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definition of love by Shakespeare
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Woman To Man delves into various fundamental aspects of the human condition as interpreted by Wright, exploring these defining concepts and attitudes from a vividly emotive female perspective. It is clear that the poet has drawn on her own immensely personal experiences as part of an intimate relationship, thus realistically portraying the sheer emotional intensity shared by a man and woman in love. Wright also evidently perceives the sacred bond between a mother and her child, forged through the wondrous creation of new life, as an innate and inescapable facet of the human condition. The ultimate act of consummation between a man and a woman is depicted by Wright as the deepest and most profound expression of pure love that can be mutually partaken in by two fellow human beings. Such an event involves truly uniting the opposite polarities of human existence, male and female, in a selfless act that plays a crucial role in Woman To Man’s underlying interpretation of the human condition. There is an almost animalistic and primal yearning ingrained in the human condition for physical union between a man and woman, as exemplified by the juxtaposed symbolism of the male “hunter” and his prize, the “chase”, that he seeks. Such an attitude towards the physical facets of sexual passion is reinforced by the polysyndeton of “the strength that your arm knows, / the arc of flesh that is my breast, / the precise crystals of our eyes”, highlighting the magnitude of the bodily pleasure derived from this unification. However, there are clearly deeper and more emotionally significant ramifications arising internally, with the combined amorous fervour between male and female capable of producing an even greater gift, that of new life. The result... ... middle of paper ... ...has thus been explored in Woman To Man, with Wright identifying this purest of emotions as a universal and inescapable energy pertinent to the collective psyche of humanity. Judith Wright’s Woman To Man is a vividly intimate, personal, and exhaustive portrayal of love’s position in the human condition as seen from the viewpoint of a mother-to-be. Any woman who has been in this situation will be able to recognise deeply potent love on two separate fronts – that of romance as she consummates her relationship with her partner, and that of nurturing and selfless protection to ensure the safety of her child. Both these species of love in their truest form are capable of seamlessly melding together a person’s physical and emotional existence, and while unique to the circumstances of motherhood are nevertheless an enduring and elemental component of the human condition.
In Karen Horney's "The Distrust Between the Sexes," she attempts to explain the problems in the relationships between men and women. She writes that to understand the problem you must first understand that problems stem from a common background. A large amount of suspiciousness is due to people's intensity of emotions.
The social group of women is often focused on by Gwen Harwood within Selected Poems of Gwen Harwood through the themes of motherhood and domestic life which play an integral role in many of her poems. These themes define a stereotypical role for women representing them as subordinate in a patriarchal society through a range of her poems such as In the Park, The Violets and Prize Giving. Harwood portrays women as subservient and inferior, with the main purpose to be household mothers and wives which was based on society’s expectations during Harwood’s time however her later poems such as Father and Child develop to contain hope for societal progression through occasionally defying these stereotypes.
W. S. Ross once said “The hand that rocks the cradle is the hand that rules the world.” As simple as this quip may sound, its complex implications are amplified through the life of every person born since the beginning of humanity. What attribute makes a mother such an extraordinary influence over her young? One such attribute is the ability to nurture. Beyond the normal challenges of cooking, cleaning, schooling, singing, feeding, and changing is the motivation by which such sacrifices are made possible. One cannot raise a child without mutual respect. Emotion and anxiety must drive her instincts. Her ability to foster is only heightened by minute personal imperfections and overwhelming responsibility that lead to a lack of confidence. Yet the prevailing characteristic that separates a ‘birth giver’ from a ‘mother’ is the unconditional, undying, and at times underestimated love for her child. To be a mother in the purest sense, she must embrace this notion of nurture.
He attempts to convert A into an ethicist by using conjugal, or companionate love, as an example of how leading an ethical life does not mean surrendering all enjoyment and pleasure. Marriage falls under the umbrella of conjugal love. In “The Aesthetic Validity of Marriage,” Wilhelm offers an enlightening comparison of romantic love (in the aesthetic form) and conjugal love, arguing that the aestheticism of romance is not lost with long-term companionship or marriage and the challenges and responsibilities that come with it. Rather, marriage speaks to a higher form of aestheticism because it includes both love and sensuality — not just fickle lust (Kierkegaard). Those, like Johaness, who view long-term love with cynicism either marry for convenience or end up alone because they are blind to the possibility of anything
“The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings. It
‘The woman’ of the poem has no specific identity and this helps us even further see the situation in which the woman is experiencing, the lost of one’s identity. Questions start to be raised and we wonder if Harwood uses this character to portray her views of every woman which goes into the stage of motherhood, where much sacrifice is needed one being the identity that was present in society prior to children.
Nelson proves this notion when she states: “I cannot hold my baby at the same time as I write” (37). By declaring this, Nelson identities that unconditional love has its own limitations, although one may have an ultimate focus in life, the modern world surrounding us conditions our behaviors, we, therefore, must departmentalize aspects of our daily lives. Modern society proves not only contradicting but also impregnable to the practices and ideals of unconditional love, which encourages humans to believe that love conquers all. In turn, the ideal of love conditional love can exaggerate and evolve into a form of resigned acceptance. This notion becomes evident when Nelson states: “I wanted this for my sake, not yours (which meant it was a desire I would need to dispose of quickly)” (51). Nelson’s firsthand account into the complexities and delights of making a gender fluid family examines the reality that unconditional love has the power to limit one’s own desires; these limitations of love and language illustrate the fact that there are conditions in “unconditional love.” Unconditional love is no longer seen as something revered and adored. Even Nelson’s connection to her own desires are not highly emphasized in this passage; there is an apparent gap between unconditional love and its relativity in our modern
The third and final form of love expressed through the use of heat and cold imagery in Thousand Cranes and Woman at Point Zero is that of intimate relations. It is f...
Evelyn Cunningham once said, “Women are the only oppressed group in our society that lives in intimate association with their oppressors.” For thousands of years women have been oppressed, not in the bondage of slavery but in the bondage that comes from a lack of education and a dependence on men for their livelihood. Women have been subjected to scrutiny and ostracization, belittling and disparaging comments, and even at times they have been feared by men. Women themselves have even taken on the beliefs that they require a man in their life to be taken care of and have a satisfying life although some women and even some men have seen that the differences between the sexes is purely physical. This oppression, as well as the enlightenment of some, is well noted in many literary works. Literature has often been an arena for the examination of the “woman question,” as it was termed in the Victorian age. Four works that examine the role or view of women in society are John Stuart Mill’s The Subjection of Women, T.S. Eliot’s “Love Song of J. Alfred Prufrock,” Virginia Woolf’s A Room of One’s Own, and Carol Ann Duffy’s “Medusa.” Although each work examines a side of the woman question in its own way with a variety of views on the question, all of the works examine the fear that women incite in men, the idea that women are dependent on men, and the idea that women are separate from men in some way and each piece works to show that there is actually an interdependence between men and women that is often not expressed.
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
The Woman in Love, a section taken from Simone de Beauvoir’s The Second Sex, describes her theories on men and women in love and the vast differences and purposes they think love is for. This book was published in 1949, and with this in mind we can understand the way she describes women as the weaker sex and how dependent women are on men. In the beginning of the text she states that “The word ‘love’ has not all the same meaning for both sexes, and this is a source of the grave misunderstandings that separate them...love is merely an occupation in the life of the man, while it is life itself for the woman(683).” This first quote from this chapter is important because it really outlines what she is about to get at throughout the entire...
Paragraph one intro-What is the origin of this universal feeling known as love? It all starts with the history of love. There really is no marked beginning of this feeling that has no evidence of its existence. It could have begun scientifically with Neanderthals, or even religiously with Adam and Eve-the theories and stories are endless. Some psychiatrists claim it begins with the Oedipal suppression, where the son feels a form of love for their mother just as their daughter would feel the same for their father. As they mature and meet a potential mate who shows similar characteristics to their parents, passionate love forms between them. There is no specific answer as to why any one person falls for a particular type of person, only theories, and approaches. In this essay, we will look at all aspects of love and just what it does to the brain as well as what parts it deactivates, the things you go
The reasoning behind the promiscuity of both women is rooted in the desire to rebel against the cultures in which they were raised and, at the sam...
...children for a short time, but as Sethe discovers, they cannot continue doing this forever or it will leave them with nothing to give and no energy to care for themselves. Modern mothers must heed the warning issued in Beloved and accept that sometimes it is necessary for a mother and child to be separated and that a mother should not try to compensate for this separation and risk losing herself in the search for her children’s happiness. The relationship between mother and child is unbreakable, no matter how much time has passed, but it must be treated with caution as it has the power to ostracize the two from the rest of the world and allow them to destroy each other.
The form of this text is a poem. The visual appearance of the text on the page indicates to us that it is a poem: it is positioned in the center of the page and it is made up of uniform sections, or stanzas. The form is more constrained than that of a novel, which runs freely across the page from left to right. The text also utilizes formal poetic features, such as: multiple stanzas containing equal numbers of lines; line breaks between stanzas; and a regular number of beats per line. The knowledge that Judith Wright is a well-known poet adds to the evidence that this is a poem.