Introduction
Since the 18th century, Gothic Fiction has become a famous genre. As its popularity has increased during the decades it is still a well-known and much appreciated theme nowadays.
Whereas many female authors were restricted to feminist novels and had the reputation of being unable to compose works valuable for everyone, the onset of Gothic writing bore a whole new prospect for them (Heiland 1-8).
A famous example for such female authors is Charlotte Brontë. When she wrote Jane Eyre in 1847 she enqueued herself to the list of successful women of that genre. Even though Jane Eyre contains several aspects of the classic Gothic novel it differs in the font of the uncanny. Whilst novels such as Frankenstein, The Picture of Dorian Gray or Dr. Jekyll and Mr. Hyde allude to a supernatural matter and maintain surreal, Jane Eyre originates from an earthly reason.
In this paper a brief definition shall be given of what Gothic Fiction is. The main part will deal with the Gothic elements within Jane Eyre in chronological order. In a final step special attention will be given to the uncanny as it is found during several incidents within Thornfield Hall and why it is different from the classic Gothic. This will be done with special attention to the character of Bertha Mason – the protagonist when it comes to the Gothic aspect of the novel.
Gothic Fiction
Gothic Fiction is a literary field which emerged in the late 18th century. When it comes to defining its genesis, a precise point in time can hardly be given. Depending on the definition of what Gothic Fiction is, several literary periods bear elements of Gothic – from ancient prose to Shakespearean works, from post-medieval to post-Renaissance. However, the most defined pe...
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...extinguished, Jane and Mr. Rochester are able to spend their lives together and to restore peace. She was both a symbol and the reason herself for the burdens which especially Mr. Rochester carried during his life. Without her having died there would have been no way for Jane and Rochester to lead a prosperous consolidated life.
Conclusion
Jane Eyre indeed is a Gothic novel which shares a great deal of characteristics with the most famous Gothics. Still, its content and reason are beyond surreal factors. It incorporates mysteries and myths and some veritable supernatural happenings. Especially the real, psychological and social origins of the character's fears are the root of emotions and fears haunting the characters. Jane Eyre is a perfect sample for the challenges one has to face in life and the way they obsess one's thoughts and limit the ability to proceed.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
From the beginning of the novel, the main character, Jane encounters the supernatural. Charlotte Bronte uses both supernatural and gothic themes to enhance situations for the reader and to develop the characters. In particular natural imageries have been used to convey a human connection with the natural world and human nature (Franklin, 1995). Eyre portrays the intrinsic struggle between supernatural and the effects of nature. Branflinger and Thesing (2002) argue that Bronte used Gothic and the supernatural to explore and portray the darkest alleys of her own psyche which Bronte was deeply disturbed by (p309).
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
...erized by servitude and the lack of any supportive or nurturing love. Her quest to find love and her own measure of independence finds inspiration in the supportive and caring friendship she begins to develop at Lowood. Later, upon meeting Rochester, Jane’s life finds both the romantic and authentic love she has been searching for. However, the dark complexities of Rochester’s life coupled with her own need for autonomy and independence prevent her from being able to fully embrace this love. Eventually, however, through changes in both her own and Rochester’s circumstances, she is able to gain a sufficient degree of autonomy that empowers a stronger sense of “self;” when Jane does achieve this “stronger sense of self” she is then able to resolve the “war” within and, free from this conflict, is finally able to fully commit both herself and her love to Rochester.
Gothic Literature was a genre of writing created in the 1780's in order to give form to the impulses and fears of all mankind. It relied heavily upon the ideas of good and evil, and every emotion was symbolically externalized, either by nature, physical appearance, or crime, in order to establish a physical structure for the term evil. By the 19th century Romanticism began to appear, and slowly but dramatically changed Gothic literature forever.
Gothicism has been a very popular genre of book, through past and present, and Bram Stoker’s, Dracula, is no exception. One of the most widely read novels of all time, Dracula possesses all the features of a classic gothic novel. The various dark and dreary features throughout the entire novel paints a perfect gothic picture for the reader and contribute to the mixture of feelings One gets while reading Dracula. The first feature of Gothicism found in Dracula is a constant and oppressive darkness. This feature is a reoccurring theme that is related to everything in the novel from the characters to the events that take place. Another feature found in Dracula is presence of a ‘supernatural’ villain. Supernaturalism also surrounds the villain, Count Dracula in the countryside of Transylvania with the numerous superstitions that consume the local inhabitants. Finally, the reference to sleeping, dreaming and the blurriness of reality faced by some of the characters adds eeriness and unrest, enhancing the gothic premise of the novel. These examples are all traits of which gothic literature consists of. Through this paper, I will prove that due to the use of darkness, the supernatural and the blurred sense of reality, Dracula is a prime example of gothic literature.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
Brown’s perspective on the European fiction that, while gothic and therefore focusing on “superstition and exploded manners, gothic castles and chimeras”, merely appealed to popular taste and as such held the consensus that reading fiction was an idle pastime (Elliot, ix). Brown’s aim was to change the general consensus of fiction reading and create a genre that challenged readers to use their full intellectual capacity. He did this in Wieland through not only the dialectic, but also through allusions to the climate of the world he was living in. If we are to take Wieland as a representative for the American gothic, then the genre must achieve that goal.
One of the earliest gothic novels was Horace Walpole’s “The Castle of Otranto” from 1764. Since then the same elements used in that novel have been use to create gothic literature. In Professor Robert Harris’ article titled “Elements of the Gothic Novel” he describes ten elements that are present in one way or another in gothic literature. In the following paragraphs I will define these elements of gothic literature outlined by Professor Harris, and explain how Edgar Allan Poe used them in his short story “The Fall of the House of Usher”
Moseley goes on to say, “Liberty and love are in some way at war in the lives of all of us.” It is not until Jane reaches personal liberation, that she is capable of loving someone else to a full extent. Throughout Jane Eyre Jane must learn how to gain love without sacrificing herself in the process. Orphaned at an early age, Jane becomes used to a lackluster lifestyle without any true value. It is not until she finds love and comfort in her friends at Lowood that her life begins to turn around. Upon meeting Rochester, Jane’s life was only as plain as she made it. She untwines in a world wind romance, ultimately finding the love she craved without losing her self-value.
Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, England: Cambridge University Press, 2000) 15, Questia, Web, 29 May 2010.