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theater in the Elizabethan era
theater in the Elizabethan era
theater in the Elizabethan era
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This semester we covered many time periods and learned about theater life, playwrights, and play genres which were all very interesting and I learned a lot. There are only two eras I felt more interest in discussing for my final term paper the Medieval period and the Elizabethan period. So I decided to discuss how the Medieval period theatre impacted the Elizabethan period theatre. I found that Elizabethan theater was heavily influenced by the Medieval theater in several ways including: the influence of the kinds of plays, the influence of the concepts in different genres, the performance aspect itself along with staging and religious and political controversies. Throughout my paper I will discuss these influences of the Medieval period on the Elizabethan period in more detail.
Medieval theatre refers to theatre in the time period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand year period. English Renaissance theatre, also known as early modern English theatre, refers to the theatre of England, largely based in London, which occurred between 1567 and 1642. To understand the transition from medieval theatre into Elizabethan theatre we must first understand medieval theatre.
Medieval theatre covered a variety of genres including liturgical drama, mystery and morality plays, farces, and masques. Medieval dramas for the most part were very religious and moral in their themes, staging, and traditions. So in turn two of the most prominent play genres were morality and mystery. Mystery plays were stories from the Bible made into performances and were heavily religiou...
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...hich were moveable stages that often were carried across great cities but the size of the stage itself on the wagons was very small. Most of the plays could be seen in cities, halls of nobility, and in the round of amphitheaters. All medieval stage productions were temporary and had to be moved after finishing the performance. This differed from the Elizabethan era in the way that it presented various actions on stage in time and space and presented a combination of the detailed realism but as medieval theater later developed, the dramas were no longer strictly liturgical. This allowed the performers to open up the imagination of the audiences without fear of religious traditions trapping their minds so they enhanced costumes, props and characters. Elizabethan era introduced a new way of casting their actors for theater, they developed troupes of acting companies.
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
Of course, the Elizabethan Era being the time of Shakespeare, going to the theatre was always an option. Attending the most well-known, The Globe Theatre was an adventure in itself. Many of Shakespeare's plays (he acted in some of them) were performed at this magnificent theatre.
In this text, Dorothea Kehler discusses the modern aspects of theatre and play writing that were evident in Shakespeare’s play. The book uncovered several complex and advanced styles in music, dance and humor that have been used in contemporary theatre. The author is a professor in English literature from San Diego university. Dorothea is also a private novelist and part-time poet. The book provided a modern approach towards analyzing Elizabethan literature.
In each and every culture theater exists. However, they are not always portrayed in the same way and could take up many different forms. What differ them from others is influenced by the convention of what governs them. What happen on stage depends on the conventions of the theater. Convention is define as “Rules governing a given style of theater, such as fourth-wall verisimilitude or bare stage. These rule should not be violated, but often are, as when actors “break” the fourth wall by delivering a line directly toward the audience” (Altshuler and Janaro 208). The condition governing the staging and performance are known as theatrical conventions, in which what the audiences agree to accept as what is real (Altshuler and Janaro 173). In comparing an Elizabethan and a modern theater to each other there are many differences and similarities between the two. By comparing William Shakespeare “Hamlet” to Lorraine Hansberry “A Raisin in the Sun”, we can see that there is a major difference between the two
"Elizabethan Theatre Audiences." Elizabethan Theatre Audiences. Strayer University, 16 May 2012. Web. 24 Mar. 2014.
Queen Elizabeth came to be known as one of the greatest rulers of the English empire. Under the reign of Queen Elizabeth I, a more efficient government was created. The church was unified, the English empire was expanded, and language, literature, and theater flourished to a greatness that would be impossible for almost any other period of English history, or any other European empire, for that matter, to match. Although there was a great rise in literature,it was theater that catapulted to greatness during Elizabeth's reign. Out of Elizabeth's era came Elizabethan theater. Elizabethan theater has such a variety of topics, that would make it virtually impossible to talk about in ten pages. The focal point of this paper will be on Queen Elizabeth's contributions to theater as well as her favor to Children of Paul's, or Paul's Boys (a "Boy Company") and the Queen's Men and Lord Chamberlain's Men (two Adult Companies). Prior to Elizabeth's reign, those members of the Tutor family enjoyed entertainment consisting mainly of court tournaments. Within these court tournaments bear baiting was the most popular event. Although "Elizabeth found this hugely diverting", theater was her entertainment of choice, for Elizabeth found "such cruel spectacles...an unattractive feature of the age" (Somerset 367). However, regardless of her opinion, countrymen saw nothing wrong with bear baiting, and continued the event. Even though Elizabeth was a great lover of theater, that does not mean that theater, was not put down routinely. The Puritans found Elizabeth's interest in theater to be "utterly reprehensible", actors to be a "contemptible breed", and the theaters that they performed in nothing more "...
Elizabethan Theatre was so popular that everyone enjoyed it; even Queen Elizabeth. She influenced some of the plays performed in that time and people were honored to perform plays for her. Plays were very important back then and were a part of life. Theatre in the Elizabethan Era was very prominent, including Coriolanus, a tragedy by William Shakespeare, and could be attended by anybody.
... the people of the Renaissance would have during the fifteenth and sixteenth century. It continues to affect, inform, and inspire its audiences in London. The Globe Theater will always be “All the World’s Stage” ("Fun Facts on the Globe theater”).
Plays at this time were a representation of life. People, at this time, did not have modern visual luxuries upon which to garner entertainment. Plays, as well as playwrights, were supposed to bring life to the people and life to the story,
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
This is how Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed.
Have you ever wondered what it would be like to live during the Elizabethan Era? To see the works of great playwrights such as William Shakespeare and Ben Jonson firsthand? The theater was one of the cornerstones of Elizabethan life, and many people knew the works of Shakespeare and Jonson. While Shakespeare was arguably the greatest of the time, many other playwrights, including Jonson, flourished during this time period.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
The Church in the medieval age helped to establish the return of dramas as it incorporated elements as supplementation to the Mass. These plays were based on religious ideals and their plot was usually always based off of a Biblical story, such as the Passion. The redevelopment of the theater in the Church was significant in that it brought back drama but it was only used as a springboard to revitalize and expand theater throughout the Renaissance and Elizabethan age. The theater saw increasing secularization in the later part of the medieval age as plays were performed outside of the Church and covered less religious topics. The medieval age saw some of most important time in the history of drama as the theater returned after the Dark Ages and began its great expansion across Europe.
Both medieval theatre and that of the renaissance, in particular commedia dell’arte, had symbolic characters. In commedia, each actor would play a character who took on a stereotype of society; the Capitan was a egotistical forgein military leader who was actually a coward, the Zani embodied the many migrants who worked the land or sold at the market. In medieval morality plays, the lead character would meet personified versions of morals, allowing him to choose the church chosen path of God. These symbolic characters allowed those within the audience to understand the bigger picture, and see themselves within the play. These two different forms of theatre where also shown outside, with the morality and cycle plays (though beginning in churchs for the pilgrims) shown on large moving floats, allowing each set and scene to play out as it passed the onlooking crowd. Commedia would also show outside, usually in marketplaces or outside pubs. This was to gain the highest amount of viewers possible. Both times of theatre had traveling troupes of actors, and it was through medieval plays that those who travelled for commedia were able to