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Love Prevails "Idea: Sonnet 61" by Michael Drayton is a fourteen line Petrarchan sonnet that dramatizes the conflicting emotions that arise from an intimate relationship coming to an abrupt end. After analyzing and doing several closer readings, I learned that "Idea: Sonnet 61" is actually about the poet’s own conflicting emotions and feelings from a harsh break up. However, it was no ordinary and flippant relationship. It was a serious relationship that involved great amounts of passion that came to a sudden abrupt end. It was a relationship that had a great amount of importance to the poet, whether he is talking about his first wife or even his first love. I believe I confidently can determine and come to the conclusion that this poem is about the poet’s love of his life and his contradicting feelings he is having during and after their separation. The first part of the poem the author is implying that he wants to disperse and split up and that it’s completely the best thing for him to do. However, some things suggest to the reader that this is not true and he wants to continue with this relationship. For example, the phrase “kiss and part” (line 1) clue the reader in on the poet’s confusion. When you break up with someone, you don’t kiss them goodbye. The splitting usually will conclude with a handshake or even a hug, something a lot less intimate than a kiss. With the use of these words, the speaker is unconsciously allowing his inner emotions to be seen. A caesura appears in line two separating “Nay, I have done:” and “You get no more of me.” This break allows both of these thoughts to be extra powerful lines. They are also worded abruptly and intensely. “And I am glad, yea, glad, with all my heart…” (line 3... ... middle of paper ... ... to exemplify the simplexes of the breakup. The rhyme schemes present in the poem are also methodical. Every other line in the first seven lines and lines nine through twelve all end with perfect rhymes (“part” (line 1), “heart” (line 3), “me” (line 2), “free” (line 4), etc.) However, in lines six and eight and thirteen and fourteen, eye-rhymes are present. Eye-rhymes are words that all end in the same letters. For example, again and retain. Both words end in “ain”. The last two lines also have eye-rhymes with words ending in “over”. This kind of conveys a deeper meaning to me. Is it ironic that the letters together create the eye-rhyme and is also the word “over”? I believe that this is almost a clue to the puzzle. I believe that if the reader discovers this irony, it would wipe away all anticipation and hope of them reconciling their love for one another.
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
	The meter is iambic pentameter and the rhythm is fairly regular throughout the sonnet. However, in a number of lines there are spondaic feet, used to emphasise threats to the beauty and the idea of eternity. Clear examples of this are the "Rough winds" in line 3 and the "death" that will not "brag" in line 11. In the latter example the threat of death is reinforced by the assonance between the words "death" and "brag". Line 9 is an interesting line as regards the rhythm. For the last two feet reinforce the turn, introduced by the "But". A regular rhythm would have a stress on "shall", followed by an unstressed "not". However, the opposite is true. This clearly adds to the contrasting quality of this line: after two regular iambic pentameters the stress on the "not" following the introductory "But" leaves no doubt about the turn the reader witnesses in this line. A truly beautiful example of a Shakespearean turn.
...s despair in accepting that his and his lover's fate was to grow "As weary-hearted as that hollow moon" (38). The fact that this line, and not a happy, upbeat ending, closes the poem further emphasizes the tragedy.
In Conclusion, imagery and tone work together to give the reader a sense of feeling what Amy and her husband are going through. Robert Frost wrote this poem shortly after his own son died, which could have been the central purpose of the poem. I believe one of the main themes of the poem is that communication is a very important thing in a relationship. Amy’s and her husband’s relationship might have been all right if they had just been able to communicate with each other.
My first and immediate explanation for the poem was an address from one lover to a loved one, where distance became a factor in their relationship. The lover has it far worse than the desired partner and the solitude builds nothing but longing for this person at a time when his love is the greatest. He says " What have I to say to you when we shall meet?... I am alone" with my head knocked against the sky”. He further asks, “How can I tell if I shall ever love you again as I do now?” There is uncertainty because he is wondering over the next encounter with his loved one. He says, “I lie here thinking of you” and is compelling when he wants the loved one to see him in the 5th stanza and what love is doing to his state of mind. He is hopeless and expresses it by asking questions he is unsure of, conveying his troubled state. Williams enforces imagery along with sound effects to demonstrate the despair of the man in a realm that is almost dreamlike with purple skies,spoiled colors, and birds. Stating he is alone and that his head collides with the sky may underline the man’s confusion. He also uses imagery in the “stain of love as it eats into the leaves”, and saffron horned branches, vivid and easy-to-imagine images that captivate the reader. The line stating “a smooth purple sky” and this stain which is “spoiling the colours of the whole world” easily formulate a very distinct picture. Through consonance words like “eats” and “smears with saffron” become fiercer in the eyes of this lover as they cancel out a “smooth sky”.
In the third part he has awoken from a ‘fiendish’ dream by screaming and he cries once he stops crying he feels less anguish and admit’s the punishment was due.he says how he is suffering a hell within and he hates what he’s doing but still wants to do it. He ends the poem saying the only thing that will help him escape the nightmare is to be loved by someone and to really love them back.
Truth and honesty are key elements to a good, healthy relationship. However, in Shakespeare's Sonnet 138, the key to a healthy relationship between the speaker and the Dark Lady is keeping up the lies they have constructed for one another. Through wordplay Shakespeare creates different levels of meaning, in doing this, he shows the nature of truth and flattery in relationships.
During the course of Edmund Spencer’s Amoretti, the “Petrarchan beloved certainly underwent a transformation” (Lever 98); the speaker depicts the beloved as merciless and is not content with being an “unrequited lover” (Roche 1) as present in a Petrarchan sonnet. Throughout Sonnet 37 and Sonnet 54, the speaker provides insight into the beloved not seen within the Petrarchan sonnets; though the speaker does present his uncontrollable love for the beloved, he does so through his dissatisfaction with his position and lack of control. In Sonnet 37, the speaker describes the beloved as an enchantress who artfully captures the lover in her “golden snare” (Spencer, 6) and attempts to warn men of the beloved’s nature. Sonnet 54, the speaker is anguished by the beloved’s ignorance towards his pain and finally denies her humanity. Spencer allows the speaker to display the adversarial nature of his relationship with the beloved through the speaker’s negative description of the beloved, the presentation of hope of escaping from this love, and his discontent with his powerlessness. Spencer presents a power struggle and inverted gender roles between the lover and the beloved causing ultimate frustration for the speaker during his fight for control.
Shakespeare's sonnets are a romantic and charming series of poems. His use of rhyme and passionate, eloquent language serve to illuminate his strong feelings. These techniques were probably the most fluent way for such a writer as him to express the immeasurable love that he obviously felt for his mysterious lady. Examining the numerous ways Shakespeare found to describe it, the reader believes that this love was undoubtedly lasting and authentic. He often made heart-felt comments about his emotions that could also suit lovers in the present day. Because of this, and the fact that people read them yet, Shakespeare's sonnets are timeless and universal, just like the concept of love itself.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Sonnet 71 is one of 154 sonnets written by William Shakespeare, and although it may rank fairly low on the popularity scale, it clearly demonstrates a pessimistic and morbid tone. With the use of metaphors, personification, and imagery this sonnet focuses on the poet’s feelings about his death and how the young should mourn him after he has died. Throughout the sonnet, there appears to be a continual movement of mourning, and with a profound beauty that can only come from Shakespeare. Shakespeare appeals to our emotional sense of “feeling” with imagery words like vile, dead, be forgot, and decay, and we gain a better understanding of the message and feelings dictated by the speaker.
Lackluster love is the subject postulated in both sonnets, Petrarch 90 and Shakespeare 130. This is a love that endures even after beauteous love has worn off, or in Petrarch, a love that never was. The Petrarchan sonnet utilizes fantasy to describe love. It depicts love that is exaggerated and unrealistic. Shakespeare’s sonnet, on the other hand, is very sarcastic but it is more realistic as compared to the Petrarch 90. Petrarchan sonnets, also called Italian sonnets were the first sonnets to be written, and they have remained the most common sonnets (Hollander 28). They were named after the Italian poet Petrarch. Its structure takes the form of two stanzas, the first one an octave, in that, it has eight lines, and the next stanza is a sestet, meaning that it has six lines. The rhyme scheme suits the Italian language, which has the feature of being rhyme rich, and it, can take the forms of abbaabba, cdcdcd, or cdecde. These sonnets present an answerable charge in the first stanza, and a turn in the sestet. The sestet is the counter argument of the octave.
The parting by Michael Drayton is a sonnet. It is a poem about the break