In many plays there is a central character who believes that something is rightfully theirs. In William Shakespeare’s play Hamlet, the character Fortinbras, Prince of Norway, is portrayed as this central character hoping to reclaim the land Denmark that his father lost in battle to Hamlet Sr. Fortinbras is also characterized as Hamlet’s enemy and throughout the play he tries to gain advantage over Hamlet. In Franco Zeffirelli’s movie version of Hamlet, Fortinbras is not present in the movie at all. Since Zeffirelli did not include the scenes with Fortinbras, the question brought to viewers is why this character is so carelessly left out of the movie. By leaving Fortinbras out of the movie Hamlet, an element of contention and collation between himself and Hamlet is absent that is present in the play.
In the play, the background stories of Fortinbras and Hamlet are similar. Both of their uncles are king, when the rightful throne should be theirs; however, the two princes deal with the aftermath differently. While Fortinbras deals by going out and conquering other countries, Hamlet distracts himself with thinking and plotting against Claudius. In Hamlet's soliloquy in Act 4, he compares and contrasts the differences between himself and Fortinbras. Hamlet explains that he would be more like Fortinbras with his actions.
Witness this army of such mass and charge/ Led by a delicate and tender prince,/ Whose spirit with divine ambition puffed/ Makes mouths at the invisible event,/ Exposing what is mortal and unsure/ To all that fortune, death, and danger dare,/ Even for an eggshell. Rightly to be great/ Is not to stir without great argument,/ But greatly to find quarrel in a straw/ When honor’s at the stake. BLOCK QUOTATION
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... he believes is rightfully his. Fortinbras also serves as the equal to Hamlet and whose actions are compared to those of Hamlet’s as how Hamlet should behave. The young Prince of Norway is known for is conquest in countries and also for what he hopes to accomplish in the end. At the end of the play, when the royal family collapses and Hamlet is dead, Fortinbras is the character who receives the crown. Without this element in the movie, who could take over the helpless land and been able to keep it together and successfully rule the kingdom? Only Fortinbras is the prime choice to rule this kingdom because of his clear motive, direction, and his will to succeed.
Works Cited
Hamlet. Dir. Franco Zeffirelli. Perf. Mel Gibson and Glenn Close. 1990. Warner Bros., 2004. DVD.
Shakespeare, William. Hamlet. Ed. A. R. Braunmuller. New York: Penguin Group Inc.,2001. Print.
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
To play one of Shakespeare’s most complex roles successfully on stage or on screen has been the aspiration of many actors. William Shakespeare’s Hamlet has been the focus on various accounts throughout the 20th Century, each actor attempting to bring something unique and unmarked to the focal character. Franco Zeffirelli and Kenneth Branagh, both film directors, introduce varying levels of success on the screen through downright differences in ways of translation and original ideas. Zeffirelli’s much shorter interpretation of the film is able to convey the importance of Hamlet as a masterwork by using modern approaches to film but still capturing the traditional work behind Shakespeare’s well-known play.
Zeffirelli’s filmic Hamlet evidently interprets the original play especially considering Mel Gibson’s performance making it easy for the audience to understand Shakespearean dialect. Shakespeare’s Hamlet is a man with friends who proves to be much more reserved, and manipulative than someone might imagine today. His hamlet is considerate in his plans, but with no tact interpersonally. Zeffirelli’s audience is required to focus on the troubles, and character of Hamlet, who is nonstop, and unfriendly, but a sensitive loner when the time is right. Zeffirelli accomplishes this mixture while staying faithful to his starting place my maintaining solid screenplay with a constant flow supporting his own take on the story. Concisely, Zeffirelli’s Hamlet is both a free and a loyal understanding of its source, which is, for today’s viewers, a Hamlet in its own right.
Hamlet. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Kate Winslet, Brian Blessed, Richard Briars, Julie Cristie, Billy Crystal, Derek Jacobi, Michael Malony. Castle Rock, 1996.
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
In the play several characters are compelled to restore family honor by exacting vengeance. Fortinbras tries to reclaim his father’s honor by reclaiming territory, Hamlet must get back at Claudius for killing his father, and Laertes must get back at Hamlet to avenge his father and sister. Each character is driven in the play to get revenge at someone. Hamlet is
In general, the work shows the best and worst ends of power, by including contrasting ruling kingdoms that each have very different ways of using their power. The kingdoms in which power was not corrupt and was used to better the society as a whole include those of Fortinbras, as well as the kingdom where King Hamlet ruled before Claudius had intervened. It can be concluded that when King Hamlet was ruler, he led with a just hand and his power was not corrupt. Throughout the play it is mentioned that Prince Hamlet is deeply loved by the kingdom of Denmark, as seen in the following quote: “He’s loved of the distracted multitude” (IV.iii. 4). If the kingdom was ruled in a tyrannical manner, what reason would the people of Denmark have to adore young Prince Hamlet? As additional evidence, these words spoken between Prince Hamlet and Horatio further show that King Hamlet was a great ruler who did not let personal motives turn his power ...
The theme of vengeance is apparent within the tragedy before the tragedy even begins. King Fortinbras is defeated by King Hamlet, leaving Prince Fortinbras orphaned. This naturally brings about bitterness between Prince Fortinbras and King Hamlet. Prince Fortinbras is angry, within reason. His father was just killed, his lands stolen, and now he is the person to whom all of the duty is left. These feelings lead Fortinbras to a state of angered reactions. He prepares an army to march into Poland and Denmark to recover the lands that his father had lost. He takes action, leaving the rest of his life behind, and marching over to get retaliation against the man who killed his father. He sets his mind on what he has to do, and sets off, away from his home, in a strong, purposeful manner. When Fortinbras prepares to march through Denmark, his address to King Claudius is direct, purposeful, and unemotional.
In the play, Hamlet, by William Shakespeare, the character of Fortinbras, has been used as a foil for the main character, Hamlet. Hamlet and Fortinbras have lost their fathers to untimely deaths. Claudius killed Hamlet's father, King Hamlet, and King Hamlet killed Fortinbras' father. Both Hamlet and Fortinbras have vowed to seek revenge for the deaths of their fathers. Since the revenge tactics of Hamlet and Fortinbras are completely different, Hamlet perceives the actions of Fortinbras as better than his own and the actions of Fortinbras, then, encourage Hamlet to act without hesitating.
The decisions of Hamlet, Laertes, and Fortinbras are utilized to show the importance of balancing thought with action in William Shakespeare’s Hamlet. The lives of the three characters are all following similar paths at the start of the play, but their personalities take them in very different directions. For Hamlet, the idea of revenge consumes him, and he becomes too obsessive to accomplish much of anything. Laertes on the other hand jumps into the pit of revenge too quickly, and gets lost in all the hubbub. However, Fortinbras knows how to carefully dance around the subject of revenge in a manner that he succeeds with little to no damage to himself. Although it is important to act quickly in tense situations, it is also important to not ponder so much that the opportunity is lost.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
All together this play is just a couple of people trying to get revenge for their dead fathers and get back at the people who killed them. All of them being Prince Hamlet wanting revenge on Claudius, Laertes wanting revenge on hamlet and Fortinbras wanting revenge on all of Denmark. The whole story is just one big revenge story with two side revenge stories and Shakespeare teaches many things about how revenge happens. Like how revenge can have a soft side, how revenge can be very violet and aggressive and how revenge has no boundaries. In the end, with the exception of Fortinbras being gifted the crown, all of the different tales of revenge end up with bad out comes and Shakespeare did a great job showing how revengeful actions never have the best outcomes.
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play.
Although each character plots to avenge his father in the play, the motives of Laertes and Fortinbras differ greatly than that of Hamlet. Fortinbras, who schemes to rebuild his father's kingdom, leads thousands of men into battle, attempting to capture a small and worthless piece of Poland. After his uncle warned him against attacking Denmark. The added land will do little to benefit Norway's prosperity, but this campaign may cost "two thousand souls and twenty thousand ducats" (4.4.26) . This shows that pride is a driving factor behind Fortinbras' plan because he is willing to put the lives of his countrymen at risk for a minimal gain. Laertes, on the other hand, is compelled to seek revenge because he loses his father and eventually his sister. The root of Laertes' revenge appears to be the love for his family because he proclaims that he will "be revenged / most throughly for [his] father" (4.5...
In Hamlet, Shakespeare introduces us to Fortinbras and Hamlet. Both characters are bent on avenging the death of their fathers who were murdered. In Act I, two different revenge plots by these two men are revealed, and while Fortinbras is very open and bold about killing Claudius, Hamlet is sly and quiet about his plan. Fortinbras is also dead set on attacking Denmark no matter what but Hamlet is indecisive about killing Claudius. Fortinbras plans to lead an army to attack Denmark while Hamlet’s plan of attack is to act crazy.