Holden Caulfield, the main character in The Catcher in the Rye, suffers from a Madonna/whore complex, meaning he can only see women in two ways; as perfect and innocent or as dirty whores, without any ground in between. According to psychiatrists, this disorder may be caused by an excessive bond between one’s mother as a child, or conversely a lack of a bond, resulting in looking towards the one you love as a motherly figure, while nobody else can meet those standards. (Speyer) Holden’s experiences in this novel reveal to us this problem, as he cannot seem to deal with women at all. Even at times when he is Horny and wants to have relations with a women, he finds it impossible because they are either too perfect to sully or to dirty to console doing anything with them. This leaves Holden in a tough spot that he cannot escape from, and throughout the novel we see that he cannot break this problem and he cannot bring himself to see both the good and bad in women, as he can only focus on the extremes.
Holden Caulfield tells us of many people in this novel who were perfectly innocent, such as Jane Gallagher and his little sister, Phoebe. Jane is Holden’s friend from a few years back whom he had had a relationship with. All of Holden’s memories of Jane, which are the only real indications of how she is, portray her as an innocent girl who does childish things such as “Leave it [the kings] in the back row” (Catcher, 33) while they played checkers. Holden never went anywhere with Jane in sexual terms. The closest he had ever gotten to such a thing was when he kissed her face after she broke down while telling Holden about her drunken step-father (Catcher, 78-79). This could be the reason for the way he views her, as she was the only girl he had ever met that was nice, attractive, and not interested in partaking in sexual activities. Every other girl in the novel (minus Phoebe) is showed by Holden as “crumby” or uninteresting, someone that he would not like to get together with.
The other girl that Holden holds as the epitome of innocence is Phoebe. He sees Phoebe as intelligent, funny and naïve, even though we see that she sees a lot more than Holden believes she should. She sees through Holden’s lies about Pencey, and we see that she is much more mature than we are initially told by Holden.
We see during the novel that Holden wants to be able to protect innocence in the world, however by the end of the story he lets go of that desire. This is a point of growth for Holden. He finds that it is impossible and unnecessary to keep all the innocence in the world. While with Phoebe Holden says, “I keep picturing all these little kids playing some game in this big field of rye...I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff...That’s all I’d do all day. I’d just be the catcher in the rye” (173). In this moment Holden wants to be able to preserve all the youth and innocence in the world. He doesn’t accept that kids have to grow and change and that they can’t stay innocent forever. Later on in the story when Holden is with Phoebe at a carousel again he thinks, “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them.” At the end of the novel Holden realizes and comes to terms with the fact that kids grow and lose their innocence. He moves from his want to be the “catcher in the rye” to...
..., and lives his life in regret even though there was nothing he ultimately could have done to save him. Jane, was the first girl Holden really liked. When Holden has to deal with either sex or women, Jane is always in his thoughts and she impacts his decisions on what to do and it is always to say no because of how much he likes and cares about Jane. Both don't appear in the novel which gives them a figurehead-like role that also makes them seem more empowered. Many people in society can relate to Holden because of these two people. Many people’s losses or wants affect the way they make decisions like Allie and Jane do for Holden. Holden is a relatable character for a lot of readers already, and this makes him even more relatable. Jane and Allie greatly impact Holden and his decisions in the novel, like people in society’s wants and losses impact their own decisions.
Throughout the whole novel Holden has always been in denial of everything. As stated by Freud, denial is the “Refusal to recognize a threatening impulse or desire” (Sigmund Freud). When he visited his ten year old sister Phoebe, she was trying to communicate with Holden but she was nervous that it would displease him. She stated “Because you don't. You don’t like schools. You don't like a million things. You don't…Why the hell do you have to say that?” I said. Boy was depressing me” (Salinger 169). Even though Holden is very fond of Phoebe he didn't bother to listen to what she had to say, this demonstrates that Holden is very in denial because he got very upset when Phoebe said that he dislikes everything. Which furthers shows how he is unable to recognize that what Phoebe is
What was wrong with Holden, the main character in The Catcher in the Rye, by J.D.Salinger, was his moral revulsion against anything that was ugly, evil, cruel, or what he called "phoney" and his acute responsiveness to beauty and innocence, especially the innocence of the very young, in whom he saw reflected his own lost childhood. There is something wrong or lacking in the novels of despair and frustration of many writers. The sour note of bitterness and the recurring theme of sadism have become almost a convention, never thoroughly explained by the author's dependence on a psychoanalytical interpretation of a major character. The boys who are spoiled or turned into budding homosexuals by their mothers and a loveless home life are as familiar to us today as stalwart and dependable young heroes such as John Wayne were to an earlier generation. We have accepted this interpretation of the restlessness and bewilderment of our young men and boys because no one had anything better to offer. It is tragic to hear the anguished cry of parents: "What have we done to harm him? Why doesn't he care about anything? He is a bright boy, but why does he fail to pass his examinations? Why won't he talk to us?"
The poem, “Comin Thro’ the Rye”, is about a girl engaging in a sexual intercourse with no intention of carrying the relationship further than the act itself. However, Holden misunderstands the title of the poem, which he mistakes as a song, and the image that comes into his mind was not of the sexual act but of the children playing around and needing protection from the fall from the “crazy cliff,” inspiring him to become the catcher in the rye to watch over the kids. The way he interprets the poem is that once a child falls over the cliff, that child is lost to the cruel and ugly world that the adults have created, forever losing his or her childlikeness. In addition, the misinterpretation of the sexual content of the poem signifies his feelings about sex in general. During his conversation with Luce, he claims, “I know it’s supposed to be physical and spiritual, and artistic and all. But what I mean is, you can’t do it with everybody – every girl you neck with and all – and make it come out that way” (Salinger 147). Unlike the girl in the poem and his friends who “get sexy” with multiple girls, Holden cannot bring himself to “get sexy” with a girl he truly does not like, expressing his purity. Also, sex is a part of growing up and maturing into an adult; his hesitation to have
He begins to own up to his mistakes and starts to build stable relationships with his peers. In a conversation with Phoebe Holden mentions that he wants to be a catcher in the rye, and save children from falling off the cliff. Being a catcher in the rye is a metaphor that represents Holden's dream of saving people and leaving a lasting mark on the world. “ I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy”(186). When we enter this point in the book we can really get a feel for how much Holden has matured as he has begun thinking about others and not just focusing on himself. Although Holden has progressed in his track towards maturity he still tends to sway away from maturity. Holden continues to impolitely disagree with others and argue his way to the top in order to achieve what he desires, “Daddy's going to kill you.” Phoebe suggests, then Holden comes right back and states “I don't give a damn if he does” (186). This example shows that Holden still has a fixed mindset on his ideas and doesn't allow for new thoughts to persuade him to change his opinions. This forces us to view him as immature as we do not see a man who is incapable of interchanging ideas with others and therefore unable to interact with his
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
...ect Phoebe and preserve her childish innocence. Luckily, under treatment, Holden is beginning to accept the fact that Phoebe cannot remain a child forever.
...causes problems with all of the "pure" women that he has ever known, whether it is his mother or Jane, and he knows that he can fix all of that with Phoebe. She is the only girl that he is able to fully attach himself to without having to deal with romance. Holden can love Phoebe, and Phoebe can love Holden, but it can still be entirely innocent love.
He complains about his school, saying that it is just like any other school and uses language that makes him sound very obnoxious. Holden seems to focus on girls quite a bit, just like any other teenage boy. He seems to focus on one girl in particular, a girl named Jane. We soon learn that Holden’s personality is not your average personality. Holden does seem to have some friends but he does not fall into many peer groups with the type of personality he has. Holden isn’t able to read social cues like most teenagers learn to do. For this reason, he seems to play around a lot in the wrong situations. Even his friends have matured enough to recognise that Holden needs to ‘grow up’. Holden’s resistance to emerging adulthood is the cause of many of the problems he is faced with during the
Innocence and kindheartedness is displayed in the novel through Holden's young sister, Phoebe. Whenever Holden is depressed about being alone he thinks of memories with his younger sister Phoebe and feels completely better. Phoebe is always there for her brother to listen to his stories and complaints.
It is made evident that Holden is enamored with Jane Gallagher, and this first manifests itself when Holden talks about her to Stradlater. “I used to play checkers with her,” Holden recounts. “ ‘She’d get [her kings] all lined up in the back row. Then she’d never use them. She just liked the way they looked when they were all in the back row.’ Stradlater didn’t say anything. That kind of stuff doesn’t interest most people” (41). In a world where almost everything is so “goddam depressing,” thinking about Jane’s minor traits actually makes Holden happy, even if it is the kind of stuff that does not interest most people. It allows him to channel his childhood, where he was oblivious to the phoniness around him. However, this silly nostalgia cannot get across to Stradlater, who is more interested in Jane as a sexual being than trivialities such as her checker tactics or struggles with ballet. This physical interest eventually becomes the root of their brawl in their dorm. Although Holden’s interrogative mood agitates Stradlater, Holden is only showing his genuine care for Jane. Unlike Stradlaer, Holden has enough sense to know that Jane, being the humble, intelligent girl she is, deserves to be treated right. So, even though Holden lets his anger get the better of him and eventually start a fight, he has reason to do
Holden's idealism is first brought forth when he describes his life at Pency Prep. It is full of phonies, morons and bastards. His roommate, Stradlater, " was at least a pretty friendly guy, It was partly a phony kind of friendly..." (26) and his other roommate, Ackley is "a very nosy bastard" (33). Holden can't stand to be around either one of them for a very long time. Later, he gets into a fight with Stradlater over his date with Jane. Holden is upset because he thinks that Stradlater "gave her the time" and that he doesn't care about her; 'the reason he didn't care was because he was a goddam stupid moron. All morons hate it when you call them a moron' (44). Holden not only sees his roommates as phonies and bastards, but he also sees his headmaster at Pency Prep as a "phony slob" (3). This type of person is exactly what Holden doesn't want to be. He strives to be a mature adult; caring, compassionate, and sensitive.
Holden admires Phoebe and Allie for their stunning intelligence, which he doesn’t find in himself. As Holden thinks about topics for Stradlater’s paper, the subject shifts to Allie whom he
Holden doesn’t like the complexity of life and relationships. This is why he distances himself from his family and friends. After Holden is expelled from his school, he tries to stay away from his parents for fear of their reaction, even though learning of his expulsion is inevitable. He visits his sister Phoebe in their home multiple times throughout the novel because due to her young age, his sister and his relationship is simple. "For instance, within Holden, the desire to reject others conflicts with the desire to be accepted by others: he doesn't want to lend Stradlater his coat, but his overt actions belie this covert, warring want: he despises Ackley, but he invites him to see a movie; he hates movies, believing them to foster phoniness in society” (Mitchell). Holden struggles to “catch” others because he believes he is not accepted by others.