Asiatic Studies 50.2 (1990): 651-68. Kitagawa, Hiroshi, and Bruce T. Tsuchida. The Tale of the Heike. Tokyo: University of Tokyo Press, 1975. Yoshida, Kenko, and Donald Keene. Essays in Idleness: the Tsurezuregusa of Kenko. New York: Columbia Press, 1998. Keene, Donald. Anthology of Japanese Literature, from the Earliest Era to the Mid-nineteenth Century. New York: Grove, 1955.
“Feudalism was a political and economical system in Europe from the 9th to about the 15th century.” Japan also had time periods that can be called feudal age including: Heian, Kamakura and Tokugawa. Medieval Japan shared a lot of similarities with medieval Europe, however, there are also many differences. One of the differences is their warriors who played vital roles fighting for their country in both Europe and Japan. In medieval Europe they had knights, and in medieval Japan they had samurais. European knights and Japanese Samurais were different in training, armor, weaponry, true values and codes.
Christopher Benfey’s work The Great Wave is a narrative driven by a collection of accounts, stories and curious coincidences tying together The Gilded Age of New England in particular with interactions and connections to the Japan of old and new. In the context of The Great Wave, Benfey's own personal journey to Japan at the age of sixteen should be understood. Embarking on this voyage to learn traditional writing, language and Judo, his story can also be seen as a not only a historical continuation, but also a personal precursor to the vignettes he discovers and presents to the reader.
Riichi, Yokomitsu. Shanghai. Michigan: The Center for Japanese Studies, The University of Michigan , 2001.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
Japan lasted from 1185-1603. During that time Japan had emperors, shoguns, daimyos, samurai, and peasants who were all apart of a social class, and all together it was called the Samurai Society. The emperor was just a figurehead for the shogun. The shogun was a powerful military leader that ruled in the emperor’s name. Daimyo were powerful landlords. The daimyo often led armies of samurai. These samurai were trained professional warriors who served daimyo and shoguns. The samurai had to follow a certain code of rules for samurai called Bushido. One of their rules included to always have self-discipline to become a good samurai. The samurai warriors wore light armor, helmets (usually shaped like an animal), and had two swords around their waist. Their armor had a lot of detail and color to it, like their unique helmets. After the samurai comes the peasants, which included farmers and fishermen. They usually always work, then pay takes to the shogun. They usually gave the shogun what they earned from working like food or crops. What made their jobs a bit difficult was their topography. Japan’s topography included many mountains, undersea volcanoes, and barely any flat land to farm on. The Japanese didn’t only work they also practiced their religion. For example, they practiced Confucianism, Buddhism (...
Greene, Carol. Enchantment of the World Japan, p. 97. 28 Pitts, Forrest R., Japan. p. 78. -. 29. Davidson, Judith.
Savas, Minae. "Feminine Madness In The Japanese Noh Theatre." Electronic Thesis or Dissertation. Ohio State University, 2008. OhioLINK Electronic Theses and Dissertations Center. 11 Mar 2014.
The Tale of Heike." Traditional Japanese Literature: An Anthology, Beginnings to 1600. Ed. Haruo Shirane. New York: Columbia UP, 2007. 736-39. Print.
Suzuki, Tomi. Narrating the Self: Fictions of Japanese Modernity. Palo Alto: Stanford University Press, 1996.
Gaskin, Carol. and Hawkins, Vince. The Ways of the Samurai. New York: Byron Preiss Visual
Matthew Gerber. “The Importance of Poetry in Japanese Heian-era Romantic Relationships”. 2007 May. 2011 June 3.
Tsuzuki, Chushichi. The Pursuit of Power in Modern Japan, 1825-1995. New York: Oxford University Press, 2000. Questia. Web. 28 Apr. 2011.
In his preface of the Kokinshū poet Ki no Tsurayaki wrote that poetry conveyed the “true heart” of people. And because poetry declares the true heart of people, poetry in the minds of the poets of the past believed that it also moved the hearts of the gods. It can be seen that in the ancient past that poetry had a great importance to the people of the time or at least to the poets of the past. In this paper I will describe two of some of the most important works in Japanese poetry the anthologies of the Man’yōshū and the Kokinshū. Both equally important as said by some scholars of Japanese literature, and both works contributing greatly to the culture of those who live in the land of the rising sun.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
Our preliminary class gave a brief, yet detailed outline of major events affecting the East Asian region. Within that class, prompted by our limited geographical knowledge of Asia, we were given a fundamental explanation of the geographical locations of the various events taking place in the region. In subsequent classes, we were introduced to the major wars, political shifts, and economic interests which shaped Japan, China and Korea to what they are today. We examined the paradigm of pre-modern Japanese governance, the Shogunate, and the trained warriors which defended lord and land, Samurai. In addition, we examined the socio-economic classes of Medieval Japan, which included the Samurai, peasants, craftsmen, and the merchants. We also examined pre-1945 Japan’s policies toward foreign entities, notably the Sakoku Policy, which sought to expunge all foreign presence and commerce in an effort to protect its borders and culture. 1945, however, saw ...