The Conjuring is a “real” Hollywood horror film based on possession of the human kind by demonic figures. There's a dog that ends up doing the usual thing dogs do in horror films (they act scared and bark constantly or end up dying unknowingly). There's a doll that end up doing what dolls usually do in horror films (taunt the human body). There's some doors banging, some ghost hunters with motion detectors and UV lights, eerie TV static, and some creepy ghosts who appear out of the blue when you expect to least expect them, and to top it off they add creepy music and the spooky makeup that all ghosts wear so you can identify them or recognize them. When I said, "it's real," I mean several things. First, and the most obvious is the film is based to some degree on “real” events. It tells the horrific tale of the Perron family, who moved into a somewhat haunted farmhouse in Rhode Island in the early 1970’s. The Perron’s got connected with well-known ghost hunters Ed and Lorrain Warren to help them rid their home of evil spirits (after which Ed began the long lasting journey through hell to bring the story to the big screen years later.) Some of these qualities of the movie are quite charming; like the period hairstyles, or the style of the roleplaying and standards by Lili Taylor and Ron Livingston to play the Perron parents. Other claims of truthiness, though, are way less enjoyable. There are, of course, actual photos and the newspaper clippings that play over the end credits. And then, at the other side of the film, before we even get to our so called haunted house, we have scenes of the Warren’s (ghost hunters or demonic explorers) working other cases, and answering questions to interested humans in lecture halls to answer their ... ... middle of paper ... ...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains. As a result, all we're left with at the conclusion is a little sloppy and a real quote from Ed Warren warning us that demonic powers are real and our own personal choices matter. Which may or may not be the case to you. But if evil and moral choices were what the filmmakers cared about, I wish they would make a movie about them instead of theses so called “horrific” events. Instead, The Conjuring is dedicated to the completely wasteful task of encouraging its viewers over and over, in various ways, to pretend that the unoriginal nonsense on screen actually happened in real life. That isn't scary actually It's not even startling. It's just another movie horror movie!
...is very historically accurate because the film incorporates, characters private lives, real film and speech, and great filming technuques that highlight the previous two examples.
Overall, in Stephen King’s essay, “Why We Crave Horror Movies”, his suggestion that we view horror movies to “reestablish our feelings of essential normality” (562) and there is a “potential lyncher in almost all of us” (562) has brought forth many aspects that I have never really thought about. Why do we have so much excitement when it comes to horror films? Everyone has their own opinion, which will never end with one definite answer. Stephen King thinks there’s and evil in all of us, but I don’t think so. The evil only comes out if you make it, we do not need horror films for psychic
Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.
The world of The Shining is a supernatural one, a world in which ghosts are real and can directly affect the living world. Yet this Supernatural world is also intended to be rational, one with “verisimilitude”, (“Writing The Shining” pg 60). What makes the ghosts in The Shining feel real? They mimic the less literal ghosts of the real world. As Diane Johnson, screenwriter of The Shining, remarks: “To what extent supernatural forces existed and to what extent these were psychological projections was something [Kubrick and I] discussed at length, finally deciding that the ghosts and magical apparitions at the Overlook Hotel were both” (“Writing The Shining” 58). Ghosts, as the psychological projections of history and our own minds, haunt
The idea of possession can frighten many people. What horror movie producers and directors that go into this field are counting on is that they can use it to frighten their viewers. The Exorcist and The Exorcist Beginning both are centered on the act of exorcism. Both demoniacs in the films are women though their fates are polar opposites. The exorcisms are also shown in different lights. This is done through special effects as well as lighting and music. The first film in the series stays with a cut and dry method of keeping mainly to the exorcism itself; however, its prequel focuses more on fancy special effects and stimulating music. The newest addition to The Exorcist series also adds in the usual Hollywood love story present in most films in our time. Prequels tend to also serve the purpose of story building, regardless of how new it is. In this case it has the duty of creating and explaining the character of Merrin. The success of both The Exorcist and The Exorcist Beginning was not only due to the story line, but also the mystery of it as well as its acceptance in society and the church. The exorcism itself, such as the effects and the overall focus on it were portrayed differently within The Exorcist and The Exorcist Beginning in accordance with the view from society in general and their expectations on how a movie should be done.
to be a ghost story and is meant to be scary; the ghost really does
the film was said to be hoax, but the two men still go by what they saw was real. There were phone calls and rumors’ going around saying it was a man in a costume. But some investigators put the pieces together and said it wasn’t a man in a costume, it is the real deal. Other investigators tried to take the film apart but couldn’t because of the technology they used to film the creature.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Stanley Kubrick's The Shining (1980) initially received quite a bit of negative criticism. The film irritated many Stephen King fans (and King himself) because it differed so greatly from the novel. The Shining also disappointed many filmgoers who expected a conventional slasher film. After all, Kubrick said it would be "the scariest horror movie of all time."1 Kubrick's films, however, never fully conform to their respective genres; they transcend generic expectations. In the same way that 2001: A Space Odyssey (1968) is not just another outer-space sci-fi flick, The Shining is not a typical horror movie. The monsters in The Shining originate not from dark wooded areas, but from the recesses of the mysterious human mind-in broad daylight, at that. Perhaps Kubrick said The Shining is "the scariest horror movie of all time" not because it offers a bit of suspense, blood, and gore, but because it shines a light on the inherently evil nature of humankind on psychological and sociological levels.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
The producer was aiming to create mystery and fear. The dark of the night and the description of the house as feeling dead in the protagonist’s narration sets a suspenseful scene filled with fear and tension. The young girl is followed by the camera as she explores the mansion. When entering the room suspected to be that of her aunts the camera leaves her side to pan around the room. The darkness doesn’t reveal everything but one becomes aware of a search. The revelation of little secrets leaves the viewer with many questions. The room is familiar to the protagonist as she finds items symbolic to her and familiar photographs. This familiarity however does not retract from suspicions that something sinister has been hidden. The producer has successfully captivated the viewer. The protagonist is being followed throughout the scene and has thus allowed for the viewer to bond with them. They are engaging with the audience through narration and have in return enticed the viewer to follow them along their journey. One feels nervous for the young girl however through tension in the scene one does not want them to discontinue the journey as too many questions have been left unanswered. One has been drawn into the world of which the protagonist dwells and is intrigued as to how the drama is
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
The Amityville Horror has turned from a real suburban American tragedy into a horrific myth. It has become the source of bestselling novels and the subject of several movies.
For many years, people have debated whether or not spirits are real. Some people get scared at the fact that there might be something unknown lurking in their house in the middle of the night making their footsteps known to everyone in it. Maybe that person feels watched upon or feel some kind of presence in their home, or even sees shadows moving their way through rooms. Different people around the world have their own opinions based on religion and experiences when talking about angels, demons, and the spirits that have life after death. New technology is getting closer to detecting these energies happening in the world today. The history of haunting dates back many years, and more people want to get involved because of the new technology.