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The History of Film
The history of film making and how it’s important in today’s society. As a high school student, there are only so many ways things can interest you. Without proper entertainment in today’s society, viewers can be harder to grab on attention. There are things you need to know about the interest in the subject, what needs to be used, and everything in between. The history of film and photography go way back. It was much harder to create perfect shots or movies without edits. Over the years different people began to invent new ways to make films look better. New creations, new technology, new ways to go about.
Film became a new way to show the world things in a way it could not before. However, in the beginning, there was no way to edit film. In the beginning, film editing happened by working with the positive and negative shots creating film works. Editors The Video Tape Recorder then created in 1956 by Ampex Corp came about. Using a 2” Quadruplex format, a thin steel tape reeling would travel 200 inches per second while then creating a motion picture to play. In 1...
In the early years of narrative cinema there was little pressure on filmmakers for the ‘evolution of film forms before nickelodeons’ (Salt, 1990, pp31) as cinema neither became a mass nor high cultural product and was still a novelty but ‘Production companies’ profits were based principally on the sales of longer fiction films’ in the later years (Musser, 1990, pp256) so focus was made for the production of popular narratives so I will show how the early development of narrative evolved from trick films to complex narrative. I will analyse the short film Mary Jane’s Mishap (1903, Smith) and an extract from the seminal The Birth of a Nation (1915, D.W.Griffith).
Additionally not only knowing the historical, social, and political background of a film and how the ideas in this film were form,but also how this film affected the society and the point of view of individuals,because after all film is not only affected by the context in which it is created ,but the film also affects individuals are catalyst for change in societies and cultures.
Film is an important source. There are hundreds of movies made during the course of a year. A lot of themes are explored and conclusions are drawn. History is a major subject in film,
Since the late 1890’s films have been constantly changing the history of pop culture and the way people view war, politics, and the world as a whole. As the timeline of the history of film progressed, there were many different phases: gothic noir, slapstick comedy, tragedy vs. love, romance, and many more. Towards the more recent times, the central ideas of films started drifting to the greatness of the directors. Directors such as Stanley Kubrick, Martin Scorsese, Steven Spielberg, and many more were noted as outstanding directors of action and cinematography. In this paper I will speak about Wes Anderson, Martin Scorsese, and the ever so infamous Baz Luhrmann. These directors have changed the way filmmaking has been and will be looked at from this point on.
Kodak and Fujifilm are two of the most historically recognizable and iconic names in the world of photography. Kodak was formed in the early 1880’s by George Eastman in Rochester, New York, under the name Eastman Dry Plate Company. Eastman had spent the previous few years of his life trying to improve on the way images were transmitted once taken on a camera. When Eastman first became interested in photography, the images that were taken on a camera were done so by using wet film plates. He spent the next couple years trying to develop film on dry plates, obtaining a few patents along the way, but it wasn’t until 1883 that he made a huge discovery. That year, Eastman developed film on rolls, instead of plates, and by 1885, he had developed the first transparent photographic film. The now famous Kodak name first became registered in 1888, and over the next few years Eastman continued developing new types of film, adding transparent movie film, and daylight loading film by 1892, when the company officially became Eastman Kodak Company. By the turn of the century, Kodak was becoming increasingly popular through their sales of portable cameras, mostly through the sales of their Brownie camera, and their ability to continually develop new types of film. When Eastman died in 1932, Kodak was arguably the most recognizable names in the photography and film industry. Kodak was initially able to build off the success that it achieved under Eastman, developing the 8 mm film and 16 mm film, giving the average consumer the ability to record home videos. In 1958, Kodak released the first automatic, color projector, the Kodak Cavalcade, and followed that with the more popular Carousel line of projectors.
Within every history class, English class, and even some science classes, the art of storytelling is a primary foundation for human communication and understanding. Whether it be through myths – Greek, Roman, Egyptian, you pick – or wives tales or even Grandpa telling his old war stories, stories have power. Now, through technological advancements in the last 150+ years (thank you Thomas Edison for your obsession), we have film as a mode to tell stories. Fictional or not, films tell a story; they have the power to give you not only entertainment but enlightenment too. Through continuing advancements, filmmakers have the ability to challenge and manipulate the power of the story through creative resistance; by exploring other elements of storytelling via film, filmmakers can create dramatically different films from similar ideas by using a multitude of techniques. Films are even used to create social commentary.
From the beginning of cinema as an art form to cinema today, film has evolved and developed drastically. Each era of film from the Silent Film to the French New Wave was influenced by prior film generations and influenced those films that came after it. The era of Silent Film was very basic as it emerged when motion pictures had only begun. Across the sea, the age of German Expressionism, a film genre with features of the Silent Film era which conveyed the German people's struggle after World War I had started. Afterwards, the Studio Era surfaced and portrayed larger than life heroes in narratives with the gloss of a storybook. During the Studio Era, films like these were produced quickly because of success and began to appear mass produced
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of production under which a classic Hollywood film was fashioned (Foster, 2008), the film Lord of the Rings: The Fellowship of the Ring (2001) directed by Peter Jackson will be used as a case study to demonstrate these specific conventions.
What is color? If someone were to ask you that, what would your answer be? How do you describe yellow without saying its name? You might say it reminds you of sunshine or of school buses or of warmth, but those are all examples. It’s funny how something so integral to our daily lives could be so hard to explain. Could you imagine a world entirely enveloped in grey-scale? A permanent film noir. Color is like sound, all around us, conveying emotion, shaping our world. Without it, our world would be bland; without distinction. Likewise, film is a world of its own, transporting you into its universe, putting you in the characters’ perspectives. Ever since the beginnings of film, filmmakers have looked for ways to put color in film, expanding the
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
‘Then came the films’; writes the German cultural theorist Walter Benjamin, evoking the arrival of a powerful new art form at the end of 19th century. By this statement, he tried to explain that films were not just another visual medium, but it has a clear differentiation from all previous mediums of visual culture.
Photography is a word derived from the Greek words “photos” meaning light and “graphein” meaning draw. The word was first used by John F.W Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material (Bellis, N.D).
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.