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capital punishment vs death penalty
capital punishment vs death penalty
capital punishment vs
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In the essay titled The Execution of Tropmann by Ivan Turgenev, he offers an eye witness account of the execution of young gentlemen named Tropmann. Throughout Turgenev’s essay, his focus to his readers is to primarily deliver his perspective as an un-involved onlooker of Tropmann’s execution. As Turgenev’s speaks, he sets a tone of anxiety and anticipation surrounding this ordeal and during this publically hyped execution he turns his attention towards whether or not capital punishment is morally just.
Turgenev’s account of Tropmann’s execution most likely differs from the account of others; especially, from those who have ever experienced witnessing an execution before. He seems to provide an unbiased and sincere account of what he witnessed in January of 1870. It was then where Turgenev witnessed the life of Tropmann in exchange for his criminal deeds which was for murder. Turgenev’s personal account seems to be very authentic and evokes the emotion of his reader.
In the opening of Turgenev’s essay, it is hard to recognize at first the deeper meaning behind the harshness of capital punishment. You think Turgenev is just telling a story that starts to get somewhat confusing up until he starts using pathos by projecting his emotions into the text. In the very beginning of the essay, he speaks to how he only accepted the invitation to the execution because he wanted to be polite. Then he goes on to say “I did not want to go back on my word. False pride prevented my doing so...And what if they should think that I was a coward?” (Turgenev, 1994, p. 306-307) By him saying this, it means that he only accepted the invitation to keep a good rapport with Du Camp who at the time was a “well-known writer and expert on statistics of Paris...
... middle of paper ...
... a participant in something so heinous.
To conclude, Turgenev delivers factual claims about Tropmann’s execution based on his own personal account. Therefore, his account offers much credibility to the story he is telling. As far as his personal argument, I think he does a good job at persuading his reader to take up his side of the claim regarding capital punishment. Turgenev really shows us how weak our souls can become when we are presented with rare opportunities much like what he experienced with Tropmann. Many people came to Tropmann’s execution; however, only a few people could actually see it. I thought this was an interesting point considering that often times we will do something out of the ordinary just to proclaim that we were a part of that specific something. Turgenev’s inclusion of this thought greatly helps in his analysis against capital punishment.
In George Orwell’s essay, “A Hanging,” and Michael Lake’s article, “Michael Lake Describes What The Executioner Actually Faces,” a hardened truth about capital punishment is exposed through influence drawn from both authors’ firsthand encounters with government- supported execution. After witnessing the execution of Walter James Bolton, Lake describes leaving with a lingering, “sense of loss and corruption that [he has] never quite shed” (Lake. Paragraph 16). Lake’s use of this line as a conclusion to his article solidifies the article’s tone regarding the mental turmoil that capital execution can have on those involved. Likewise, Orwell describes a disturbed state of mind present even in the moments leading up to the execution, where the thought, “oh, kill him quickly, get it over, stop that abominable noise!” crossed his mind (Orwell.
In order to gain value from reading about the main crime in Crime in Punishment, it must be understood that Raskolnikov committed his act of violence completely intentionally. He was not a victim of force from another person, he did not kill on accident, and was not put into a situation where he would die if he did not commit murder. Raskolnikov willfully and methodically planned the death of Alyona. Because the death of Alyona Ivanovna was completely based off of Raskolnikov’s judgment, his reactions afterward provide the reader with an accurate look into the mental psyche and beliefs of his character. Raskolnikov believed the murder was completely justified due to the torm...
Gennaro Santangelo’s criticism of Crime and Punishment fully inspects the motives behind Raskolnikov’s murder, the driving influence on the plot of the book, but he only partially probes the resultant ramifications that emerge in the forms of choices that Raskolnikov makes that resolve the failures of his original goals. Overall, in the context of the paper’s subject, the information Santangelo chooses to include and omit make sense, but the crucial results, or how Raskolnikov eventually reverses his original motivations, are insufficiently appraised. Santangelo’s essay, however fascinating, seems like it does not tell the complete story, that it needs a complementary work to fulfill its purpose. That work, should it have properly met its goal, is beginning to
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
This essay examines the social, philosophical, and psychological elements that had affected the Russian Society as well as the world of Dostoevsky’s novel “ Crime and Punishment ˮ. This essay demonstrates the wild impact and clashes left by these theories on the life, choices, and mentality of the novel and the characters embodied, the most important of which is the character of Raskolnikov. Highlighting an “in-depth exploration of the psychology of a criminal, the inner world of Raskolnikov, with its doubt, fear, anxiety and despair in escaping punishment and mental tortureˮ.
This paper will focus on Capital Punishment, which we will define as execution through means of lethal injection administered by an executioner to someone convicted of murder, and for the purpose of this paper murder will be established as killing an innocent person in cold blood. It will concern the dehumanization of the condemned and the inappropriateness of employing the same morality and ethicality to someone who in the eyes of the public have lost all humaneness. Dehumanization will be, for the sake of my argument, classified as depriving someone from his humanity, and by depriving them of humanness, which is essential to ethics; we fracture the foundation of morality and ethics because without humans there is no morality or ethicality. I will argue that Capital Punishment undermines ethical and moral foundations in particular Kant’s theories by dehumanizing the condemned, therefore, opposing ethical arguments supporting Capital Punishment by making morality and ethicality inapplicable to someone who has had his humanity denied to him. I will first outline the various reasons in how the condemned is stripped of their humanity by demonstrating how it violates the value of life and how using it as revenge and as a deterrent of other crimes goes against Kant’s “Practical Imperative” which states that no human being should be seen as a means to an end because this essentially strips him of the right to live for himself. I will also show how Kant’s ethical theory regarding Capital Punishment, in which he indicates that taking a human life should always be punished by taking the offenders life, has contradictions especially in respect to the head of state where the same rules do not apply to them (Avaliani). The authorities are ...
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Throughout the ages, death penalty has always been a controversial topic and triggered numerous insightful discussion. In Kroll’s Unquiet Death of Robert Harris, the writer employs pathos as an appeal throughout the whole article in order to convince the audiences that death penalty is “something indescribably ugly” and “nakedly barbaric”. While Mencken makes use of ethos and logos and builds his arguments in a more constructive and effective way to prove that death penalty is necessary and should exist in the social system.
Crime and Punishment at first is a daunting novel. With its sheer size alone, at 551 pages, combined with the dense writing style of Dostoevsky the initial sitting can leave one wonder how anyone ever finishes this hefty novel. However, the reasons soon become clear as you breeze through anxious to see where the next turn will take you. This psychological thriller aspect is also what leads to such a close examination of Raskolnikov's thoughts. It is not until part three that we are given the core idea that drives him to murder. Prior to his encounter with Porfiry beginning on page 248 the reader is left only with conjecture as to what drove him to murder of Alyona and Lizaveta Ivanovna. We see that he is ill and destitute, both good reasons to murder for money. We also have the dream with the horse starting on page 54 that at the very least gives rise to his brutal method of murder. It is clear in the exchange between Porfiry and Raskolvikov that Porfiry believes this idea hinted at in Raskolnikov's article is what drove him to murder. P...
Capital punishment is a topic constantly debated because of moral principles and effects on society. Many would argue that the possibility of death prevents crime. Others would argue that execution is unjust. Flamehorse’s article, "5 Arguments For and Against the Death Penalty,” provides common reasons held by society with a short analysis. Other articles such as“4 Out Of 5 Texas Dentists Advocate The Death Penalty,” produced by TheOnion, promotes capital punishment through a satirical metaphor. The reasons may be factual or morally based because society operates on these principles. Once the reasons are evaluated, it may be possible to develop a stance throughout the paper. This will contribute to various hypothetical examples and the course of action to handle said example. However, individual interpretation is subjective meaning that everyone has a different idea in mind.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
In Fyodor Dostoevsky's Crime and Punishment, the theme of duality and the conflict between personal desires and morals is present throughout much of the novel. There are dual conflicts: one external between a disillusioned individual and his world, and the other internal between an isolated soul and his inner thoughts. It is the internal conflict in the main character, Raskolnikov, that is the focused on for much of the novel. The first of Rodya’s two sides is his intellectual side. This side of rodya is inhumane, and exhibiting extreme self-will and power. This is the side of him that comes up with his theory. The crime was a result of his theory that some people possess extraordinary abilities while others have no ability. It's this intellectual side of him that caused him to conceive and execute his murder. Through the authors use of setting tone, diction, and allusion, the readers get a better understand if what type of character, rodya is.
Dostoevsky's 1865 novel Crime and Punishment is the story of an expelled university student's murder of an old pawnbroker and her sister. The idealistic ex-student, Raskolnikov, is ultimately unable to live up to his own nihilistic theory of what makes a "Great Man" and, overcome by fits of morality, betrays himself to the police. Exiled to Siberia, suffering redeems the unfortunate young dreamer. Crime and Punishment is similar in many ways to Balzac's Pere Goriot, especially in respect to questions of morality. In Balzac, the master-criminal Vautrin lives by an amoral code similar to Raskolnikov's theory of Great Men--unrestrained by conscience, Vautrin holds that laws are for the weak, and those clever enough to realize this may overstep any boundaries they wish and dominate the rest of mankind. But where Balzac's characters act on this idea without repercussion, Raskolnikov makes a transgression and then begins immediately to question it. The result is a psychological inner battle between rationality and sentimental moralism which is as much a contest between Empiricism and Romanticism as it is a contest between good and evil, or God and the Devil.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
In this essay, Beccaria requested a different approach towards punishment and argued against the barbaric methods of punishment and the use of torture on criminals. Beccaria’s classical approach viewed criminals as free agents who make rational decisions when they commit crimes and not because they are evil. He believed that the punishment that criminals would receive ,should be proportional to the crime and the harm they have caused to someone and that the law should be applied equally to all people. Torture and capital punishment was brutal and cruel for Beccaria because his goal was to prevent people for committing crimes and not to punish them by using these methods. ( An introduction to criminological theory - Roger Hopkins Burke