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Over the years artists have generally been influenced by the developments in technologies of their era. Through impressionism, we had Monet who saw realistic paintings as redundant after the invention of photography. Instead, Monet focused on capturing how light and shadows affect our impression on a subject. By 1916, Picasso had taken this further and depicted all sides and shapes of reality at once with Cubism. It was technologies of The Industrial Revolution that handed Picasso and other artists their new found freedom and inspiration. Their art was reflected by the attention and understanding they had to the evolving change in times. Since then, technology has changed drastically and artists are constantly using this to their advantage to try and create new distinctive work. (Elizabeth Reoch, 2013)
For many years, artists had to go through a specific channel if they wanted their work to be exhibited. The process involved art critics, curators, collectors, advisors, consultants, gallery owners and anyone else who had an influence in the art world. However, all this began to change in 1969 when the internet was born and as it grew it transformed the way humans live. By 1994 a new movement was created: the Internet art movement also known as the Net.art movement. This movement refers to a style or method with a common goal or intention, in this case the use of the internet. The internet is used as a tool or subject, the medium and message. It is used as a whole and not just the World Wide Web. However, it should be noted that various types of network art already existed before this, such as fax machines for instant exchange of written messages, the use of the telephone for live audio performances and mail art circles which ...
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Anonymous (n.d) The Digital Legacies of the Avant-Garde. [ONLINE] Available at: http://www.booki.cc/the-digital-legacies-of-the-avant-garde/introduction/ (Last Accessed 14 January 2014)
Lily Lynch (2012) Vuk Cosic: the origins of net.art. [ONLINE] Available at: http://bturn.com/8131/vuk-cosic-the-origins-of-net-art (Last Accessed 14 January 2014)
Reena Jana (2001) Want to See Some Really Sick Art? [ONLINE] Available at: http://epidemic.ws/biennale_press/wired_news_reena-jana.htm (Last Accessed 14 January 2014)
Goran Mijuk (2009) The Internet as Art. [ONLINE] Available at: http://online.wsj.com/news/articles/SB10001424052970204619004574318373312061230 (Last Accessed 14 January 2014)
Carolina A. Miranda (2013) The New World of Net Art. [ONLINE] Available at: http://www.artnews.com/2013/06/12/the-new-world-of-net-art/ (Last Accessed 14 January 2014)
The Web. The Web. 23 Nov. 2014. Fiero, Gloria. The Humanistic Tradition.
Web. 27 Mar. 2014. "Digital History." Digital History. College of Education, 2014. Web.
Web. The Web. The Web. 22 Oct. 2013. Skloot, Rebecca.
DeWitte, Debra J. Gateways To Art. (2012). New York: New York. Thames & Hudson . 244. Print.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Works Cited The Matrix. Larry Wachowski, DVD, Warner Brothers, 1999; Bruskman, Amy. "Finding One's Own in Cyberspace" Composing Cyberspace Edited by Rich Holeton, San Fransisco: McGraw Hill, 1998, 171-180 Rheingold, Howard. " The Heart of the Well" " Composing Cyberspace Edited by Rich Holeton, San Fransisco: McGraw Hill, 1998, 151-163
Artists are people who express their feelings and emotions on something they have created. They work there lives on these imaginative pieces, some for a living some just out of the pure enjoyment. Those who make a living on selling their art have to work very hard at making their selves known, for some there art never becomes know they work immensely but to no avail. These artists, some of which could keep up with those who are very famous, have their art fall into an abyss where there art is never heard of or even seen. In today’s world artist have many of ways of putting their selves out there and becoming known in the art industry. Social media and just the internet alone have helped “starving artist” become very well known in the art world.
The. Web. The Web. The Web. 24 Feb. 2014. Glynn, Sarah Jane, and Nancy Wu.
Internet as a medium has been a thoroughly discussed topic, especially in recent years with the rise of the World Wide Web. Analysis of relevant literature in the topic shows that the internet is not a new medium. This argument can be shown by looking more in depth into what defines a medium and what defines the internet. From that analysis by looking from a historical point of view the internet can be seen as an old medium which uses re-mediation to deliver content to users. The connection between internet and its users has helped the internet influence the way media is viewed today. Although the internet is not a new medium the content it presents is new. The advances in technology have helped the use of the internet reach new heights in terms of interest and it's capabilities are now being utilised by the masses. This rise in popularity has given the implication that the internet is new. These points can be analysed in more depth which has led me to take the stance that the internet is not a new medium.
In popular entertainment, if not in literature, yesterday's avant garde is often tomorrow's mainstream, so the term can function as a label simply identifying the next trend. As the American poet John Ashbery pointed out in an influential 1968 essay on the nature of the avant garde, where once an innovative artist had to wait a whole career to see their work absorbed into m...
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
n.d. - n.d. - n.d. The Atlantic — News and analysis on politics, business, culture, technology, national, international, and life €“ TheAtlantic.com. Retrieved April 21, 2012, from http://www.theatlantic.com/magazine/archive/2008/07/is-google-making-us-stupid/6868/. Resnick, M. (2006). The 'Secondary'. Computer as Paintbrush : Technology, Play, and the Creative Society
Cubism was one of the strongest art movements in the 20th century that gave birth to many other movements such as futurism and suprematism. The Forefathers of this revolutionary way of painting were Pablo Picasso and George Braque. Although it may have seemed to be abstract and geometrical to an untrained eye, cubist art do depict real objects. The shapes are flattened onto canvas so that different sides of each shape can be shown simultaneously from many angles. This new style gave a 3 dimensional look on the canvas. The cubist movement gave rise to an extraordinary reassessment of the interaction between form and space changing the course of western art forever.
Boepple, Paul. "Internet." The New Book of Knowledge. 34th ed. 20 vols. Chicago: Grolier Inc., 2000.