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The hero cycle of odysseus
Odyssey: a different kind of hero
Odysseus the hero's journey
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The monumental piece of non-fiction work titled “The Hero with a Thousand Faces,” first published in 1949 by Joseph Campbell points out an apparent monomyth of the hero through superb use of example and literary analysis. In this book Campbell presents three main phases of the archetypal hero; The Departure, The Initiation, and The Return. Within these three main phases there exist numerous sub-phases that describe nearly all aspects of the hero’s journey and its’ impact upon the entire monomyth. I have chosen to analyze the amazing journeys of the heroes Herakles, and Odysseus.
Herakles (whose name can be translated as ‘Glory of Hera’) was a first generation descendent of the great god Zeus; a result of the offspring produced by a disguised Zeus and Alcmena. The first indicator of a hero is the claimed hero being of a sacred lineage, even if by association, which being a first generation descendent of Zeus Herakles more than fits. Further, upon examination of hero myths I draw a connection between the hero having an adversary (close to the start of the myth), and there appears to be a stage where the hero and this adversary come to terms and even become friends or lovers. Hera, Zeus’s wife, is angry that Zeus has had another child from another female and as a result attempts to destroy Herakles when he is but an infant, by sending two snakes to kill him which he strangles even as a child. Though she expresses hate towards him, she eventually relents when Herakles is lifted upon his death towards Mount Olympus. Herakles gets the call to adventure, the first stage in the monomyth, when Eurystheus calls upon him to complete ten labors for Eurystheus fears that Herakles would become a threat to his power. Zeus promised to Hera that...
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...se that Odysseus encounters is his return phase, namely the approach to the innermost cave sub phase. He approaches his inmost cave when he finally accomplishes his task and returns to his homeland after waking up from being dropped off by his crew (Phaecian sailors). After being dropped off he is immediately embraced by Athena and given the disguise of an old man by her, and advises him to travel to the swineherds home. This house is where he learns that suitors have taken over his home in an attempt to marry his wife Penelope. After discovering this he and his son begin to develop a plot to overthrow all of the suitors, which they succeed in.
The heroes presented within this essay adequately fit into Joseph Campbell’s archetype monomyth of the hero. Both follow most of the phases and sub phases presented in Campbell’s book, and in that right qualify as heroes.
When challenged during his excursion, Odysseus was prepared to give up any of his men if it meant saving himself. While he was absent for twenty years, Penelope did everything that she could to remain faithful to her husband. Penelope was unsure if her husband was even alive, but felt that moving on to a different man would not be just. While Penelope was at the palace awaiting Odysseus’ return, Odysseus was at Aeaea with Kirke. Odysseus was off living his life without thinking of how his actions could affect his wife. In book eleven, Odysseus is instructed by Kirke to go to the underworld to talk to Tiresias. When he arrives, one of the first people he spoke with was his mother, Anticlea. She goes on to inform her son that she died of grief waiting for him to return home. Odysseus only ever thought about how he would be affected by this prolonged journey and never about the lives of those who cared about him, such as his wife and his
Greek mythology is a beloved part of literature that has given humans thousands of stories to tell. From stories about deadly quests, powerful deities, to the even more famed aspect of Greek Mythology, its epic heroes. One of the many authors who took inspiration from Greek Mythology, and will serve as reference for this paper, is Hamilton, Edith. Mythology. 1988. The most well known epic heroes from Greek Mythology which Edith Hamilton writes about in her book are Hercules, Jason, Perseus, and Theseus, but the debate lies in which of these heroes is the best. To which the answer is, Theseus is the better epic hero because he possessed superior strength, intelligence, and courage, he was the most just from all other heroes,
The mold of the heroic template is evident throughout various types of media. Within movies, novels, and poems the hero’s journey is present. Of course, not every piece of literature or movie follows the cycle. However, the idea of the monomyth arose from Joseph Campbell. He wrote his own book, The Hero of a Thousand Faces, within his writing he describes that heroes’ follow the same basic procedure throughout their quest(s). This is where the idea of the hero monomyth arose. In Michael Lewis’s novel, The Blind Side, he portrays “The heroic monomyth.” The Blind Side consists of the basic characters and archetypes that accurately reflect the heroic template.
In Homer’s The Odyssey, the main protagonist, Odysseus, is trying to make his way home to Ithaca, ten years later, after the end of the Trojan War. Odysseus is portrayed as a hero throughout the epic; however, the events surrounding his heroism is with considerable help from the gods and goddess. Being a hero is defined as a person who is admired or idealized for courage, outstanding achievements, or noble qualities. Based on the play, there is evidence to suggest that Odysseus is not a hero as defined but that he relied on the help of the gods and goddess.
Some people are born to be heroes. Some people may be forgotten heroes. Some people are born not to be heroes at all. In ways they are similar and in some ways they are different. John Campbell’s Hero’s Journey Monomyth shows the certain stages that a hero would traditionally go through to be qualified as a hero. Elie Wiesel is not a monomyth hero, because he does not follow the correct steps and does not hit enough steps to be considered a monomythic hero.
Studies have shown that the effects of classical music, are advantageous to both one’s ability to process and retain new information, as well as to recall and memorize old material. I believe that the outcome of an experiment of this nature will be entirely dependent upon the individual that the experiment is being conducted upon. Furthermore, due to the complexity of as well as the diversity found within humans, and the fact that no two humans are the same, I believe that the results will vary from person to person.
Heroes are found everywhere in the world. They are seen in movies, on television, in books, and in reality. A hero can be anyone, from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s
The word “hero” has several definitions. In Greek mythology, a hero was originally a demigod. A hero can be the principle character in a play, movie, novel, or poem. A hero can even simply mean someone who is discerned by outstanding courage, dignity, or power. Even though there a many different types of heroes, they have all been through a journey with many obstacles that they had to overcome. The journey of a hero is one huge cycle, starting at the home of the hero and ending at the same place, the home. There are two very important stages of journey cycle—the road of trials and crisis/salvation. The road of trials stage is basically the obstacles the potential hero had to overcome. The crisis/salvation stage is the disaster that occurred and how the hero was saved from it. Odysseus faced many obstacles, and there were many crises that he underwent. The journey of Odysseus was mythological. He left his homeland of Ithaca to go fight in the Tro...
The idea of a true hero is varied from person to person, because each viewpoint has a different idea of the personality that makes one a hero. There have been many fiction and non-fiction heroes that show different character traits, which influence people’s definitions of a hero. However, each person’s unique thought about a hero still focuses about one central idea: a hero must prove himself in order to earn his heroic status. This is the cornerstone of all the opinions about heroes because heroes have to show their heroism in order to become who they are in the end. At the beginning they are inexperienced, ordinary people who go on their adventures, and face their fears and weaknesses, but they develop greatly throughout these journeys. After comprehending what true heroism is and following it only then will they become heroes even though each of them has different traits. In the epic poem The Odyssey, by Homer, Odysseus gains the title of hero during his journey back to Ithaka, from Troy, by proving to be one. It is through his characteristics and experiences that he becomes the well developed man at the end of the book. In truth, because of his confidence, loyalty, and difficult struggles, Odysseus becomes a genuine hero to the people he defended.
Odysseus is unique among epic heroes in that his strength comes not from inhuman powers or exceptional physical ability, but mainly from his mind. Odysseus, regularly uses cunning, guile, and superiority of intellect to overcome obstacles. In this paper I will compare Odysseus to other epic heroes, both in terms of character and in terms of responses to crises, comparing his reactions with those of other heroes placed in similar situations.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
The story of Heracles that comes to people’s mind is not what Heracles had to do during his life. Throughout the life of Heracles, he has shown that he deserved to be remembered as a great hero, through the opposition that he faced from the husband of Zeus, the king of the gods, wife, Hera, because he was the son of Zeus and a mortal woman. Hera is the main reason that Heracles had to complete the 12 labors.
During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.
“The Odyssey” is an epic poem that tells the story of Odysseus and the story of his many travels and adventures. The Odyssey tells the main character’s tale of his journey home to the island of Ithaca after spending ten years fighting in the Trojan War, and his adventures when he returns home and he is reunited with his family and close friends. This literary analysis will examine the story and its characters, relationships, major events, symbols and motifs, and literary devices.
Wilhelm, Jeffrey D., et al. A Brief History of Heroes. 2004. Glencoe Literature. New York: Glencoe McGraw-Hill, 2009. 69-72. Print.