Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How does shakespeare present loyalty
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Loyalty in William Shakespeare's As You Like It In Shakespeare's As You Like It loyalty is dominant theme. Each character possesses either a loyalty or disloyalty towards another. These disloyalties and loyalties are most apparent in the relationships of Celia and Rosalind, Celia and Duke Fredrick, Orlando and Rosalind, Adam and Orlando, and Oliver and Orlando. In these relationships, a conflict of loyalties causes characters to change homes, jobs, identities and families. Two characters, Celia and Rosalind are loyal to each other throughout the play, which is apparent through the decisions Celia makes. In this quotation, Celia defies her father to stay loyal to Rosalind. "Which teacheth thee thou and I am one: Shall we be sunder'd? Shall we part, sweet girl? No: Let my father seek another heir. Therefore devise with me how we may fly" (Act 1, Scene 3). Celia gives up her position as heir to the throne without hesitation so she can remain loyal to Rosalind. Celia even renounces the throne when Duke Fredrick declares Rosalind a traitor, as Celia says "If she be a traitor, Why so am I" (Act 1, Scene 3). Celia renounces the court, her family, and her valuables for loyalty. Similar to the devotion shared between Celia and Rosalind, Adam, the servant for the De Bois Family shows a great degree of loyalty towards Sir Rowland. This is shown threw his generous acts towards Orlando. Adam's un-dying allegiance to Sir Rowland is shown through his response to Orlando's departure into the Forest of Arden: "Let me go with you; I'll do the service of a younger man in all you business and necessities" (Act 2, Scene 1). Adam did not allow Orlando to go alone into the forest and gives him all his life savings so that Orlando could survive. Orlando is a great model of loyalty and committed service. Orlando reciprocates the loyalty of Adam, who was at one point near death. Contrary to the aforementioned, three of the most important relationships in As You Like It lack loyalty. Loyalty is necessary in all healthy relationships, in As You Like It. The lack of loyalty in certain character relationships emphasizes the need for loyalty in the relationships in the play. The behavior of some of the characters in the play proves that the lack of loyalty is detrimental to their relationships. These relationships are between Duke Fredrick and Celia, Oliver and Orlando, and Rosalind and Orlando.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
The most obvious concern of As You Like It is love, and particularly the attitudes and the language appropriate to young romantic love. This is obvious from the relationships between Orlando and Rosalind, Silvius and Phoebe, Touchstone and Audrey, and Celia and Oliver. The action of the play moves back and forth among these couples, inviting us to compare the different styles and to recognize from those comparisons some important facts about young love. Here the role of Rosalind is decisive. Rosalind is Shakespeare's greatest and most vibrant comic female role. She is clearly the only character in the play who has throughout an intelligent, erotic, and fully anchored sense of love, and it becomes her task in the play to try to educate others out of their false notions of love, especially those notions which suggest that the real business of love is adopting an inflated Petrarchan language and the appropriate attitude that goes with it.
Examples of loyalty can be found in many pieces of classic literature such as _Don Quixote_, _The Odyssey_, and _Sir Gawain and the Green Knight_. Many characters in the stories profess their loyalty to other characters. Some of them fail in their loyalty tests while others prevail. I found loyalty to be an underlying theme in all three pieces of literature covered in this paper. The examples provided should prove the theme of loyalty.
During Shakespeare’s time, women lived in a patriarchal society where they were limited in power and dependent on men. Women in this society were expected to be submissive and to let men pave their path to a successful life by being passive. For Rosalind and Celia, the two main women in Shakespeare’s comedic play As You Like It, their identities through their disguises challenge this social construct by elevating their power as women rather than weakening them by allowing them to explore multiple facets of their behaviors that they could not do before. Despite being belittled by the male characters, such as Touchstone or Duke Ferdinand, Rosalind and Celia do not allow the men to suppress or influence their identities. These independent
middle of paper ... ... Gertrude betrays Hamlet as a mother, she does not believe in him or trust him, she goes behind his back and blocks out Hamlet and his feelings and marries Claudius which really hurts Hamlet. Gertrude as a wife and mother, hurts the people she most loved, her family. The Shakespearean play of Hamlet captures the audience with many suspenseful and devastating themes, including betrayal. Some of the most loved characters get betrayed by those who they thought loved them most.
...uld not be provide through any other character in the play as Martha Andresen-Thom states, “Though forced by sad circumstances that gesturer of trust frees them both…such is the “model” at the heart of this little society.. the ascendant of traditional feminine values” (Thinking About Women And Their Prosperous Art: A Reply To Juliet Dusinberre's Shakespeare And The Nature Of Women, 269-270). Andresen-Thom advises that in the farewell scene Richard is softened and shows emotion to his wife which frees him in the end to take a stand to fight at the end. Also, the Queen trust him as she lets go to be sent back to France, thus Shakespeare is keeping her in her domestic role of wife by obeying her husband. Once more, Shakespeare makes it clear that he uses the women characters like the Queen in the play as instrument to thicken the emotional depth and plot of his work.
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
In the play, the characters play a critical role in showing the theme as the ones inflicted with the pain and suffering of love that Shakespeare highlighted. Attacked with pain from the rejection of the one they love, each of the characters suffers from the rejection, linking the characters to the theme that Shakespeare presented in the play. These links to the theme also link the characters to one another at the same time. Characters, like Duke Orsino, Lady Olivia, and Viola/Cesario, along with the minor characters of the play, were the main victims, but also the culprits, of the pain and suffering that Shakespeare stressed.
As You Like It, by William Shakespeare, is a radiant blend of fantasy, romance, wit and humor. In this delightful romp, Rosalind stands out as the most robust, multidimensional and lovable character, so much so that she tends to overshadow the other characters in an audience's memory, making them seem, by comparison, just "stock dramatic types". Yet, As You Like It is not a stock romance that just happens to have Shakespeare's greatest female role. The other members of the cast provide a well-balanced supporting role, and are not just stereotypes. Characters whom Shakespeare uses to illustrate his main theme of the variations of love are all more than one-use cardboards, as they must be fully drawn to relate to life. Those characters most easily accused of having a stock one-dimensionality are those inessential to the theme but important to the plot and useful as convenient foils, such as Duke Frederick and Oliver de Boys. The assertion of the question deserves this quote: "You have said; but whether wisely or no, let the forest judge."
The heart of many of Shakespeare’s works is love and tumultuous relationships. It is not a difficult task to attempt to analyze the relationships of his protagonists. Many of his characters would fit into at least one of the “love-styles” presented by John Alan Lee. There are many different types of relationships and John Alan Lee aims to categorize them, or breaking them down into “different colors,” (Lee, 40). The love-styles can be applied to many relationships such as those in the works of Shakespeare. The love styles that John Alan Lee describes can also determine the successfulness of a relationship. He fits the love styles into a diagram and the location of one style of lover in relation to another can cause a relationship to succeed or fail. This phenomenon is known as the “theory of proximity” (Lee). Two people who share the same love style or who are close to each other on the diagram have a better chance at a successful relationship.
Many characters undergo a change in William Shakespeare’s play, “As You Like It”. Duke Senior goes from being a member of a court to being a member of a forest and Orlando changes from a bitter, younger brother, to a love-struck young man. The most obvious transformation undergone, is undoubtedly that of Rosalind. Her change from a woman to a man, not only alters her mood, candor, and gender, but also allows her to be the master of ceremonies.
The essentially healthy emotional intelligence of Rosalind and Orlando and their suitability for each other emerge from their separate encounters with Jaques (in some editions Jacques), the melancholy ex-courtier who is part of Duke Senior's troupe in the forest. Both Rosalind and Orlando take an instant dislike to Jaques (which is mutual). And in that dislike we are invited to see something vitally right about the two of them.
As You Like It starts out in the court, where Rosalind in a female dressed as a female, and Orlando is a male dressed as a male. Rosalind is being treated like a woman and she clearly acts like one. She attends the wrestling match, where her uncle, Duke Frederick, asks her and Celia, her cousin, to try on talk Orlando out of participating in the match. This is the point when Rosalind and Orlando meet, coerce, and begin having feelings for each other. Orlando does in fact defeat Charles, the Duke's wrestler. In this situation, Rosalind is portraying a female with typical female characteristics and Orlando is carrying out his male characteristics. In the court, they are in there true societal roles, but once they enter the forest of Ardenne those roles are dramatically changed.
As You Like It, one of Shakespeare’s comedies, follows a strong female lead as she adventures through the Forest of Arden. Rosalind, the play’s heroine, has been falsely charged with treason by her uncle, Duke Frederick. She decides to seek shelter from the court in the forest, where her previously exiled father, Duke Senior, has fled. Rosalind is intelligent and strong, and decides to disguise herself as a man by the name of Ganymede to ensure her safety. Celia, Rosalind’s good friend and the daughter of Duke Frederick, decides to join Rosalind and disguise herself as a shepherdess named Aliena. Meanwhile, Rosalind’s love interest, Orlando, is struggling after his father’s death. Orlando’s brother Oliver refuses to provide him with necessary
The family tension is created when the brother is deceived by another brother by usurping his kingdom and sending him in exile. It is the family conflict shown in The Tempest. Orlando takes help from the other people (Antonio) to retaliate and deceive his own brother. The same theme is also found in Shakespeare’s “As You Like It” in which the protagonist Rosalind’s father Senior Duke was expelled by his brother. The family crisis and the tensed relationship among the family members make the protagonist go through difficulties and