Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
my analysis of hills like white elephants
themes in hemingway's writing
themes in hemingway's writing
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: my analysis of hills like white elephants
“Hills like White Elephants”, a short story written by American author and journalist, Ernest Hemingway, is about a couple facing a sort of crisis in their relationship. The story goes on with a lady and a man name Jig, who are conversing about something very important, but they never really get to what they mean to say. For a story to go on in such a manner, and for the readers to comprehend it, there must be a clear understanding of the genres of the story. A genre is a kind of writing that has special characteristics that distinguish it from other kinds of writing (“Learning about Genre”). In other words, a genre is a guide to understanding what the story is actually trying to portray. In “Hills like White Elephants,” Hemmingway’s style of writing falls under these two genres— Minimalism and Principles of iceberg.
“Less is more”, said by Ludwig Mies van der Rohe, is the most important part of the genre minimalism. In a story with the genre of minimalism, minimalist writers allow context of the story to dictate meanings. One of the first sign of minimal context, is when the girl wanted to try a drink call Anis del toro. The alcoholic beverage Anis del toro, has a very high level of alcohol per volume, so just a few sips could lead to death. Hemingway bringing up this very alcoholic drink, is a way of introducing the setting of the story. The drink is mostly well-known in Spain.
As the story develops, there comes a point of realization that Ernest Hemingway never told the readers the age of the characters nor their actual relationship. All the readers have is that it was an American man and a girl. Lines such as, “I love you” and “I care about you,” hints that the two people could very well be a couple. As far as their ages, we...
... middle of paper ...
...orks Cited
"A FEW WORDS ABOUT MINIMALISM." The New York Times. N.p., n.d. Web. 19 Apr. 2014.
"Anis Del Toro." The Dispersion. N.p., 10 Jan. 2011. Web. 19 Apr. 2014.
"Genre Fictions." Albemarle County Public Schools. Albemarle County Public Schools, n.d. Web. 19 Apr. 2014.
"Learning About Genre." Learning about Genre@WhereWritersLearn.com. N.p., n.d. Web. 19 Apr. 2014.
Littleton, Trent. "Ernest Hemingway's "Hills Like White Elephants" - a Critical Analysis." Yahoo
Contributor Network. Yahoo, 30 Aug. 2011. Web. 19 Apr. 2014.
"Minimalism." Wikipedia. Wikimedia Foundation, n.d. Web. 19 Apr. 2014.
"READING." Ernest Hemingway's style of writing. N.p., n.d. Web. 19 Apr. 2014.
"The Principle of Iceberg (Ernest Hemingway)." Literautas If you like writing RSS. N.p., n.d. Web. 19 Apr. 2014.
"White elephant." Wikipedia. Wikimedia Foundation, 18 Apr. 2014. Web. 19 Apr. 2014.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Hemingway, Ernest. "Hills Like White Elephants." The Norton Introduction to Literature.Eds.Alison Booth, J. Paul Hunter, and Kelly J. Mays. Shorter 9th ed. New York: Norton, 2006.128-132
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
The material objects that Hemingway uses to convey the theme are beer, the good and bad hillsides, and a railroad station between two tracks. The beer represents the couple’s, “the American” and “the girl’s”, usual routine activity they do together. This bothers the girl because “that’s all [they] do … look at things and try new drinks.” This shows that the girl is tired of doing the same thing and wants to do something different, like having a baby and a family, instead of fooling around all the time. She wants to stop being a girl and become a woman. Hemingway then presents the reader with two contrasting hills. One hill on one side of the station is dull, desolate, and barren; “it had no shade and no trees”, very desert like. However, the other hill on the other side of the station is beautiful, plentiful in nature, and had “fields of grain and tress along the banks of the Ebro River.” Also on each side of the station where each hill is, there is a train track. These objects are symbolic devices prepare the reader in realizing that the characters are in a place of decision. The railroad station is a place of decision where one must decide to go one way or the other. The t...
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
Hemingway was very good at stating impressive amount of things in a one short sentence. “Hemingway’s mature style of writing short, declarative sentences developed at the Star”(Oliver 3). He acquired this skill from working at a Newspaper company. He uses minimal amount of words to make a powerful point. “Mr. and Mrs. Elliot tried very hard to have a baby” (1). This short sentence itself raises many questions and it states many things; the inability of the Mr. Elliot to satisfy his wife sexually or questioning Mr. Elliot sexual preference and as well as of Mrs. Elliot. “The liquor had all died out of him and left him alone” (171). This short line describes how lonely the character of Nick Adam feels and how sad he feels for the loss of her girl friend Marjorie. “‘Well, Doc,’ he said, ‘that’s a nice lot of timber you’ve stolen’” (7). This particular sentence has so much weight that it shakes th...
In the short story “Hills Like White Elephants” by Ernest Hemingway, the author employs the use of the iceberg theory to convey a hidden message within the lines of the story for the reader. Through the use of strictly dialogue, Hemingway allows the reader to only see the part of the iceberg that is above water. The rest of the story is inferred by the reader. For example, Hemingway uses simple sentences rather than complex sentences to get straight to the point. All of Hemingway’s use of detail and explanations of scenery or background is made simple.
... seemingly simplistic. Hemingway discovered a way to demonstrate the complexity of the human spirit and identity through simplistic diction, word choice, and sentence structure. The story is only a small part of the deeper inner complex of the narrative. The short story allows a fluidity of thoughts between the individual and the characters without ever actually describing their thoughts. With no ending the story is completely left to interpretation providing no satisfactory ending or message.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.
As it can clearly be seen, Earnest Hemingway has reflected his life throughout his works. This outlet of expression has proven to be worth the time and effort he had put forward in crafting these stories. It is unfortunate that factors such as human suffering as well as intimate harm were present in Hemingway's life, but it is thanks to those themes that such great works came about. In the short stories "Indian Camp," "The Old Man at the Bridge," and "Hills Like White Elephants," Hemingway has proven that he was indeed the voice of his generation and has crafted a path for future authors and writers to write in a similar manner and style.