Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
porphyria's lover portray by robert browning
robert browning my last duchess and porphyria's lover comparison
porphyria lover as a dramatic monologue by robert browning
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: porphyria's lover portray by robert browning
In the widely acclaimed novel “Catching Fire”, the fictional character Peeta Mellark is quoted as saying, “I wish I could freeze this moment, right here, right now, and live in it forever.” (Collins). Coincidentally, that is what the unnamed lover in Robert Browning’s dramatic monologue “Porphyria’s Lover” aspires to achieve when he murders his beloved Porphyria, in hopes of preserving their intimate moment for eternity. At the start of the poem, Browning seemingly shows his audience a loving, romantic scene of Porphyria affectionately tending her inert beau. As the dramatic monologue progresses, it is learned that the originally envisioned romantic love story has transformed into a disturbing tale of a cruel lover’s massacre of his significant other. The moment the nameless speaker finally glances into his love’s eyes, he fully abandons his passive nature and reveals his true personality. The persona of Browning’s “Porphyria’s Lover” reveals himself as a sadistic and covetous lover who views Porphyria as a mere possession, and further illustrates himself as a delusional and selfish person. Browning overtly reveals the speaker’s character through proficient word choice, explicit imagery, and the clever use of irony in the poem. The persona’s possessiveness and lunacy is depicted by the poet through the use of diction. To begin with, the speaker’s character is portrayed in one way through the repetition of words in his speech, asserting his intended message. This is seen in his claim over Porphyria: “That moment she was mine, mine” (Browning, 36). His repetition of the possessive pronoun “mine” emphasizes his ownership of Porphyria. The repeated use of the word shows his aggressively selfish personality, because he completely... ... middle of paper ... ...the horrific incident of his murder to his dearest Porphyria. Finally, the employment of the clever use of irony serves in proving the persona’s inner madness, as what he thinks and does is contrary to what Porphyria has done earlier prior to her death. Though the persona’s execution of his late lover was done to keep his everlasting moment of intimacy with her, the act was still malevolent and evil, and was a poor and foolish attempt in displaying his own affection for his love. In the end, it greatly epitomized his greediness over keeping Porphyria to himself, and his cruelty by taking away her life for his own benefit. Works Cited Collins, Suzanne. “17.” Catching Fire. New York: Scholastic Inc., 2010. 245. Print. Browning, Robert. "Porphyria's Lover." Poetry Foundation. Poetry Foundation, 2014. Web. 7 Mar. 2014. .
Ingersoll, Earl G. "Lacan, Browning, and the Murderous Voyeur: "Porphyria's Lover" and "My Last Duchess." Victorian Poetry 28 (1990): 151-157.
In John Updike's short story, "The A&P", he writes of an eighteen-year-old cashier who is infatuated with three girls that enter the store and in Robert Browning's poem, Porphyria's Lover, He writes of a man's intense passion for his lover. Even thought these two works are different in context, they have very striking similarities. Updike's narrating main character, Sammy, is plagued by middle class monotonous life style. He shows his possessive, but spontaneous side as he describes the girls in the story with great detail and enthusiasm. Browning's narrating main character, a man unnamed is plagued by his deeply devoted love for his mistress and their inability to marry due to his lower class status. He too, shows his possessive but angry side as he describes Porphyria. The most striking similarity is they both have a selfish side. Sammy becomes a victim and the unnamed man becomes a perpetrator due to their infatuations, which lead to two very different endings.
Have you ever fallen in love? Have you ever developed strong feelings for another? If problems arose between the two of you, were you able to overcome them? Well certain men in Robert Browning’s works couldn’t seem to. . . “overcome” these differences with their women. Browning grew up learning from his father’s huge library. His wife was much more successful at writing than him. Eight years after her death, his career turned around for the last 20 years of his life. During this time, he wrote many short dramatic monologues such as My Last Duchess and Prophyria’s Lover. These two very intriguing and disturbing Monologues, My Last Duchess and Prophyria’s Lover, by Robert Browning, involve two very messed up men whose actions are both alike in their idea of immortalizing their woman, but different in why they chose to commit the act between the two stories, and a conclusion may be drawn from this observation.
That such a man should sacrifice all the wealth of his human spirit - his kindness, his love, his very soul - to become a victim to continual fears, a tyrant ruthlessly murdering in the vain attempt to feel safe, finally to be killed like a foul beast of prey - this is terrible, and pitiful, too. Shakespeare has here achieved for us most poignantly the ambivalence of the tragic effect Aristotle described. We
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
The Cask of Amontillado is an 1846 short story by Edgar Allan Poe, which gives an account of Montresor, a man who executes a plan of vengeance against his friend, whom he claims insulted him. As the narrator in the story, Montresor provides a vivid image of his plan to lure Fortunato to his death, which ends in the eventual live burial of Fortunato. The theme of revenge is the most prominent element of this story, which enables the reader follow the narrator’s character, thus gaining a comprehensive understanding of the story. Similarly, the development of William Shakespeare’s play, Hamlet, is founded on the theme of revenge. From the onset of the play, the ghost of Hamlet’s father appears to him and asks that he carries out revenge on Claudius, who killed him and took the throne from him. However, unlike The Cask of Amontillado, the theme of revenge in Hamlet is mainly manifested through the protagonist’s inability to execute vengeance till the very end of the play. The theme of revenge is an integral aspect of the two literary works, to enhance the development of characters and their role in bringing the specific stories to life.
In Robert Browning's "My Last Duchess," a portrait of the egocentric and power loving Duke of Ferrara is painted for us. Although the duke's monologue appears on the surface to be about his late wife, a close reading will show that the mention of his last duchess is merely a side note in his self-important speech. Browning uses the dramatic monologue form very skillfully to show us the controlling, jealous, and arrogant traits the duke possessed without ever mentioning them explicitly.
... of the love shared between a man and a woman. The aspects of jealousy, vanity, pride, obsessive desire, beauty, and flirtatious behavior are contained in both poems. The desire to completely possess another person's love and affection are related through a dramatic monologue. Robert Browning compares the love Duke Ferrara has for his Duchess with the obsession of Porphyria's lover. The Duke's has a jealous, stubborn, and irrational love for his Duchess. Likewise, Porphyria's is the recipient of a sinister, uncontrolled, and destructive love. Her mysterious admirer is overwhelmed by Porphyria's supreme beauty and her sensual mannerisms. His jealousy and obsession for Porphyria, compels him to act upon his depraved thoughts that will secure her total love and devotion. Porphyria and the Duchess experience similar outcomes that result in the death of both women.
...ll “And thus we sit together now, And all night long we have not stirred”. This allows the reader entry into the lover’s state of mind - he is clearly insane. Consequently, some critics believe that "Porphyria's Lover" was inspired by a murder that was described in gory detail when published in Blackwood's Magazine in 1818 by John Wilson, which was eighteen years before Browning wrote this poem. The story, "Extracts from Gosschen's Diary," is about a murderer who stabs his lover to death and describes her blonde hair and blue eyes in doting detail. This not only outlines that women are only considered convenient if docile and attractive but also that writers, including female writers, “were regularly found to have succumbed to the lure of stereotypical representations”. For those reasons, the private and the public are intimately interlinked and not wholly separate.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
In ‘Porphyria’s Lover,’ the speaker appears to be honestly and simply recounting the events of his final encounter with Porphyria. However, Robert Browning’s careful use of meter (Iambic Tetrameter), rhyme and repetition betrays his true state of mind. He uses phrases like “Mine, Mine!” to help enforce this.
"Porphyria's Lover" is an exhilarating love story given from a lunatic's point of view. It is the story of a man who is so obsessed with Porphyria that he decides to keep her for himself. The only way he feels he can keep her, though, is by killing her. Robert Browning's poem depicts the separation of social classes and describes the "triumph" of one man over an unjust society. As is often the case in fiction, the speaker of "Porphyria's Lover" does not give accurate information in the story.
By using references of her grief or her losses, Browning creates a more realistic view of her love suggesting that her love is sincere as it comes from a grieved person, which differs to the positive and idealistic feelings portray in the first octave. The poet then talks about her fondness of her love, revealing that her she lives for her love “ I love thee with the breath, / smiles, tears, of all my life;” (line 12-13), the asyndetic listings of the verbs ‘breath’, ‘smiles’ and ‘tears’, implying that her love can stem from different emotions she feels such as happiness and sadness, suggesting to her beloved that her love comes from good and sad points of her life.
The poem “Porphyria's Lover” is a dramatic monologue spoken in first person from the perspective of the narrator. By choosing this style of narration Browning can portray how human psychology, specifically the consciousness...
This change in mental state accounts for the change in language from the unflattering descriptions early on to the more loving and affectionate feelings expressed later in the poem. This continued consumption of alcohol results in the speaker 's proclamation of love -- a state defined as "rare" because it will most likely be gone in the morning. It is clear in the poem that the speaker 's complex maze of attraction and derision is cyclic, transforming the unattractive innkeeper to the prized jewel of his eye on a weekly or perhaps daily basis. Through the clever use of negative descriptions and false comparisons, the author confides to paper what is effectively a bipolar relationship with the woman he both loathes and