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As one begins to delve into the history of modern architecture one quickly realizes the influence that Renaissance architects such as Donato Bramante, Raphael, and Michelangelo had on modern architecture. Simply look around a city at the business district and one will see bits and pieces of the Renaissance architecture. The Renaissance architecture has had an influence on architecture throughout the ages. St. Peter’s Basilica Donato Bramante was born in 1444 near Urbino. At an early age Bramante was exposed to the world of art and architecture. Bramante’s early exposure to the world of art influenced his future architectural work such as his work on Saint Peter’s Basilica. Bramante started to gained recognition while he was working on “Tempietto” that was constructed on the site that is believed to be the site where St. Peter was hung (Benton & Di Yanni, 2005). The work on Tempietto was commissioned by Ferdinand and Isabella of Spain; thus, bringing prestige to Bramante’s work. It was this type of recognition that led to Bramante being commissioned to design and rebuild St Peter’s Basilica. Pope Julius II decided that the old basilica need to be torn down because the old basilica had been built in the early fourth century during the era of Constantine; therefore, the Pope decided a new basilica was needed. He appointed Bramante as the architecture to build a new Basilica befitting the papacy’s image (Benton & Di Yanni, 2005). Bramante decided that the new basilica would be a magnificent version of the Tempietto that he had built in 1502. The design would be “a monumentally proportioned, centrally planned church to be capped by an immense dome” (Fiero, 2008, p. 196). He did not follow the “classical longitudi... ... middle of paper ... ...ivan-architect/louis- henry-sullivan-architect.php Benton, R. J. & DiYanni, R. (2005). Arts and cultures; an introduction to the Humanities. Upper Saddle River, NJ: Pearson-Prentice Hall Craven, J. (2010). The Wainwright building. Retrieved on May 12, 2010 from, http://architecture.about.com/od/skyscrapers/ig/Skyscrapers/Wainwright-Building-htm Fiero, G.K. (2008). Landmarks in humanities (2nd ed). Boston, MA: McGraw-Hill. History-World.org. (unknown). Architecture. Retrieved on may 10, 2010 from, http://history-world.org/greek%20architecture.htm Planetware.com. (2010). St. Peter’s Basilica, Vatican City. Retrieved on May 14, 2010 from, http://www.planetware.com/vatican-city/st-peters-basilica-scv-scv-rspv.htm Vaticanstate.va. (2010). St. Peter’s Basilica. Retrieved on May 20, 2010 from, http://vaticanstat.va/EN/Monuments/Saint_Peter_Basilica/
St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
Filippo Brunelleschi gained much of his architectural signature from his studies in Rome. He was already making a name for himself in Florence before he started working on a design for the Baptistery doors. “After Lorenzo Ghiberti had won the competition (1401) for the Baptistery doors, the runners-up, Donatello and Brunelleschi, both left for Rome to study sculpture and architecture respectively” (Meek np). It was actually a blessing in disguise that Brunelleschi lost the bid for the doors because it led him to move to Rome for a period of time. This exposed him first hand to the ancient Roman buildings and the specific architecture in their designs. According to PBS, “Brunelleschi spent the next 10-years living rough in Rome with his good friend, the sculptor Donatello, studying the ruins of the great city” (“Filippo Brunelleschi” np). A decade is a long time to absorb a narrow field of architecture. It is inevitable that he picked up on the design elements and incorporated them into his own. Through independent study, Brunelleschi could truly focus on what interested him and thus making it a passion of his. After his time spent in Rome, Brunelleschi moved back to Florence where he was “responsible for initiating the rediscovery of ancient Roman architecture” because he “understood its inherent principles and he employed them in an original manner” (Meek np). As a result it is indisputable that Brunelleschi’s ...
There are many Renaissance artists who had a large impact on what was then the
In 1520, the first Medici pope, Leo X, son of Lorenzo the Magnificent, passed the Medici project to Michelangelo, who was at the time working under pressure on his designs for the façade of San Lorenzo, the Medici Church. Michelangelo had constructed a wooden model of the projected design in the end of 1526. Michelangelo was worried about taking on the new commission, which would involve designing the Chapel with all the monuments. The construction had to match Brunelleschi’s Sacristy on the other side of the transept in the Basilica of San Lorenzo. He wanted everything about the new building; the appearance, supporting elements, conception of space, architectonic decoration and ornament, to be original and unexpected.
The Elizabethan era was an era of art above all else. Elegance reflected in all areas of the peoples’ lives. From the entertainment and language to the churches and castles, beauty shone bright.There were many vents for artistic creativity during the Elizabethan era; countless instruments, painting, books, playwright, and last but not by any stretch the least, architecture. Elizabethan architecture has a vast amount of variety and personality, the buildings reflected the pride of both the inhabitants and the builders.
The full power of Donatello first appeared in two marble statues, “St. Mark” and “St. George” which were completed in 1415. “St. George” has been replaced and is now in the Bargello. For the first time the human body is rendered as a functional organism. The same qualities came in the series of five prophet statues that Donatello did beginning in 1416. The statues were of beardless and bearded prophets as well as a group of Abraham and Isaac in 1416-1421 and also the “Zuccone” and “Jeremiah”. “Zuccone” is famous as the finest of the campanile statues and one of the artist’s masterpieces. Donatello invented his own bold new mode of relief in his marble panel “St. George Killi...
When thinking about the Renaissance, who would you consider being a significant influence to today? A great key figure from the Renaissance would be Leonardo Da Vinci. As a young boy, Leonardo discovered that he had many skills in mechanical arts and learned it for 6 years until he was able to establish his own workshop. After setting up his workshop, Leonardo was known for the many works of art he made such as the well-known “Mona Lisa” and “The Last Supper”. As he trained to become an artist his interests spread to other fields of science such as anatomy, the study of the body, and botany, the study of plants. He also created and drew many different inventions since he had an interest in how flight works. All his work was drawn in a 13,000 paged notebook filled with many observations along with ideas and explanations of what he saw. After seeing what he saw about the human body, he wanted to expand and always wondered why things worked the way it did. “His artistic accomplishments alone, including some of the most famous paintings in the world, would have made his name immortal. Yet he was also an inventor whose ideas were hundreds of years before his time. His technical drawings and careful scientific observations were preserved in notebooks that give a fascinating glimpse into one of history’s most creative minds”. Da Vinci is described as a Renaissance Man, by having capabilities in many different amounts of fields. Giving a strong influence to artists such as Michelangelo and others, many tried to copy his ways of knowledge in the arts, science, and literature fields. During the Renaissance, Leonardo da Vinci's actions and accomplishments have made him one of the best influences to today because he created one of his most fa...
Donatello was born in Florence, Italy in1386. The full name of Donatello is Donato di Niccolo di Belto Bardi (“Donatello” par 1, 2, 3). His dad was a wool comber (“Donatello” par 1, 2). There was not much information found on his mom. He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and monuments (“Donatello” par 1, 2). An inspiration for his work was by ancient visual examples (“Donatello” par 1). He achieved his full intensity in the beginning of the 15th century (“Donatello” par 1, 2, and 3). In the later part of his life he studied Roman Ruins and became a Humanist (Blood par 1).
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
Italian Renaissance Art and Architecture: History Through Art and Architecture. Boulder, Colo.: The Press, 1985. 20-67.
The Papal Basilica of St Peter in the Vatican, or simply St Peter’s Basilica is one of the largest church’s in the world with a total area of 44000 square meter, with 219 square meter of the basilica itself. (Dupre’, J., 2001, p.65) Located in Vatican City, the papal enclave within Rome, St Peter’s Basilica is the most renowned work of Renaissance architecture. There were 4 main architects who contributed to the project Donato Bramante, Michelangelo, Carlo Maderno, and Gian Lorenzo Bernini. Construction began on the new basilica on 18 April 1506 under Julius II, who also laid the first stone and was completed on 1615 under Paul V.
The Italian Architects of the seventeenth century faced a huge volume of orders to carry out. The most required orders were churches. (Bazin 15) When Urban VIII became pope he asked Bernini to design a baldachino, also known as a canopy, to define the altar area. Bernini built something that was half sculpture and half architecture that had four columns that were very detailed. The columns were designed with spiraling grooves and vines made of bronze. The spiraling and decorative effects were made to symbolize the union of the new and Old Testaments, the vine of the Eucharist climbing the columns of the temple of Solomon. The Eucharist was the Christian ceremony commemorating the Last Supper. The elements of the Ionic and Corinthian orders are at the top of the columns. Angels are along the entablatu...
Uniformly pleasing, the basilica is strongly focused on definition and structure. The dome of the basilica is considered the masterpiece of design. A lot of effort was put into the design of the dome; it is a key element of the basilica.
In Florence, Italy a cathedral stands over the grave of its architect, Filippo Brunelleschi. The Cathedral of Florence that now serves as his monument was one of his largest architectural developments. Little is known about Filippo’s childhood because he was not very famous; however, later in life he made huge accomplishments in the field of architecture. Filippo Brunelleschi’s structures were considered glorious at the time and are still standing today.