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analysis of psycho hitchcock
analysis of psycho hitchcock
analysis of psycho hitchcock
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Tension In the Shower Scene in Hitchcock’s Film Psycho
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
scariest movies of all time. It was Alfred Hitchcock’s greatest work
and contains one of film histories nastiest killers, the infamous
Norman Bates, whom a lot of serial killers are now based upon.
The film is at first glance a story about a woman, Marion, on the run
with $40,000 of stolen money, but it soon develops into a heated
thriller during which Marion is killed and unexpected twists keep you
on the edge of your seat. The globally known Shower Scene is the most
memorable of the film, as it is then that Marion is killed and the
film takes a different route from the path everyone is expecting.
Tension is a type of atmosphere that makes you, the audience, nervous
and expectant of a tragedy. This essay will explain how camera shots,
sounds and monochrome make the film, particularly the shower scene,
full of tension and one of the greatest films of all time.
The shower scene in ‘Psycho’ was one that shocked and horrified
audiences, making some of them appalled that they fled from cinemas.
The tension in the scene is so nerve – wracking that when the attack
does actually come you are so worked up with anticipation yet are
still appalled by Bates’ brutal attack.
One of the main ways tension is created is by making the viewer so
calm and relaxed before the attack that although the fantastic score
does make you edgy you still feel an air of relaxation as Marion is
doing normal, everyday things.
[IMAGE] Marion starts the scene by working out some sums to calculate
how much money she has left of the $40,000 she has stolen. When
finished, she flushes the paper down the toilet so not to reveal who
she really is and begins to undress for her shower. The scene here
uses dramatic irony as, in the previous scene, we saw Norman Bates
looking through a peep hole at Marion, so we know something is wrong,
...en in the form of black and white. The movie was able to hold on to my gaze through all the suspense. I enjoyed the score composed by Bernard Herrmann in the film because it would hint at something that might happen and I felt myself tense up whenever the music came on. The characters were relatable and incidences that occurred in the film were realistic, which made the movie more comprehendible. I would warn people about how mind-boggling the film gets after the shower scene because everything afterwards becomes very fast paced. I feel the viewer would need time to think about the film and pausing is a must in order to fully understand what is going on. I would recommend this film to suspense lovers especially because Psycho is one of Hitchcock’s greatest works of art. I am glad I chose this movie to watch because the movie was well sorted out and very engaging.
us enquiring such as who lives is in the house or is the house owned
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
Why is Alfred Hitchcock's shower scene so revolutionary? Hitchcock used a variety of shots to create the feeling of suspense and mystery. He was one of the first people to use nudity in a film which caused a lot of controversy, the way he used sound effects created a sense of fear to the audience.
Have you ever seen Psycho? I have, and in my opinion this movie is one of the best horror flicks ever. Part of the reason I think this because of the motifs Hitchcock added to the movie. Some of these motifs are the motion down, eyes, and circles.
shots in the film was the extreme close up of Bates eye when he was
Psycho is successful in sustaining that eerie, creepy feeling throughout the film. Although it does not start off scary at all really, the fact that
In the hundred or so years of cinema, there have been many significant figures behind the camera of the films audiences have enjoyed, though there has been a select few that are considered “auteurs.” One of the most famous of auteurs in film history is the great Alfred Hitchcock, who is most identified with the use of suspense in his films, while also being notorious for the themes of voyeurism, the banality of evil, and obsession. In both the films we watched in class, Psycho and Rear Window, these three themes were somehow a part of the deeper meaning Hitchcock wanted to convey to the audience.
PSYCHO is a unique film because it is a black and white film in the
The film Psycho (Alfred Hitchcock, 1960) is an interesting film with many small details that help shape the film in to award winning masterpiece it is. The mise-en-scène is something that can go overlooked, but is very vital in understanding the meaning of the film. According to the book Film Art, mise-en-scène is all of the elements in front of the camera to be photographed, and because of that, this film technique is one that viewers notice most (p. 112). So this includes things like characters, props, nature and even behavior. Motifs and symbolism are prominent throughout the entire movie. They both help develop the plot either by continuously appearing throughout the film or by having a specific meaning that is a lot deeper than what it looks like on the surface. The mise-en-scène, especially motifs and symbolism, of Psycho plays a huge role in helping convey the meaning of the film.
In the world of cinema, there’s almost always a discussion regarding what scenes would be suitable for the grasping imagination of any audience, young or old. Alfred Hitchcock’s 1960 film, Psycho, sparked a plug for the movie industry as it was the first movie of its kind to display such graphic scenes of sex and violence to a worldwide audience.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
to the film. Psycho is a fifteen in England to buy on video these days
The great director clouded his intent and motives by reportedly stating that the entire film was nothing more than one huge joke. No one laughed. Instead they cringed in their seats, waiting for the next assault on their senses. The violence and bloodletting of PSYCHO may look tame to those who have grown up on Jason and Freddy Krueger, but no one had ever seen anything like it in 1960.