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essays on history of photography
essays on history of photography
importance of photography in the society
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Any product of human industry is infinite, but photography is approaching. In 1976 , it was announced John Szarkowski, curator for a long period of photography at the Museum of Modern Art , gnomically to some extent, that " the world now contains more pictures of bricks. " Metaphor of abundance , is Szarkowski is a wonderful article , which indicates that the images are not only other object in the world, at one time , and a prerequisite for the exchange . Also estimate the amount , however, it now seems impossible low . If counting digital images (as they have now ) , then it must be true figure several orders of magnitude larger , closer to the number of stars in the galaxy , or nerve cells in the brain. If I had to guess , I would expect that the vast majority of these images are of faces .
For a long time , confined Photos image for a small number of places : in the governor , and the identity cards and passports , in the police files and high school yearbooks , and on the walls and the desktop, on the tombstones and wanted posters. Now they're everywhere : on Facebook and Twitter , and Tumblr plates, they follow us around in a cloud constantly updated . Photography became a way of biography and art broadcast . It's a way to follow up on what we were wearing in the past year , and tell the world what we did last night . But, as has become portraiture everywhere , but it has not gained in power. Still due to their ability to penetrate the viewer or owning only a small number of images from the billions .
Before Facebook, there was a photo studio room , a camera , and a photographer . Once upon a time , and studio portraiture was an essential part of the visual vernacular . Like most slang , and it was a photography studio at ...
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... civilian expert professional , modest but hard work , prominent in Sidon but unknown outside . Keita and Sidibe , though, was of similar backgrounds to some extent. The photography of all of the other professions , Keita and Sidibe of carpentry from jewelry design , and both found success in the financial capital of the world , and record images of confidence , and upwardly mobile middle classes and adventures of her youth . Their work has a grandeur lacking for a civilian. Keita especially knew how to make his subjects with almost regal authority magnificent ( this has contributed to his appointment, in 1962 , for the position of official photographer for the Government of Mali ) . Sidibe , who began taking pictures of the dance club goers nightclubs in Bamako New and celebrations in the streets , still more committed sartorial taste and privacy of personal style .
There you are holding your camera an arm’s length away from your face, posing in the most flattering position to capture your best angle. There you are taking a photo of yourself to share with all of your Facebook friends. Taking a self-portrait photo, also known as a selfie, is something almost everyone has done in this new generation. This action is typically done without a second thought. In Alex Williams’ article “Here I Am Taking My Own Picture” that second thought is provoked through exploring the quickly spreading trend of self-portrait photography. In the article while Williams’ provides interesting examples on a changing generation as this trend progresses through social media and modern technology; Williams also leaves something to be desired within the article due to a lack of direction in the author’s stance on the topic.
For many years the only way to capture an image required one to paint or draw the model or object. This was until 1814 when Joseph Nicephore Niepce a French inventor, took the first picture in history. Even though the picture was a permanent print the image known as “View from the window at Le Guas” took eight hours to expose!
Photography developed as an art form primarily in the mid to late 19 th century, partially as an alternative to lengthy sittings for a painted portrait. As a result, many of the early photographs were formal, posed still portraits. Some view...
Photography is defined at the art or practice of taking and processing photographs. To understand photography is having insight or good judgment to know how to take the picture, but also edit it if need be. Does photography limit our understanding of the world? What some people haven’t realized is that photography is all around us, whether it is in the person’s mind to see it or not. While we see photography throughout our daily routine, people dismiss the small types of photography and focus on the bigger sceneries like other countries beautiful cities and landscapes. It’s true that in this day and age, most photographs we see have been altered in some way. When photographers use Photoshop to edit our photos, we use many different ways to make that image appealing to the eye. Although, photographers unless told to do so will not change an image into something totally absurd that takes away from being astatically pleasing. Images are a gateway to the insight of the rest of the world’s cultures landscapes, and architecture, and photography is the key aspect to it. Photography is a one way to see the world, but it is better if you go and travel around the world to see it. In order to see if photography actually limits our understanding, we have to first look at the positive side of photography.
Between 1500 and 1900, paintings and drawings were the main medium of visual art. They represented the universe based on the author’s imagination and technical skill. However, the birth of photography presented new possibilities and a new means to depict and show an accurate, complete and ‘authentic’ reproduction of reality. Based and inspired by Susan Sontag’s book, On Photography, this essay will discuss and explore the notion of the authentic image as well as what makes for an authentic photograph.
This trend also found roots in the emergence of photographic technology, originally developed in the early 1800’s and advanced continuously until the present. During this time, artists and photographers suddenly found that they could much more easily captur...
Photography, among many things, is a medium used to further the connection between a reader and the story. It does this by drawing the reader into the world of the photograph, and allowing them to experience the realism of the scenario. This connection has amplified the level of communication between humans, namely, in the field of journalism. In the article “To Tell the Truth: Codes of Objectivity in Photojournalism” written by Donna Schwartz, she discusses the methods employed by photojournalists to manipulate photos in order to give the desired effect, or connection. These methods, along with others from “Critical Media Studies” written by Brian Ott and Robert Mack, will be used to analyze the following photo to show how they create the
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
A young man peers into a screen attached to a box that projects its image through a small lens. It is the 17th century and the artist Johannes Vermeer is preparing to paint another image based on a reflection of reality though a box. Today billions of people around the world peer into boxes with projected light and receive a different reality with images created through photography that has affected the world in many ways. Photography has become more and more accessible to the general population. For much of its technological existence, photographing was only a luxury for the wealthy. Eventually the common man could afford cameras and take pictures although these usually remained confined to a small family or friend group. It was not until the last decade or so that everyone could attain cameras, with most having them on their phones, and shared them among a vast social network creating a profile based on the everyday image. As photography has improved during the last two centuries, it has affected the way we perceive reality.
Walls art draws on structured masterpieces to demonstrate how photography, as an art form, can accurately portray ‘everyday life’, despite its elaborately detailed artificial creation.
Schwartz, Donna. “Objective Representation: Photographs as Facts.” Picturing the Past: Media History & Photography. Ed. Bonnie Brennen, Hanno Hardt. Chicago: University of Illinois Press, 1999. 158-181.
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated” (Nachtwey). Photojournalism is the art or practice of communicating news by photographs, especially in magazines. Photojournalism has evolved immensely from the beginning to the present. Photojournalism developed during the Crimean War, submitted to its evolution throughout the course of the Golden Age, and eventually settled on its present-day existence today.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Photography is a word derived from the Greek words “photos” meaning light and “graphein” meaning draw. The word was first used by John F.W Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material (Bellis, N.D).