This paper will examine the development of Jane Austen’s changing views on emotional sensibility, the capacity to react to emotions and emotional stimuli, from adolescence to adulthood and attempts to answer the question: How does Jane Austen’s opinion on emotional sensibility change as she matures to reflect both her own ideas and the ideas and norms of the society in which she lives. In order to investigate this question, both “Love and Freindship[sic] and Sense and Sensibility, two works addressing the concept of emotional sensibility, were read, compared, and analyzed. In addition, various literary criticisms concerning these two works and several other novels by Jane Austen were consulted to further analyze her developing opinions, as they are portrayed through numerous methods such as recurring themes, throughout her works. I first examined the depiction of emotional sensibility through parallel characters in the two works, such as Laura of “Love and Freindship”[sic] and Marianne of Sense and Sensibility. I then explained how Austen’s opinion of emotional sensibility changed by comparing the conclusions to each of the works. I further verified this change by examining recurring themes present in both works.
After this research, I found that Jane Austen, while always remaining a strongly opinionated writer, diluted her harsh portrayal of emotional sensibility in her earlier work “Love and Freindship”[sic] into a more moderate depiction in Sense and Sensibility. The underlying thought in both works remains essentially the same; that is, a general disapproval of overtly emotional sensibility, although Austen does later concede that sensibility should be used in tandem with logic rather than discarded altogether. However, ther...
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In her first published novel, Sense and Sensibility, Jane Austin brought to life the spirit of being young, in love and living in the eighteenth century. Her story revealed the heartaches and happiness shared by Elinor Dashwood, who represented sense and her sister Marianne, who stood for sensibility. Both sisters felt strongly for what they unknowingly stood for, but each needed to reach a middle ground to find true happiness. It was not until the end of the novel, through marriage, that Elinor and Marianne overcame their nature of having sense and sensibility. Although the title suggested a story of opposites, Sense and Sensibility was about moderation, and how it was applied to two individuals to create sincere joy.
Grey, J. David., A. Walton. Litz, B. C. Southam, and H. Abigail. Bok. The Jane Austen Companion. New York: Macmillan, 1986. Print.
Each of Jane Austen’s characters in her novel, Pride and Prejudice, experiences a significant character development. Whether the change occurs by self-realization or through the assistance of another character varies from each individual character. For Austen’s leading man, Mr. Darcy, his character improvement is documented through his two marriage proposals to Elizabeth Bennet and her subsequent first rejection of his proposal. His first proposal demonstrates his extreme arrogance, elitism, and blindness to his many flaws. While his latter proposal shows not only the recognition of his deficiencies, but the overall improvement in his mentality. Mr. Darcy’s two proposals, though having the same intended end result, are completely different
The romantic era in literature was characterized by many different authors, male and female. Jane Austen was only one of many authors in that era, and one of the longest lasting; through her many novels, she shows various views on love and marriage. In Jane Austen’s critically acclaimed novel, Pride and Prejudice, Austen spares no character, male or female, in her criticism of the understood custom that the only route to happiness was marriage.
Southam, Brian. "Jane Austen." British Writers. Vol. IV. Ed. Ian Scott-Kilvert. New York: Scribners, 1981.
In the movie Sense and Sensibility, Jane Austen illuminated the repeated theme of emotions versus control through the actions of her two characters, Marianne, who was very sensuous and Elinor, who was very sensible. Their actions showed how Marianne was in touch with her senses and fully experienced her emotions and how Elinor seemed to possess good practical judgment and thought more about her actions and consequences thoroughly. These differences in their characters were exemplified throughout the story as they experienced love, disappointment, and resolution.
Austen, Jane. Emma. Norton Critical 3rd edition, ed. Donald Gray New York and London: Norton, 2001.
Stovel, Bruce. ‘A Contrariety of Emotion’: Jane Austen’s Ambivalent Lovers in Pride and Prejudice.” The International Fiction Review 14.1 (Winter 1987): 27-33. Literature Resource Center. Web. 02 May 2015.
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.
Love comes in many shapes and forms, whether it’s an inanimate object or a person you want to spend the rest of your life with. Jane Austen’s novel, “Sense and Sensibility”, revolves around two sisters who try to find true love, while requiring a balance of reason and emotion. Elinor and Marianne Dashwood are viewed as two completely different people. Elinor is known to represent “sense” while Marianne represents “sensibility.” In the novel, Jane Austen emphasizes two common women’s characteristics, and shows us how Elinor and Marianne both find love and happiness only by overcoming their struggles and learning from one another’s actions and mistakes.
The first of Jane Austen’s published novels, Sense and Sensibility, portrays the life and loves of two very different sisters: Elinor and Marianne Dashwood. The contrast between the sister’s characters results in their attraction to vastly different men, sparking family and societal dramas that are played out around their contrasting romances. The younger sister, Marianne Dashwood, emerges as one of the novel’s major characters through her treatment and characterization of people, embodying of emotion, relationship with her mother and sisters, openness, and enthusiasm.
Jane Austen’s works are characterized by their classic portrayals of love among the gentry of England. Most of Austen’s novels use the lens of romance in order to provide social commentary through both realism and irony. Austen’s first published bookThe central conflicts in both of Jane Austen’s novels Emma and Persuasion are founded on the structure of class systems and the ensuing societal differences between the gentry and the proletariat. Although Emma and Persuasion were written only a year apart, Austen’s treatment of social class systems differs greatly between the two novels, thus allowing us to trace the development of her beliefs regarding the gentry and their role in society through the analysis of Austen’s differing treatment of class systems in the Emma and Persuasion. The society depicted in Emma is based on a far more rigid social structure than that of the naval society of Persuasion, which Austen embodies through her strikingly different female protagonists, Emma Woodhouse and Anne Eliot, and their respective conflicts. In her final novel, Persuasion, Austen explores the emerging idea of a meritocracy through her portrayal of the male protagonist, Captain Wentworth. The evolution from a traditional aristocracy-based society in Emma to that of a contemporary meritocracy-based society in Persuasion embodies Austen’s own development and illustrates her subversion of almost all the social attitudes and institutions that were central to her initial novels.
In her first published novel, Sense and Sensibility, Jane Austen brought to life the struggles and instability of the English hierarchy in the early 19th century. Through the heartaches and happiness shared by Elinor Dashwood, who represented sense and her sister Marianne, who stood for sensibility, Austen tells a story of sisters who plummet from the upper class to the lower crust of society and the characters that surround them. Austen juxtaposes the upper and lower classes in English society to give the reader a full understanding of the motivation to be a part of the upper class and the sacrifices one will give up to achieve such status. Austen exposes the corruptness of society, the significance of class and the fundamental building blocks both are to the decision-making surrounding her protagonists, Marianne and Elinor.
Fergus, Jan. “Biography.” The Cambridge Edition of the Works of Jane Austen. Ed. Janet Todd.