Mary Helen Washington’s essay denies Hurston’s effort to create a liberated female
character in Their Eyes Were Watching God. Washington believes that Janie is actually
excluded “from power, particularly from the power of oral speech”. Janie plays a role of
an object for men to look at and talk about. The consequence of this oppression is shown
after Jody’s death, rather than declaring her freedom, Janie appreciates her own hair by
looking at the mirror just like other men in the town. She is banned from taking part in
the porch talk, so she hides her voice. Even when she speaks, her voice does not lead to
power, action nor contentment, but self-division. Washington disagrees with Barbara
Johnson’s opinion that Janie’s self-division leads to her discovery of her own voice.
When it seems that Janie can finally speak of her own mind while living with Tea Cake,
Tea Cake becomes the center of both her speech and her interior thoughts in fact. Her
voice is still dominated by the male. More surprisingly, she hires Hezikiah to manage
the store with her because he “wa...
Janie is a woman who has overcome the rules and restrictions she was given. Janie was nothing but "a rut in the road. Plenty of life beneath the surface but it was kept beaten down by the wheels" (Hurston 72). Eventually, Janie made it her purpose to rebel against this mold.
Finding one’s soul mate is a difficult and lengthy process for most, as it is for Janie in the novel Their Eyes Were Watching God by Zora Neale Hurston. She marries Logan Killicks, Joe Starks, and Tea Cake Woods who seem to be alike; however, the motives for the actions they each take are completely different.
If Ah ever gits tuh messin’ round another woman it won’t be on account of her age. It’ll be because she got me in de same way you got me—so Ah can’t help mahself." Tea Cake professes his love to Janie by saying that she is the only woman he thought of marrying. Tea Cake knows that he will be loyal to Janie, but can not control other women's urges to flirt with him. When Tea Cake tells Janie that he is the man in her life he says:"You don’t have tuh say, if it wuzn’t fuh me, baby, cause Ah’m heah, and then Ah want yuh tuh know it’s uh man heah." (Ch.18). Tea Cake wants Janie to know that he is nothing like her other husbands, but is perfect for her. Tea Cake is essentially perfect for Janie because he helped her accomplish her her ultimate dream of love. Janie and Tea Cake’s marriage is the key to a good marriage because they treat each other with equality and
In conclusion, Janie is an outgoing and caring person who wants to meet and have fun with other people. Most of the people in her life made her avoid being able to fit in with the crowd. Janie could not overcome the control others had over her. People always continued the gossip throughout the community because she was different. After Janie met Tea Cake, she was determined to do as she wanted without anyone’s say so. Janie will always be known as the
To begin with, a husband needs to be honest with his wife. Out of all of Janie’s husbands Tea Cake is the least honest one, but one of the times he does lie to her, but he makes it better. Tea Cake is going everyday and working then spending some nights till late with his friends. Janie wakes up one day finding out that her
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford the main character goes through some big changes. Throughout this book Janie struggles to find her inner voice and purpose of love. She looks high and low for a sign of what love really is and she finds it as being the pear tree. The pear tree is very symbolic and ultimately shows Janie what love is and how it should be in a healthy relationship. This tree, with the bees pollinating the blossoms, helps Janie realize that love should be very mutual and each person needs to provide for the other equally. Janie tries to find this special kind of love through her three husbands, but she comes to realize it is going to be much harder then she expected. Each one of Janie’s husbands are a stepping stone for her finding her voice.
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
becomes aware of the difficulty of being a lady, particularly when under dressed; and she
Janie (talking to Phoebe about Tea Cake): “He done taught me de maiden language all over. Wait till you see de new blue satin Tea Cake done picked out for me tuh stand up wid him in. High heel slippers, necklace, earrings, everything he wants tuh see me in. Some of dese mornin’s and it won’t be long, you gointuh wake up callin’ me and Ah’ll be gone.” (pp. 109-10)
her to be somebody that she wasn't. Tea Cake let her be herself. He loved
asking her about his proclamation "O, she's the man, not I, if she can walk away