Many playwrights drew from outside influences to compose their works. They would look the era they were living in, their personal lives, childhood experiences, and even ancient texts to acquire inspiration for their works and famous playwright, Eugene O’Neill, is no exception. Writing through two world wars, a great depression, and boom of the motion-picture industry, O’Neill certainly had much inspiration to choose from. Although not becoming nationally recognized until after his father’s death in 1920, O’Neill still managed to produce fifty completed works. Using influences from the 1910s, 1920s, 1930s, and 1940s, Eugene O’Neill demonstrated how he used the era he was living in to help compose his works.
The 1910s was an era of labor unions, World War I, the assembly line and much more. In 1912, the historic sinking of the Titanic took place. O’Neill was greatly influenced by this and thus wrote three plays dealing with shipwrecks; the most recognized of those three being, Thirst. Thirst was a self-published play that he wrote while resided in New London, CT in the fall of 1913. It is about three shipwreck survivors and their will to prove that one of the survivors is hiding water. In writing Thirst, O’Neill also drew from the inspiration of two great playwrights, August Strindberg and Maurice Maeterlinck. Strindberg was a Swedish playwright “combined psychology and Naturalism in a new kind of European drama that evolved into Expressionist drama”( Mortensen). Maeterlinck was a Flemish playwright who was known for his pieces of the Symbolist theatre. In the spring of 1917, O’Neill wrote Ile. In this play, O’Neill took more inspiration from the town he was currently residing in, Provincetown, MA, than from world events. After he...
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The 1920s were a time of change for the United States. Following the First World War there was a rush of new cultural, social, and artistic dynamism, partly fuelled by the Progressivism movement that was cut short when American entered the Great War. This decade was defined by a change from more rural farm life to industrialism in big cities. The shift from the frugality and traditional family values or previous generations to the happy-go-lucky consumerism and metropolitan life occurred more rapidly than any other social shift in living memory. These swiftly changing tides caused cultural clashes and confrontations throughout the decade as America struggled to define for itself a fresh national identity in the wake of its new position as a world power.
The 1920s became known as an era memorable for being a time when new products, new ways of marketing and advertising, and standardization gave the country new ways to interact, enjoy themselves, and introduce them to new products. Although very common today, standardization of mass culture like magazines, radio, movies, music, and sports were exciting new innovations to the people of this time. Not only did they distract from the monotony and stresses of work but they created celebrities that people aspired to be like.
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When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
The 1920s, often referred to as the Roaring Twenties, was a time of great change and a time of powerful enthusiasm in many areas of society. The world had just finished the biggest war in history, the First World War, and the United States was left almost unharmed by the war. The United States was able to experience a decade of peace and success following the war. During this decade, America became the wealthiest country in the world (Trueman, 2000). The people in the United States went through a colorful period during the twenties. However, at the same time the 1920s was also a very rebellious and difficult time for many. The culture of the 1920s has influenced the culture of America’s society today.
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In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
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Eugene Gladstone O’Neill was born on October 16, 1888, in New York City. His father, James O’Neill, was a popular actor, and introduced Eugene O’Neill to the theater at an early age. After being expelled from Princeton in 1906, O’Neill worked as a gold prospector in Honduras and later as a seaman in the New York area. Soon O’Neill became a regular at bars and clubs in New York City. In 1912, O’Neill contracted tuberculosis. It was during his recovery that O’Neill began to write plays. He wrote many plays and is one of the greatest American dramatists. O’Neill won four Pulitzer Prizes—Beyond the Horizon (1920), Anna Christie (1922), Strange Interlude (1928), and Long Day’s Journey into Night (1957). Eugene O’Neill also received the 1936 Nobel Prize for Literature. O’Neill was given the Nobel Prize, “for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy” (<http://nobelprizes.com/nobel/literature/1936a.html>).