So was Your Grandpa as Cool as Mine
I recently discovered that I was the grandson of Praxiteles, one of the greatest Greek sculptors ever to pick up a chisel and hammer. During my grandfather’s time in Ancient Greece artists and sculptors used their work as a way to gain status and wealth within Greek society. I was surprised to learn that my grandfather was a pioneer and trendsetter in his art. He set himself above the rest by making his sculptures look as if they were almost human like. He is probably best known for being the first to sculpt a woman fully nude. My grandfather was sometimes known as the sculptor of grace. His works are some the most copied by the Romans even appearing on great deal of the Roman coins. Because his works were copied so, there has been some debate among the so called experts, as to if he really sculpted some of his more famous pieces (Richter). But nothing has proven just theories for now.
Within this article I will describe a few of his works such as Hermes and the Infant Dionysus, Aphrodite of Cnidus and Apollo Sauroctoris as well as the story or fable behind these great works. He preferred to work with marble but was also known for working with bronze as well. His work range included all ages and sexes, but he seemed to prefer the young gods like Apollo and Aphrodite. He was not interested in portraying the more dignified, older gods like Zeus or Poseidon (Museum of Art and Archaeology).
My grandfather was well known for always trying new techniques to make his art work look as real as possible. I learned that one of the techniques he used was to polish the marble to make the light reflect and contour off of the statue giving it a texture that gave a sensuous look (Museum of Art and Archaeo...
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...ity of the people in today’s society.
Works Cited
Richter, Gisela. "The Hermes of Praxiteles." American Journal
Of Archaeology. 35.3 (1931): 277-290. Web. 16 Jan. 2014.
< http://www.jstor.org/stable/498566.>.
Stewart, Andrew. "Praxiteles " American Journal of
Archaeology. 111.3 (2007): 565-569. Web. 16 Jan. 2014.
< http://www.jstor.org/stable/40027086.>.
"Hermes and the Infant Dionysos." Museum of Art Archaeology-University of Missouri. Database. 31 January 2014. . (Olszewski)
"Praxiteles ca. 400- 330 BC." Web Chronology Project Art
In the Western World Tradition in Chronology. Web. 5 February 2014. .
Olszewski, Edward J. "Praxiteles' "Apollo" And Plinys's "Lizard Slayer"" (
While visiting the Museum of Fine Arts Houston, I came across The Indian Triumph of Dionysus. Originating in Rome, it was created by a wealthy follower of Dionysus’s mystery cult in the late second century A.D. This worshiper evidently wanted to construct a sarcophagus in tribute of Dionysus’s accomplishments. Furthermore, Dionysus is surrounded by characters that are within the mystery cult because the creator wants the viewers to know with whom he is associated. With these two things combined, the patron hoped to shed light on a piece of history that they believed to be prominent during his life.
As time kept passing, more and more magnificent sculptures were made by numerous artists. One of the most memorable sculpture was Aphrodite of Knidos, goddess of love and beauty. Back in the Late Classical Period, the civilians were only used to seeing ideal male nude bodies, but Praxiteles decided to make a different approach and sculpted the first female nude. Because he obviously had never seen a goddess before, he used his imagination and sculpted bathing Aphrodite as humanlike possible. He did not make it look idealistic, but instead made it beautiful with flaws.
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
Ridgway, Brunilde S. Hellenistic Sculpture II: The Styles of ca. 200-100 B.C. Madison, Wisc.: The University of Wisconsin Press, 2000.
"Unhandled Exception." Ancient Greece - History, Mythology, Art, War, Culture, Society, and Architecture. 2008. Web. 27 Feb. 2011. .
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
...ers also look up to Lincoln as a hero. His methods are still very relevant today. There is even a memorial statue of him in Washington.”The spirit that guided him was clearly that of his Second Inaugural Address, now inscribed on one wall of the Lincoln Memorial in Washington, D. C.: "With malice toward none; with charity for all; with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in; to bind up the nation's wounds.... “ (Freidel, Sidney 1)
Although not every hero shouts “Avengers Assemble” before a worthy deed, heroism is shown in all aspects of the everyday world. Webster Dictionary has exactly 5 definitions under the word hero and still no two people explain heroism the same. Superman and Captain America are a glimpse of the fictional characters society titles a hero. Firefighters and Military portray heroism each day in the lives of every civilian. As Sullivan and Venter stated “individuals are referred to as ‘heroes’ for seemingly different reasons” and even through endless studies the adjectives referring heroes is ever changing. Among the various ideas of what it means to be a hero, boldness and valiance capture the essence of heroism.
Viewing the Lansdowne Hermes with a naked eye and what you will see is a larger than life-size statue depicting a man with an ideal body leaning with the majority of his weight on his right foot. His right arm is resting on his right buttock in an almost effortless pose. The left side of his body tells a different story. His left foot has barely any weight on it, and his left arm is supporting a pretty large portion of cloth wrapped so it perfectly wraps around the shoulder and rests just above the wrist. It appears that he was at one time holding some sort of sword or stick. To the naked eye that is what this sculpture seems to be, accepting a sculpture as a piece of art. Glancing at the Lansdowne Hermes you can appreciate beauty of art for beauty of art. However the sculptor had much more in mind when he created this figure from a large unscathed piece of marble.
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.