Right after the World War I, the majority of African Americans moved from South to the North of the United States. New economic and artistic opportunities led them to create and identify themselves in their own culture and heritage. This movement is well-known as the Harlem renaissance. It was accompanied by new lifestyle, music styles, and plenty of talented writers. This paper discusses two poems from this period: Heritage, written by Countee Cullen, and The Weary Blues, written by Langston Hughes.
There is a lot of mystery about the early life of Countee Cullen. He was adopted at age fifteen, and liked a singing of his adopting mother. According to Nelson (2000), that might be the reason why Cullen perceived poetry as muse-song. His role within the Harlem Renaissance was very significant. He was inspired by American black life and had written in conventional writing style. Through his work he remained in a sense of double-consciousness, “the very term African American” (Sayre, 2012).
Langston Hughes was one of the most productive writers of the Harlem renaissance, and one of the few artists of the movement who achieved fame and recognition (Kelley, Bloom, 2010). He enriched the circles of the Harlem renaissance not only by his poetry but also essays, short stories, novels, plays, autobiographies, and lyrics of blues and jazz. His poems have simple structure. Comparing to Cullen, whose poems were more conventional, Hughes wrote his poems in more intellectual way. Many of them incorporate elements from songs and sermons.
The poem Heritage is part of the Cullen’s first book of poems called Color. It describes the image of Africa in Cullen’s imagination, the split of self into a pagan and Christian (often refer...
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...nt was the main consequence of the slavery. In the Heritage it may be seen in lines sixty four through sixty seven. In The Weary Blues these scenes are evoked by the words as poor, sad, melancholy, nobody, ma troubles, can’t be satisfied, I ain’t happy no mo’, or I wish that I had died.
Works Cited
Kelley, J. B., & Bloom, H. (2010). Bloom's How to Write About Langston Hughes. Chelsea House Publishers.
Nelson, E. S. (2000). African American Authors, 1745-1945 : Bio-bibliographical Critical Sourcebook. Greenwood Publishing Group.
Powers, P. (2000). 'The Singing Man Who Must be Reckoned With': Private Desire and Public Responsibility in the Poetry of Countee Cullen. African American Review, 34(4), 661.
Sayre, H. M. (2012). The Humanities: Culture, continuity and change, Volume 2. (2nd ed.). (2011 Custom Edition). Upper Saddle River, NJ: Pearson Education.
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
Brown conducted a form of unorthodox anthropology fieldwork among southern ebony individuals within the 1920s and afterward engendered a series of dominant essays on ebony Folkways. Brown drew on his observations to engender a composed dialect literature that honored ebony individuals of the agricultural South rather than championing the early order of ebony life being engendered in cities and also the North. Brown's wanderings within the South portrayed not simply an exploration for literary material, however but an odyssey in search of roots more consequential than what appeared to be provided by college within the North and ebony materialistic culture in Washington. Both Brown’s poetry and criticism pursue the liberty referred to as Hughes. As a result of Browns in depth work in African American folk culture, he was well prepared to present his vision to a wider audience once the chance arose.
Langston Hughes was an African American poet who emerged during the Harlem Renaissance. The Harlem Renaissance strongly influenced most of Langston Hughes’s writing. In such works as “Dream”, “Still Here”, “Dream Deferred”, and “Justice” you see the clear messages that are trying to be voiced through his work.
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
Cullen was simply an amazing young man who won many poetry contests throughout New York, published two notable volumes of poetry (Color and Copper Sun), received a master’s degree from Harvard University and married the daughter of W.E.B Du Bois, a founder of the NAACP. Cullen grew up in the “heart” of New York since he was an adopted son of Reverend Frederick A. Cullen, minister of the Salem African Methodist Episcopal Church.
Countee Cullen's poetry illustrates a man who is torn between being born in the African American world, his career as a raceless poetic and dealing with his sexuality during the Harlem Renaissance period. Five of the seven volumes of poetry that bears Cullen's name have, in their titles, a basis for racial themes that comes out in the poetry itself.
When reading the literature of Langston Hughes, I cant help but feeling energetically charged and inspired. Equality, freedom, empowerment, renaissance, justice and perseverance, are just a taste of the subject matter Hughes offers. He amplifies his voice and beliefs through his works which are firmly rooted in race pride and race feeling. Hughes committed himself both to writing and to writing mainly about African Americans. His early love for the “wonderful world of books” was sparked by loneliness and parental neglect. He would soon lose himself in the works of Walt Whitman, Paul Laurence, Carl Sandburg and other literary greats which would lead to enhancing his ever so growing style and grace of oeuvre. Such talent, character, and willpower could only come from one’s life experiences. Hughes had allot to owe to influences such as his grandmother and great uncle John Mercer Langston - a famous African American abolitionist. These influential individuals helped mold Hughes, and their affect shines brightly through his literary works of art.
R: Trotman, C. 1995. Langston Hughes: The Man, His Art, and His Continuing Influence. Routledge 1995
Dubois, WEB. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 694-695. Print.
Langston Hughes wrote during a very critical time in American History, the Harlem Renaissance. Hughes wrote many poems, but most of his most captivating works centered around women and power that they hold. They also targeted light and darkness and strength. The Negro Speaks of Rivers and Mother to Son, both explain the importance of the woman, light and darkness and strength in the African-American community. They both go about it in different ways.
Langston Hughes was a large influence on the African-American population of America. Some of the ways he did this was how his poetry influenced Martin Luther King Jr. and the Harlem Renaissance. These caused the civil rights movement that resulted in African-Americans getting the rights that they deserved in the United States. Hughes was born in 1902 in Joplin, Missouri. His parents divorced when he was young and his grandmother raised him. She got him into literature and education; she was one of the most important influences on him. He moved around a lot when he was young, due to his parents divorce, but remained a good student and graduated high school. After this he traveled the world and worked in different places, all the things he saw in his travels influenced him. In 1924 he settled down in Harlem where he became one of the important figures in the Harlem Renaissance. He enjoyed listening to blues and jazz in clubs while he wrote his poetry. The music that he enjoyed greatly influenced the style and rhythm of his poetry. The poem “Dream Variations” by Hughes is about an average African-American who dreams of a world where African-Americans are not looked at or treated differently and they can rest peacefully. Yet in real life this was not so, black people and white people were not equal. And the world was not as forgiving and nice as in their dream. This poem is a good example of Hughes writing because it is typical of three things. The first is the common theme of the average life of an African-American and their struggles. Secondly, the style of his writing which is based on the rhythm of jazz and blues- he uses a lot of imagery and similes. Lastly, his influences which are his lonely childhood and growing up as an Afric...
Rampersad, Arnold. The Life of Langston Hughes. Volume 1: 1902-1941. Oxford University Press, New York, 1986.
During this era African Americans were facing the challenges of accepting their heritage or ignoring outright to claim a different lifestyle for their day to day lives. Hughes and Cullen wrote poems that seemed to describe themselves, or African Americans, who had accepted their African Heritage and who also wanted to be a part of American heritage as well. These are some of the things they have in common, as well as what is different about them based on appearance, now I shall focus on each author individually and talk about how they are different afterwards.
One of the most successful poets in this time was Langston Hughes. “Harlem” was one of Hughes’s popular poems during the 1950’s. The poem itself is short in length, but it has a lot of meaning behind it. During this time Hughes wanted to make a difference in poetry. He did not want to be labeled as the young man only speaking to African Americans. He wanted everyone to understand his great works, regardless of color. The poem “Harlem” itself mainly talks about the dreams being wasted being African American, but on the contrary Langston was fortunate all his life. Not all African American were poor and homeless, but some lived very nice lifestyles. Generally, Langston was never part of the struggle during this time. His family were considered middle class and they never went through hardships like the poem “Harlem” seems to be. Both his mother and father had well-paying jobs that supported him and his siblings. Although he was fortune as an African American child, he understood what African
The Harlem Renaissance was a cultural movement where African American poets were writing about the racial tension they experience. Most poems came from Harlem and were about the injustices and pride the black community felt. One famous poet was Langston Hughes. Hughes works were about the African American life starting in the twenties. Langston Hughes was the best writer of the Harlem Renaissance. He wanted his poems to the point and simple, rather than complex and wordy. His works were not written in sonnet like many other black poets. He believes that poem from African American poet should be different from their experiences. He wanted to tell real stories that including good and bad times that happen. His poems spoke to people everywhere, especially in the African American community. One of his poems goes over a hard time an African American would have to face when living under a landlord. Through the words in “Ballad of the LandLord” by Langston Hughes, themes of social injustices in the African American communities show the audience how African Americans were treated.