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women's roles in anglo saxon society
women in medieval society
women in medieval society
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Medieval Women
The roles of women in early Anglo-Saxon culture were strictly defined. Women were viewed as possessions and served the function of the peace-weaver. In this role women were married off to warring tribes to promote peace and were to perform duties such as passing the cup from warrior to warrior during ceremonial functions. Women in Anglo-Saxon culture possessed virtually no autonomy and consequently were consistently at the mercy of their lords or husbands. The sense of isolation and desperation felt by these women is captured in the “The Wife’s Lament” as the speaker describes her inability to control her own situation. The female characters Wealhtheow, Hildeburh, and Freawaru in Beowulf also display the limited role of women as peace-weavers. The only female character with some power in Beowulf is Grendel’s mother, who retaliates for the death of her son.
The speaker of “The Wife’s Lament” is a peace-weaver who has been abandoned by her tribe. She describes how she has been separated from her husband and sent away “a friendless exile—to seek a household to shelter [her] against wretched need” (103). The exiled woman lives alone in the wilderness and reflects about how the vow between she and her husband to remain together forever has been broken. The implication is that war has likely driven the couple apart as seen in the lines, “Far and near, I must suffer the feud of my much-beloved” (103). It is clear that this woman has no control over what has happened to her and consequently is left to lament the loss of her love. Because she no longer has a husband, the speaker is without a role or place in society, and she cast out on her own.
The stories of Hildeburh and Freawaru, as...
... middle of paper ...
...time) remains ceremonial. It is interesting, and telling, that Grendel’s mother, the only woman in Beowulf who is autonomous and aggressive, is considered a monster.
Works Cited
Sir Gawain and the Green Knight. The Norton Anthology of English Literature.
Seventh Edition. Volume 1. Ed. M.H. Abrams. New York: W. W.
Norton & Company, 2000. 114-209.
Sanders,Arnie. "The Exeter Book." English 211: Beowulf to Dryden>.
Dept. of English, Goucher College. 1 Feb. 2004.
"The Wanderer." The Norton Anthology of English Literature.
Seventh Edition. Volume 1. Ed. M.H. Abrams. New York: W. W.
Norton & Company, 2000. 114-209.
"The Wife's Lament." The Norton Anthology of English Literature.
Seventh Edition. Volume 1. Ed. M.H. Abrams. New York: W. W.
Norton & Company, 2000. 114-209.
A nameless servant, bed mate to a war hungry lord, waits for her husband’s return; this is the average interpretation a modern day woman will have of women of the Middle Ages. As a woman of the Old English era, many believe that the influence of women was not valued. However, the relevance of culture is an important factor in the address of the typical female figure. While old tales depict more negative views on women such as, adulterous, hags or servants; females actually served a much greater and accepted purpose. Although it is inevitable that some women were not pardoned by men due to their discrepancies toward them, most women maintained dignity within the household. In the story of Beowulf the accepted roles of women revolve around remaining loyal and serving men.
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There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
It is often misread that women in Beowulf are presented as compliant to men, displaying them as the weaker gender of the human species. In the world of Beowulf, women serve as peace-weavers, cup-bearers, gift-givers and even monsters, all of which at first glance appear as inferior roles. Many examiners of Beowulf, who have touched on the role of women, have criticized on the words of Gillian R. Overing who believes they are "marginal, excluded figures." Although the women in Beowulf aren't as prominent as men are, they are not "excluded" from the picture as a whole. In fact, the roles these six women presented in Beowulf have, can be compared to real Anglo-Saxon women who held together nations, bring heirs and future generations into the world, all qualities that are necessary for the Anglo-Saxons to continue to strive. Wealhtheow and Hygd play the role of cup-bearer along with the political stance of queen allowing them to have equality among men. Freawaru and Hildeburh are what Anglo-Saxons consider peace-weavers which mend together nations if handled the right way. Then there are Grendel's mother and Modthryth who are described as monsters due to their aggressiveness as women, which is sought to be an unnatural trait that only males should hold. Lastly we have the few unnamed women that play roles similar or equal to the ones mentioned above but with little coverage or knowledge from the author for them to have no name. This essay will go further into the world of women in Beowulf and how their roles play in not only the poem, but also in Anglo-Saxon culture using Seamus Heaney’s translation.
In the poem “Beowulf,” Grendel’s mother, a monstrous creature, is one of the three antagonists Beowulf, the main character, fights against. The battle against Grendel’s mother appears to be the strangest of the three battles. The main reason for its strangeness is that Grendel’s mother is the mother of the monster Grendel, who was killed by Beowulf in the first battle. Another reason for its strangeness is that Grendel’s mother is the only female-type creature. An alternative reason for this strangeness in the battle is due to the fact that Grendel’s mother is not a true monster, aside from her physical form. Through the explanation of kinship, the understanding of the missing words from the original text, and the comparison of Grendel’s mother to other mothers in the poem, specifically Welthow and Hildeburh, it can be established that the intentions of Grendel’s mother are not monstrous even though she has the appearance of a monster.
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