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Gender and roles of women in literature
Gender and roles of women in literature
Gender and roles of women in literature
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Literature from any day and age can reflect any time period from any perspective, some books are written as if they are in the past, some are written in theoretical futures. Some are autobiographical or totally factual and some make things up to make something seem better than it really is, or to teach a moral. But by looking at the content of literature, one can see a part of the world the author lives in as well. You can see what is important to them and general beliefs they hold that are transferred through their work. Also, by looking at what is popular and widespread, you can also get a general idea of the beliefs of the people of the time. And furthermore, by looking at literature in a time line, you can also observe changes and innovations in the world reflected …show more content…
The story is of a boy named Genji, son of the Emperor of Japan and his various pursuits and troubles. It gives a lot of insight once again into court life in medieval Japan and also into what people consider attractive in a person. Genji is constantly described as almost a perfect man, and as the book was wildly popular in its time, one can also say that it described what a lot of people felt was the perfect man. If people didn’t agree with a lot of things in the book, it would not have become as popular as it would be an inaccurate portrayal of human life. The role of women in life as they wait and the philandering ways of men became very apparent through the book. Religion and proper action played a part in the novel as well as Genji often refrained from doing things because it would be incorrect of him to do so. Prayers and rituals are also described (although not in much detail) showing that they still had a place in life (if not a very big one). The work was still highly idealized and somewhat of a fantasy due to the perfection of Genji and some of the
Wong, Shawn, ed. Asian American Literature: A Brief Introduction and Anthology. New York: Harper Collins College Publishers, 1996.
Okihiro, Gary Y. Whispered Silences: Japanese Americans and World War II. Seattle: University of Washington Press, 1996.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Gatten, Aileen. "Review: Criticism and the Genji." The Journal of the Association of Teachers of Japanese 22.1 (1988): 84. JSTOR. Web. 26 Feb. 2011.
“Until the seventeenth century, Japanese Literature was privileged property. …The diffusion of literacy …(and) the printed word… created for the first time in Japan the conditions necessary for that peculiarly modern phenomenon, celebrity” (Robert Lyons Danly, editor of The Narrow Road of the Interior written by Matsuo Basho; found in the Norton Anthology of World Literature, Second Edition, Volume D). Celebrity is a loose term at times; it connotes fortune, flattery, and fleeting fame. The term, in this modern era especially, possesses an aura of inevitable transience and glamorized superficiality. Ironically, Matsuo Basho, (while writing in a period of his own newfound celebrity as a poet) places an obvious emphasis on the transience of life within his travel journal The Narrow Road of the Interior. This journal is wholly the recounting of expedition and ethos spanning a fifteen hundred mile feat, expressed in the form of a poetic memoir. It has been said that Basho’s emphasis on the Transient is directly related to his and much of his culture’s worldview of Zen Buddhism, which is renowned for its acknowledgement of the Transient as a tool for a more accurate picture of life and a higher achievement of enlightenment. Of course, in the realization that Basho does not appear to be unwaveringly religious, perhaps this reflection is not only correlative to Zen Buddhism, but also to his perspective on his newfound celebrity. Either way, Matsuo Basho is a profound lyricist who eloquently seeks to objectify and relay the concept of transience even in his own name.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
Brazell, Karen. Traditional Japanese Theater: An Anthology of Plays. New York: Columbia UP, 1998. Print.
The Tale of Heike." Traditional Japanese Literature: An Anthology, Beginnings to 1600. Ed. Haruo Shirane. New York: Columbia UP, 2007. 736-39. Print.
Matthew Gerber. “The Importance of Poetry in Japanese Heian-era Romantic Relationships”. 2007 May. 2011 June 3.
14. Yanagisaka, Sylvia Junko Transforming the Past: Tradition and Kinship Among Japanese Americans, Stanford University Press, 1985.
Kobayashi, T. (1975) Nara Buddhist Art: Todai-ji. John Weatherhill Inc, NY, USA & Heibonasha, Tokyo
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
Ohnuki-Tierney, Emiko. "The Ambivalent Self of the Contemporary Japanese." Cultural Anthropology 5.2 (1990): 197-216. Print.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.