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mary shelley frankenstein gothic literature
mary shelley frankenstein gothic literature
The value of Gothic literature
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Gothic fiction is a genre of literature that combines fiction, horror and Romanticism with a particular focus on the mysterious and supernatural aspects. Gothic fiction originated in England during the latter half of the 18th century. This distinctive genre of literature soon developed into a 19th century phenomenon. The success of this dominant genre in England is frequently attributed to Mary Shelley. Despite its success during this time period, gothic fiction ceased to be a dominant genre by the Victorian Era. However, in many ways it had now begun to enter into its most ingenious phase. This paper will analyze the influence of Mary Shelley’s novel Frankenstein on Flannery O’Connor’s work, specifically her novel Wise Blood.
Flannery O’Connor emerged as a crucial and contemporary innovator of southern gothic literature. Southern gothic literature is defined as a subgenre of gothic fiction, which originated in the United States during the 20th century. The southern gothic genre employs similar literary elements, which its “parent” genre had established. These elements include the employment of macabre, psychological and isolationist dimensions; except now in southern gothic, these elements were used to examine the values of the American South. Mary Shelley and Flannery O’Connor both emerged as two prestigious figures of Gothicism through their combination of psychological and isolationist aspects, in order to create memorable works in the Gothic tradition. The influence of Shelley on O’Connor’s work is clearly evident when examining the reoccurring gothic theme of isolationism, found in both Frankenstein and Wise Blood.
Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, on August 30, 1797. Shelley was an E...
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PMLA, Vol. 95, No. 3 (May, 1980), pp. 332-347, Published by:
Modern Language Association Article DOI: 10.2307/461877 Article Stable URL: http://www.jstor.org/stable/461877
Power, Julia. Shelley in America in the Twentieth Century. New York: Haskell House, 1964.
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Shelley, Mary Wollstonecraft, and J. Paul Hunter. Frankenstein. New York: W.W. Norton, 2012
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Westwood, Martha. "Literary Devices Used in Frankenstein." Enotes.com, 5 Dec. 2010. Web. 09
Apr. 2014. http://www.enotes.com/homework-help/name-least-2-provide-examples- literary-devices-225979 Willette, Janet. "What Effect Does Isolation Have on Victor and the Creature in "Frankenstein?"
Enotes. Enotes.com, 22 May 2011. Web. 06 Apr. 2014. http://www.enotes.com/homework-help/what-effect-does-isolation-have-victor-creature-259635
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
Mary Shelley (born Mary Wollstonecraft Godwin) was born on August 30, 1797, in London, England. She was the daughter of a philosopher/political writer William Godwin and feminist Mary Wollstonecraft, an author. Despite her lack of a formal education, Shelley made great use of her fa...
One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these novels.
Romanticism played a large role in the creation of gothic literature, and it was considered to be “a lunatic fringe version of romanticism” (Tiffin). Gothic novels often had a powerful unleashing of emotions to very extreme levels “beyond social constraining” (Tiffin). The genre’s character often had an excess of a specific type (Tiffin), and in an analysis of Frankenstein and Northanger Abbey, this excess can be seen in Frankenstein’s ambition and Catherine’s curiosity.
Mary Godwin was born in London in 1797 to prominent philosopher William Godwin and well-known feminist and author Mary Wollstonecraft Godwin. Shortly after Mary's birth, her mother died of complications from childbirth, and this event set the stage for the strained relationship between Mary and her father. Godwin blamed Mary for her mother's death and put her in the care of her unqualified stepmother, who favored her own children and forced Mary to do tedious housework. Godwin felt that punishing Mary would satisfy his grief, and consequently Mary became withdrawn in her studies. Her talent for writing is believed to have saved her from premature suicide.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Mary Shelley's Frankenstein is a perfect example of what gothic literature is, not only because of the science fiction, but also because of the many other literary elements that is found within the unique genre. She uses imagery throughout her book to enhance the image for the reader. Her imagery conjures images that are graphic and emphasizes the landscapes, so it is easy for the reader to understand what she sees. The descriptive imagery is powerful and causes frightening images; “ . . .skin scarcely cover(ing) the work of muscles and arteries beneath," (Shelley pg. 57). Shelley also uses the common story line that is found in most Gothic literature. Frankenstein starts out with the creation of the monster, murder, rescue, and then death. There are ma...
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
The Gothic genre, or otherwise known as a Gothic romance, was a popular form of literature during the time that Mary Shelley wrote Frankenstein. Mary Shelley used the Gothic genre of Romantic literature in the writing of the novel Frankenstein. She a may have even been influenced by the Gothic structure, Castle Frankenstein, to write the Gothic novel Frankenstein (Williams 3). Gothic novels were a type of fiction that became popular in England during the 1700’s and early 1800’s (Dunn 279). Gothic novels were mysteries that often involved the supernatural and heavily filled with horror (?). Mary Shelly’s Frankenstein was one of the most prominent Gothic novels in the time of the Romantics (?). According to Frank J. Dunn, “In the 1800’s, elements of the Gothic novel appeared in other forms of fiction that shared its interest in the terrible and the exotic (279).” Gothic novels follow a set of many characteristics and aspects that help define what it truly is. Gothic novels have many different characteristics: they evoke terror both physical and psychological, they have character that keep themselves isolated in time or space from contemporary l...