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Analysing the revolt of mother
Postpartum depression investigation
Analysing the revolt of mother
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The short stories The Revolt of Mother by Mary E. Wilkins Freeman and The Yellow Wallpaper by Charlotte Perkins Gilman both have strong central themes dealing with gender roles and the domestic life that confined nineteenth century women. While the women in both of these stories change the protagonist in the Freeman story takes positive control of her situation and facilitates dynamic change in her life, while woman in the Gilman story slips into insanity. Both stories use figurative language in the form of symbolism, and irony, to illustrate the themes and to set the tone for the story. Both rely on diction to add depth to the characters.
Both stories share common central theme of negative female gender identification and the lesser role of women in the nineteenth century as compared to men of the same era. In the short story The Revolt of Mother the central character Sara is a wife of forty years whose husband Adoniram is more concerned about barns and outbuildings for his farm than of bringing his family home and living conditions up to standard. In the work The Yellow Wallpaper the central character is a wife in a middle-class marriage who is experiencing what appears to be post partum depression. Her psychological treatment is a type of quasi sensory deprivation which involves her being sequestered in a room where she becomes preoccupied with the patterns on the wallpaper. In both stories the women are expected to live in a childlike state of unawareness stifling their development and aspirations. In The Yellow Wallpaper the husband refers to his adult wife as a child when he states “What is it, little girl?”(Gilman). The farm wife in The Revolt of Mother is told by her husband to “tend to your own affairs” (Freeman) when...
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...d depth and credibility to the characters. In Freeman work the reader meets a woman is able to overcome the male dominated world around her giving hope to the reader. The Gilman work on the other hand relates a more tragic outcome where the woman moves into a state of madness.
Source Cited
Freeman, Mary E. Wilkins, The Revolt of Mother , The Norton Anthology of Literature by
Women. et al. 3rd ed, Eds. Gilbert, Sandra and Gubar, Susan, Vol. I. New York: Norton,
2007. Print Pages 1346 - 1356
Gilman, Charlotte P. The Yellow Wall Paper, The Norton Anthology of Literature by Women. et
al. 3rd ed, Eds. Gilbert, Sandra and Gubar, Susan, Vol. I. New York: Norton, 2007. Print
Pages 1392 – 1403
New Revised Standard Bible, Multiple Authors, New Oxford Annotated Bible-NRSV:
New Revised Standard Version, et al. New York: Oxford University Press, 2010, Print
So as we look at the lives of women back in the 19th century, they have the stereotypical trend of being a house wife, staying at home, taking care of kids, the house, and aiding the husband in his work. Being in charge of the household makes women have many responsibilities to take care of, but still women are often looked down upon and men who often think a women’s say is unimportant. The two short stories are about two women who have husbands that are successful and the women who feel suffocated by their lack of ability to live their own lives or make their own decisions. The two stories present similar plots about two wives who have grown to feel imprisoned in their own marriages. In the yellow wallpaper, she is virtually imprisoned in her bedroom, and does not even have a say in the location or decor of the room.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
In the 19th century, women were not seen in society as being an equal to men. Men were responsible for providing and taking care of the family while their wives stayed at home not allowed leaving without their husbands. In The Yellow Wallpaper, Charlotte Perkins Gilman writes about a woman named Jane who is trapped by society’s cage and tries to find herself. Throughout the story, the theme of self-discovery is developed through the symbols of the nursery, the journal and the wallpaper.
“The Yellow Wallpaper” was written around the time period when women’s main role, “was as wife and mother, keeper of the household, guardian of the moral purity of all who lived therein” (Hartman). Women were told what to do by their husbands and their thoughts were not so important in the 1800s. Women were sort of in an “imprisonment” controlled by all men. In “The Yellow Wallpaper,” Jane, the main character, is a woman suffering from postpartum. Jane’s husband is a Physician who thinks there is nothing wrong with her and because of the time period Jane could not get through to her husband that there really was something wrong with her. “John laughs at me, of course, but one expects that in marriage” (Gilman). John was putting a mental strain on Jane by isolating her and thinking that there is nothing wrong with her. Although feminism fit almost perfectly for Gilman’s story, it does not complete the modern day criticism of, “The Yellow Wallpaper.” Today, women have a bigger role in life as a whole. Women have high paid jobs, work on farms, have their husbands’ cook for the family, and lead other men. The women who have never known about the way women were once treated in the past may not view Gilman’s novella in a feminist way. If the...
Through character and diction, The Yellow Wallpaper by Charlotte Gilman, has fully portrayed the theme of “Gender Roles.” The narrator’s confinement and repression is solely based upon her gender. She is constantly being undermined by her husband, John, who is a highly ranked physician. John is always telling her what and what not to do. The narrator is constantly begins sentences by saying “John says.” She once said, “John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall” (Gilman, 613), showing us, the audience, that he is passive aggressive with her. Her husband won’t even let her write, saying that it’s detrimental to her health. John has respected job and his opinions dictate her life, while she and all woman will find their fulfillment at home, tucked away.
Other topics mentioned in Oakley’s review were also the three unsolved problems with women and health. She listed the three following topics regarding production, reproduction, and medicalization of psychological costs of women’s mental diseases. She also researched health vs. social product amongst women.
The Story of an Hour, by Kate Chopin, and The Yellow Wallpaper, by Charlotte Perkins Gilman, both have very similar themes, imagery, and a plot with very little differences. In both stories the theme of the two short stories is the ideals of feminism. Some similar imagery is the idea of freedom and living on one 's own. The plots are very similar, both woman coming into conflict with their husband, feminism, and a tragic ending. Also, both deal with the everyday problems women faced during the periods surrounding the time the stories were written. Mrs. Mallard, from Story of an Hour, and Jane, from The Yellow Wallpaper, both are trying to write their own destinies but their husbands prevent them from doing so. Mrs. Mallard and Jane both
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
During the 19th century, in eastern America, men were the heads of families and controllers of the work place, while women had little power, especially over their roles; particularly upper class women due to the lack of necessity for them to work outside the home. “Men perpetrated an ideological prison that subjected and silenced women”(Welter, Barbara). Their only responsibilities were to be modest, proper women who took care of themselves and did not stray from the purpose of motherhood. They were to remain in the home scene and leave the public work to the men; trapped in their own households, they were expected to smile, accept, and relish such a life. Barbra Walter also agrees that women were imprisoned in their homes, and were merely good for maintaining the family, “a servant tending to the needs of the family”(Welter). Many women's emotions, as well as minds, ran amiss from this life assignment and caused them to stray from the social norms set up by tradition. The narrator in Charlotte Gilman's story, The Yellow Wallpaper, is a victim of such emotional disobedience and rebelliousness. As well as the rebellious women in the poem The Woman in the Ordinary, by Marge Piercy.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
"Charlotte Perkins Gilman's "The Yellow Wall-paper"—Writing Women." EDSITEment: The Best of the Humanities on the Web. Web. 05 Mar. 2011.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
8th ed. Vol. C. New York: W.W. Norton, 2012. 662-72. Print.
Many people think that boys in our culture today are brought up to define their identities through heroic individualism and competition, particularly through separation from home, friends, and family in an outdoors world of work and doing. Girls, on the other hand, are brought up to define their identities through connection, cooperation, self-sacrifice, domesticity, and community in an indoor world of love and caring. This view of different male and female roles can be seen throughout children’s literature. Treasure Island and The Secret Garden are two novels that are an excellent portrayal of the narrative pattern of “boy and girl” books.